With two shows of very solid playing in the bag, we come to the end of the Colorado run. The guys are firing on all cylinders from the beginning, though they get tripped up a little in the second half of the first set - they're obviously going for it, but can't seem to get there.
The second show of a three-show run can be a difficult thing. When they've played as well as they did on Sept 2, there's pressure to follow it up with something amazing.
If ever there were a way to show how much Phish appreciates its fans, it'd be a set like this one. Longtime Phish fan Scott Nowak died in August, and the rumor among Phish fans was that this show was in memory of him.
Set in the South in 1858, two years before the Civil War, writer-director Quentin Tarantino's Spaghetti-sauced Western (or more accurately Southern) Django Unchained tells of Django (Jamie Foxx), a slave bought and freed by a German-born bounty hunter, Dr.
By 1949, Mickey Cohen (Sean Penn), a New York Jew, has gone West to follow his manifest destiny to take over Los Angeles and then the whole of the Western United States through buying politicians, judges, and cops with profits from his vice, gambling, and drug rackets.
In Silver Linings Playbook by director David O. Russell (Three Kings, The Fighter, I Heart Huckabees), former high school history teacher Pat Solatano (Bradley Cooper) gets out of a state institution after spending eight months incarcerated there.
This is a story of fathers and sons. As previous seasons have shown, every gangster, it seems, starts as a kid with a difficult relationship with their dad and every hood has an equally important relationship with their boy. James "Jimmy" Darmody (Michael Pitt) stabs his father, Commodore Louis Kaestner (Dabney Coleman).
As with Baz Luhrmann's Moulin Rouge!, with this adaptation of F. Scott Fitzgerald's classic novel set during the Roaring Twenties, the writer-producer-director creates a series of set pieces of bravura filmmaking with careering camerawork of huge zoom-ins and acrobatic fly-arounds all tied together with rapid montages.
Based on director Joseph Kosinski's acclaimed graphic novel, Oblivion is set in the post-apocalyptic future in which an invading alien army is beaten but only through the use of nuclear weapons that leave the planet uninhabitable.
When on-the-skids Broadway theatrical hustler Max Bialystock (Zero Mostel) has his financial books examined by timid, nervous nebbish accountant Leo Bloom (Gene Wilder), the casual conversation that ensues persuades each of them that by producing a really, really dreadful play in order to ensure a massive flop, they can make more money than if they had a hit.
42 is so schmaltzy, clean-cut, clean-living, and well brought up that it makes sentimental 1940s-made baseball biopics with Jimmy Stewart (The Stratton Story) or Gary Cooper (The Pride of the Yankees) seem positively cynical and bawdy in comparison.
This 1997 tale of middle-class conformity and malaise, directed by Ang Lee (Life of Pi, Crouching Tiger, Hidden Dragon, Brokeback Mountain) tells of the Connecticut suburb of New Canaan circa 1973, a land of bored, half-hearted adult experimentation with long-term relationships and casual sex while their youngsters experience their own first exciting and troubling attempts at the same.