Ever wonder why mediocre titles like The Scorpion King 2, Scooby Doo, and Happily N'Ever After are available on Blu-ray while classic blockbusters, beloved series, and your favorite films of all time can only be found on DVD? You might be surprised to learn it has little to do with what consumers want.
Sure, you can make a ballad with a sexy sax solo the first thing people hear on your new record…but why? Here are 25 bands that know how to make a first impression-with thunderous guitar riffs, plane crashes and cathedral bells that signal sonic apocalypse.
A home theater is nothing without a first-rate surround setup, and a 7.1-channel system can give you the most compelling sound experience that today's technology can offer. But having the right receiver and the right number of speakers doesn't mean you'll magically get the most out of your system.
Most folks shopping for a home theater receiver or amplifier are bound to have their eyes peeled for a single number: the power rating. Ideally, this spec will tell you how much juice a particular amp can deliver to a given set of speakers under normal conditions.
For nearly a decade I've been profiling custom home theaters for Sound & Vision, and in all that time I've never really had my own - or even a space carved out exclusively for watching movies or listening to music. And let me tell you, envy can be an ugly thing.
Chris Lewis | Jul 02, 2001 | First Published: Jul 03, 2001
Part two in our high-resolution-audio series introduces SACD and DSD. The CD is dead. Long live the super CD.
You must allow me a bit of hyperbole for the sake of a powerful opening statement (which, as I assume they say in journalism school, is important). The truth is, the CD is about as dead as the analog television, which means it's alive and kicking just as it has always been. Still, the writing is on the wall for both formats. While the CD can at least take consolation in the fact that it doesn't have government mandates guaranteeing its demise, the future of audio has most definitely arrived (as with television) in the form of high-resolution. Let's not forget multichannel, either. While the hard-core music lovers are salivating over the potential of high-resolution, most are well aware that popular acceptance in America usually requires the new and different to be as big and flashy as possible. On many systems, the multichannel format is undoubtedly going to represent a more-noticeable change in the way people listen to music.
Hooray! you've finally got that 50-inch plasma HDTV you've been lusting for since the days when they cost a cool 10 grand. Excited with your same-as-cash, no-payments-for-a-year 1080p deal, you grab a beer, settle into the sofa, and tune in one of the games in DirecTV's NFL Sunday Ticket package, ready to watch the greatest image you've never seen.
On my very first visit to Costco, I saw something that burned itself into my brain: a shopping cart loaded with baby formula, junk food, and a 23-inch flat-panel TV set. I felt the same way a fashionista would watching someone use an Armani shirt as a dust rag.
"Bigger than ever" was a recurring theme at CES 2005. Bigger attendance (more than 140,000), bigger screens (including a 102-inch prototype plasma TV), and bigger bust lines on the manufacturers' spokesmodels. The number of exhibitors also broke the record.
The numbers I've seen lately say that the vast majority of people who buy a Blu-ray Disc player are completely satisfied with it. On the other hand, most people aren't even aware of the format or are confused about what it is.
For years, in-wall and in-ceiling speakers were the 98-pound weaklings of the speaker world. Lacking the muscle needed for realistic-sounding music playback - let alone action-movie soundtracks - they were ignored by anyone who took sound seriously.
But the once-ridiculed category has re-emerged, surprisingly pumped and ready to kick sand in the face of that conventional wisdom.
The introduction of the compact disc was the greatest single leap forward in the history of recorded audio after Edison's invention of the phonograph in 1877 and the introduction of electrical recording in the late 1920s. By 1983 the long-playing (LP) record had entered what the late Peter Mitchell, my prime audio mentor, aptly referred to as its Baroque period.
Ah, the sweet smell of vindication. There's nothing better than seeing things turn out exactly like you said they would, particularly when it happens despite the skepticism of others. As I predicted, the Celestial Jukebox is open for business. Sometime ago, a few of us foresaw the day that music lovers would be able to quickly access every piece of music ever recorded.
What's the most popular audio evaluation tool in the world? It's RadioShack's model 33-4050 sound level meter. What's the most controversial audio evaluation tool in the world? That same little $45 meter.