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Jamie Sorcher  |  Jan 03, 2008

Former jazz musician and big-band arranger/composer Dave Schulz isn't too far from his passion these days. His stage now is the store he opened 7 years ago, Audio Video Synergy (908-213-0001).

Jamie Sorcher  |  Nov 03, 2007

Like many other A/V stores, California Soundworks (californiasoundworks.com, 661-945-0971) started out as a home stereo store selling gear to audiophiles. That was back in 1979.

Jamie Sorcher  |  Dec 02, 2007

Like many other A/V stores, California Soundworks (californiasoundworks.com, 661-945-0971) started out as a home stereo store selling gear to audiophiles. That was back in 1979.

Jamie Sorcher  |  Jun 03, 2007

Now nestled in a converted gas station, CSA Audio Design (csaaudiodesign.com; 973-744-0600) has built a name for itself over the past 30 years as a custom-installation resource and retail store in Upper Montclair, New Jersey.

Jamie Sorcher  |  Oct 11, 2007

In a basement in 1975, back when turntables were big business and Linda Ronstadt ruled the airwaves, three friends started Definitive Audio (definitive.com, 206-524-6633). In its early days, the high-end store sold two-channel gear by the likes of Mark Levinson and Magnepan. There was no video.

 |  Nov 04, 2005

As I was listening to the group commentary on the Season 1 pilot, it seemed like the cast had a genuine camaraderie. We had a lot of fun. Yet we're all such different people - and we're not in the same age category either.

 |  Sep 05, 2005
It must be very satisfying for you to see one of your pet creations finally make it to DVD. My wife and I were just watching the DVD, and it looks terrific. It was fun to see again after all these years.

You did commentary tracks on the first two episodes ["License to Steele" and "Tempered Steele"] along with your co-creator, Robert Butler.

 |  Sep 05, 2005
I watched the show when it was first on the air in 2001 and 2002 and have been waiting for it to come to DVD for a long time myself - so it must be satisfying for you to finally have all 19 episodes in one place on DVD. Yeah, it really is.
Mike Mettler  |  Oct 09, 2008

I find it interesting that you chose to start releasing The Smothers Brothers Comedy Hour on DVD (Time Life) with a collection of the best episodes from Season 3 (1968-69). That's the season we got fired from CBS. I was very, very, very reluctant to put this show out on home video.

Al Griffin  |  Apr 03, 2006

The compact Targus SoundUP iPod sound enhancer plugs into any third- or fourth-generation iPod or iPod photo and is said to "recreate studio-quality sound" from digitally compressed music. That's a big claim for such a little device - one we had to check out.

Rob Sabin  |  Jul 12, 2011
SRS & the Future of Surround

Like most Home Theater readers, I’ve known SRS Labs primarily as the company that does virtual surround sound and other audio solutions for HDTVs and soundbars—features largely dismissed by serious enthusiasts as lightweight hocus-pocus. So it was with some skepticism that, back in March, I rolled into the firm’s Santa Ana, California, headquarters for a private demo of some new surround sound technology.

 |  Oct 31, 2006

The Ghost of a Machine (October 2006) Despite an onslaught of new displays, CRTs just won't die

Thanks for the Memories (July/August 2006) The short, sad lives of DAT, DCC, MD ... and SACD

 |  Feb 15, 2006
Amsterdam's Royal Concertgebouw Orchestra basking in a well-deserved standing o' at Carnegie Hall

davids_dartboard_logo02/15/2006 Last night I attended a stupendous concert at Carnegie Hall: the Royal Concertgebouw Orchestra from Amsterdam conducted by Mariss Jansons played Shostakovich

David Ranada  |  Apr 04, 2006

04/05/2006 On Monday I heard that later this week Mitsubishi will be showcasing some rear-projection TVs based on Texas Instruments' digital micromirror (DMD) DLP technology.

David Ranada  |  May 02, 2006

05/02/2006 On April 21, our local National Public Radio outlet, WNYC, broadcast (and streamed over the Internet) an episode of the station's Radio Lab program. This slickly produced series combines aspects of NPR-style radio journalism with modern audio-studio production techniques that are the sonic equivalents of MTV-type visual effects.

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