Mike Mettler

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Mike Mettler  |  Oct 15, 2014  |  3 comments
“Turn off your mind, relax, and float downstream.” John Lennon was referencing a theme from the Tibetan Book of the Dead by way of Timothy Leary’s book The Psychedelic Experience, but there really was no other way to start “Tomorrow Never Knows,” the pivotal track that ends Side 2 of The Beatles’ groundbreaking August 1966 album release, Revolver. And “Tomorrow”—originally identified on the recording sheet for “Job No. 3009” in Abbey Road Studio Three as “Mark I” when sessions commenced on April 6, 1966—is rife with studio innovations and flourishes only The Beatles and their revolutionary team of Abbey Road engineers could inaugurate as the methodology so many future artists would embrace: Inventing Artificial Double Tracking, a.k.a. ADT, to simulate the natural double-tracking of instruments and vocals (thank you, Ken Townsend).
Mike Mettler  |  Jun 01, 2017  |  0 comments
It was 50 years ago today that. . . well, you, of course, know the rest, don’t you? For on this storied day of June 1, 1967, The Beatles transformed the album format into an artform virtually overnight when they released the long-anticipated Sgt. Pepper’s Lonely Hearts Club Band. To get a relatively balanced perspective on Sgt. Pepper at age 50, I spoke with both producer Giles Martin and Little Steven Van Zandt about the album's impact on both sides of the Pond.
Mike Mettler  |  Jun 25, 2014  |  0 comments
“I’m just into the ethos of having great sound,” says Giles Martin, describing his surround sound mixing philosophy. “The intention of what we do is to make the journey as seamless as possible. I want people to enjoy what they’re listening to without thinking about it.” Martin’s “natural surround” philosophy is in full effect with the stellar 192-kHz/24-bit 5.1 mix he’s done for the 50th anniversary of A Hard Day’s Night, released on June 24 by The Criterion Collection in a Director-Approved Dual-Format Blu-ray and DVD Special Edition. (If you want to experience the film in a theater setting, it will be playing in almost 100 cities across the country on July 4, courtesy of Janus Films. Theaters and cities can be found by clicking here.)
Mike Mettler  |  Jan 04, 2013  |  0 comments

Happy New Year, S+V friends! What better way to break in that new turntable you got over the holidays than with a nice big vinyl box set that we're giving away?

Mike Mettler  |  Jan 11, 2017  |  0 comments
Glenn Hughes is known as “The Voice of Rock” for good reason. The bassist/vocalist’s long and storied C.V. reads like a playlist that’s been culled from the best British-bred AOR from the ’70s right up to the present day, including the likes of Trapeze, Deep Purple, and Black Country Communion. I called Hughes to discuss the latest twist on his writing process for his new solo album Resonate, how also being the album’s producer enabled him to stretch creatively, and how spinning vinyl and streaming music are very different listening experiences.
Mike Mettler  |  Sep 29, 2011  |  0 comments

Lindsey Buckingham totally owned New York's Town Hall this past Tuesday night.

Mike Mettler  |  Jul 24, 2013  |  0 comments

The seeds were planted at CES this past January in Las Vegas. I was ushered directly to the SSS, the Sweet Spot Seat (middle chair, second row) in GoldenEar Technology’s private suite at The Venetian. GoldenEar’s major audio domo, Sandy Gross, had been waiting patiently for my arrival so I could hear the company’s new speaker pair, the Triton Seven towers.

Mike Mettler  |  Jul 15, 2011  |  0 comments

We didn’t know it until about an hour or so before showtime, but we wound up seeing Gomez’s last North American summer tour date last night at Terminal 5 in NYC.

The reason, as noted here: key bandmember Ben Ottewell — a thirtysomething British lad with the singing voice of a 75-year-old bluesman — was ordered by doctors to rest his voice for no less than 2 weeks.

Mike Mettler  |  Jan 15, 2014  |  1 comments
“Music is astounding, isn’t it?” Graham Nash is genuinely enamored with the wonders of sound. There’s always a special twinkle in his eye whenever we get together to talk about the indelible music he’s made since the early 1960s, the new music he’s planning to make next, and how he plans to have it all, both new and old, sound even better. Nash, 71, and I met at the Broadway HQ of Random House publishing arm Crown Archetype in New York City to dive deep into his quite revelatory autobiography, Wild Tales. In addition to discussing all of the shadows, shades, and sweet sonic details to be found within Tales, we also delved into why he’s been working “under the headphones” on a Crosby, Stills, Nash & Young project that may very well become the first official hi-res Pono release. Carry on...
Mike Mettler  |  Jun 12, 2015  |  0 comments
Graham Parker has a surefire way of ensuring his longtime backing band The Rumour understands exactly how to execute the arrangements of his new songs: “You have to kick them a lot, very hard!” he says with a devilish laugh. He is, of course, joking (I think). Parker and The Rumour are quite in sync on Mystery Glue (Cadet Concept/UMe), as evidenced by the hard-edged wink/nudge narrative of “Pub Crawl,” the rollicking swing state of “Railroad Spikes,” and the silver-screen teardown on “My Life in Movieland,” which features Parker going to Tinseltown with (yes) a killer kazoo solo. Parker, 64, called from across the Pond to discuss his overall sonic goals for Mystery Glue, how and why his voice has improved over the years, and what he thinks of his earliest work. His passion for quality ain’t manufactured or just another sound.

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