Chris Chiarella

Nostalgia--that "twinge in your heart, far more powerful than memory alone" as Don Draper famously explained it--can be a potent ally to the modern filmmaker. With its risky and highly publicized meta-twist (which I won't spoil here, just in case), Spider-Man: No Way Home managed to complete director Jon Watts' arachno-trilogy on an epic scale, capping not only this story arc but one far grander, much as Avengers: Endgame did for the whole of the Marvel Cinematic Universe.

Following a dubious big-screen debut three years prior, the fate of the entire Star Trek franchise was at risk when The Wrath of Khan opened to somewhat skeptical audiences. They needn’t have worried: Khan essentially saved Star Trek from potential doom and has gone on to become probably the most beloved of the Enterprise’s cinematic adventures. This time out, a ship full of trainees—under a familiar command crew—get more than they bargained for when they embark upon one of the most dangerous missions any of them will ever face. Admiral Kirk (William Shatner) returns to active duty only to face Khan (Ricardo Montalban), a figure from his past now consumed by unreasoning hatred. Having recently acquired a dreadful weapon, Khan is a menace not only to his old adversary but to the galaxy at large.

With the theatrical re-release of Star Trek: The Motion Picture earlier this year, a new generation of fans has discovered its charms, thanks in large part to an extensive upgrade to the creator-approved Director’s Edition released on DVD in 2001 — the version personally overseen by director Robert Wise to better represent the movie the way he wanted to debut it back in 1979. But, now, a stunning new version of the film has emerged in the 2022 Director’s Edition, which presents this classic movie in 4K/HDR and Dolby Atmos for the first time.

I’ve seen some bad Star Wars movies and, well, The Force Awakens sure ain’t one of them. Yes, the plot is full of wild coincidences, implausible developments, and groan-inducing character moments. Worst of all, the events and even specific locations sometimes follow well-worn aspects of the classic canon a bit too closely. But these sins perhaps we can and should forgive. Filmmaker J.J. Abrams is a professed Star Wars fanatic, and his love and respect for the material have clearly guided this first new film since creator George Lucas divested himself of the fabled fantasy franchise.