Josef Krebs

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Josef Krebs  |  Jan 08, 2013

Dread

Graphic violence, gore, and wholesale shoot-'em-up slaughter. In the weak of heart or the strong of mind this might instill . . . well, dread - especially accompanied by catchphrase statements like "I am the law!" and "Judgment time!" - but the film is surprisingly inventive and at times visually striking.

Josef Krebs  |  Aug 28, 2014
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The Dark World launches with a history lesson telling of an ancient battle between the Asgardians and the Dark Elves on their home world of Svartalfheim. The Elves, led by Malekith, not only use enhanced warriors called the Kursed, but also the Aether—a terrible force that gives them great power. Although Malekith is vanquished, the Convergence—an alignment of planets allowing travel between them—permits his return. This is all well and good and very Lord of the Rings-y, but thereafter the film’s exposition just keeps on coming; and unlike LOTR, which gave visual presentations, The Dark World relies on the mellifluous voices of Anthony Hopkins and Idris Elba intoning endlessly about unlikely mythology, leaving you begging for someone to just get on with the action. Once things get rolling, though, there are plenty of passages of great home theater.
Josef Krebs  |  Apr 09, 2021
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Closing an almost 50-year career that began with Un Chien Andalou, writer-director Luis Buñuel—aided by screenwriting partner Jean-Claude Carrière—created a trio of subversive amusements that savagely poke fun at pillars of French society, including church, military, and figures of the establishment. The master surrealist did so by playing with and disrupting conventional narrative structures, questioning the validity of his protagonists' rationality, and reducing their self-serving behavior and values to nonsense while upsetting cinematic expectations of viewers.
Josef Krebs  |  Jul 30, 2014
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Touch of Evil is a tale of two cities, or at least two opposite towns sharing the same border. Coming from one side is priggish, by-the-book Mexican drug enforcement official Mike Vargas (Charlton Heston), who finds himself taking on brilliant, highly respected American cop Captain Hank Quinlan (Orson Welles), who plants evidence to bring the guilty to justice.
Josef Krebs  |  Mar 20, 2025
Oh, Canada
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For his 24th film, screenwriter-director Paul Schrader chose to do another adaptation of a novel by Russell Banks (the first one being Affliction). In it, dying acclaimed documentary filmmaker Leonard Fife (Richard Gere) wishes to give an extended filmed interview to his former student Malcolm (Michael Imperioli) in the presence of Fife’s wife and likewise ex-pupil Emma (Uma Thurman).

Josef Krebs  |  May 01, 2020
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Uncut Gems, like its lead character, Howard Ratner (Adam Sandler), is challenging. A brash, lying, motor-mouthed, but charming hustler trading in precious gems and jewelry from a store he owns in Manhattan's Diamond District, Howard's real talent is upsetting people—along with other self-destructive behavior like pissing off the loan sharks he's heavily in debt to.
Josef Krebs  |  Mar 13, 2020
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Is it the search for assorted MacGuffii—bank-heist loot, giant opal, camera that records brainwave images the blind can see—that sends self-destructive Claire, her writer ex, and a bounty hunter after thief Sam Farber? Or is it love? Threatening in the wings is a nuclear satellite plunging to Earth that, if shot down, could create a chain-reaction atomic pulse that wipes all electronic circuit boards, including the file of the novel the film is being based upon.
Josef Krebs  |  Nov 01, 2012

Alfred Hitchcock: The Masterpiece Collection

The 15 films from 1942-1976 gathered here - Saboteur (1942), Shadow of a Doubt (1943), Rope (1948), Rear Window (1954), The Trouble with Harry (1955), The Man Who Knew Too Much (1956), Vertigo (1958), North by Northwest (1959), Psycho (1960), The Birds (

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