It only took Roland Orzabal and Curt Smith, a.k.a. the twin towers of Tears For Fears, 18 years to follow up what was thought to be their final album (September 2004’s Everybody Loves a Happy Ending), but February 2022’s The Tipping Point might just be the release that resides at the apex of four decades’ worth of their creative push-pull partnership. (Incidentally, you can head on over to The S&V Interview later today to catch my deep-dive conversation with Orzabal about the making of the new album and his thoughts about TFF’s long penchant for serving up great surround sound releases.)
All-channel mixing maestro Giles Martin shared some truly key insights during his sitdown with Apple Music’s Zane Lowe in a global virtual live event this past Monday, in celebration of the Atmos mix Martin had recently completed for The Beatles’ November 2000 collection of (count ’em) 27 U.S. and U.K. chart-toppers oh-so-appropriately titled 1—as well as for their groundbreaking double-A-sided February 1967 single, “Strawberry Fields Forever/Penny Lane.”
The phrase “immersive audio” and the name of producer Giles Martin are practically synonymous terms these days, and his magic Atmos touch is out in full force on “Lucy in the Sky With Diamonds (Remix),” an updated Spatial Audio take on this most head-trippy of tracks from The Beatles’ truly seminal June 1967 masterpiece, Sgt. Pepper’s Lonely Hearts Club Band.
Hear ye hear ye, o fine fellow hi-fi-inclined friends o’ mine! It’s Week Three here in the always aurally intriguing world of the Spatial Audio File, and I’m more than ready to delve right on into five more choice selections for the best of this week’s Dolby Atmos mixes Made for Spatial Audio on Apple Music. Happy Spatial Listening, everybody!
Welcome back my friends, to the column that never ends—but in our case, that’s a good thing indeed. Yes, it’s Week Two here in the wide world of the Spatial Audio File—and rather than just ramble on, I’m instead going to get right into our choices for this week’s pick-six of great Dolby Atmos mixes Made for Spatial Audio on Apple Music. Happy Spatial Listening, everybody!
Welcome one and all to the inaugural weekly installment of Spatial Audio File. Some people call me the Spatial Audiophile—some people call me Maurice, though I advise against it—but at any rate, each Friday in this space, I will be reviewing select Spatial Audio releases on Apple Music by vetting and recommending key individual tracks and (occasionally) full albums via listening sessions on my home system and headphones alike.
Sound & Vision has long been an advocate for surround sound music. Back in the SACD and DVD-Audio disc heyday, we regularly reviewed multichannel music releases in those formats, and when they eventually ground to a halt, we moved on to music-only Blu-ray audio discs and then Deluxe Edition box sets. The latter now serves as the most common outlet for surround music on disc, most often presented on Blu-ray in the immersive Dolby Atmos sound format.