2D Performance 3D Performance Features Ergonomics Value
Price: $3,800 At A Glance: Exceptional black levels • Outstanding detail and color • Head-tilt 3D ghosting
With the growing popularity of LED backlighting for LCD HDTVs, it’s easy to forget that not all such backlighting is created equal. LEDs can be configured to provide either backlighting or edge lighting. In either case, the lighting can be steady, with image brightness dependent only on the pixels of the LCD imaging panel, which darkens the picture as the source requires. Or the lighting can be dynamic, in which the set can dim the backlighting or edge lighting from instant to instant, as needed, assisting the LCD pixels in adjusting for the optimum light output.
There was a time in the not-too-distant past when a 46-inch LCD was a rarity, and a $3,800 asking price a bargain. As prices continue to plunge in this category, a $3,800 46-inch LCD finds itself occupying high-end territory. If a manufacturer wants to compete in this space, they had better be prepared to meet high-end expectations in features, performance, and style. The question before us now is, does Sony's KDL-46XBR2 do just that?
When I reviewed Sony's <A href="http://ultimateavmag.com/flatpaneldisplays/408sonykdl52/">KDL-52XBR4</A> LCD TV in April 2008, I was very impressed for the most part. With excellent color and exceptional detail on HD material, my only reservations were a slightly soft appearance on SD content and a black level that remained a bit elevated on real-world programs. (The black level mysteriously dropped on certain test patterns, even with all dynamic settings disabled.) Also, its list price of $4000 was pretty steep.
The Sony XBR4 series of LCD TVs is very well-regarded among reviewers and consumers alike. I've had the opportunity to closely examine the 46-inch member of this line, and I found it to be a stellar performer in most respects, as did Tom Norton in his <A href="http://ultimateavmag.com/flatpaneldisplays/907sonyxbr4/">review</A>. The KDL-52XBR4 is no different, bringing excellent picture quality to a 52-inch, 1920x1080 screen.
Price: $3,400 At A Glance: Great detail and color • Lower black level than most conventional LCDs • Integrated Internet TV • Menu system not my fave • Some off-axis discoloration
The Right Stuff
I’m old enough to remember when Sony introduced its first XBR models, which were top-of-the-line CRT TVs. Since then, the company has continued to use XBR in the model designation of its flagship flat panels, adding a number to indicate each new generation.
2D Performance 3D Performance Features Ergonomics Value
Price: $2,600 At A Glance: Deep, uniform blacks • Superb out-of-the-box color and crisp detail • Head-tilt 3D crosstalk
The most popular, current approach to designing an LCD HDTV with LED lighting is to position the LEDs around the periphery of the screen and rely on diffusors to spread the light out uniformly. Sometimes (but not always) the brightness of the LEDs is also altered dynamically to help the LCD pixels create deep blacks, where needed.
2D Performance 3D Performance Features Ergonomics Value
Price: $3,300 At A Glance: Rich black level and good shadow detail • New color technology • Bright, punchy 3D
The new KDL-55W900A is Sony’s newest, top-of-the-line, non-XBR set. All of the XBRs, going forward, will be Ultra HD (4K) sets, but the KDL-55W900A, as all of the KDL designs, is firmly in the standard HD, 1920 x 1080 camp. It’s an edge-lit design with local dimming, but its marquee feature has nothing to do with contrast and black levels. Color is the plot here, and Triluminos, a term Sony has used in the past (see sidebar), promises a wider color gamut.
Sony is arguably the most powerful brand name in television. The Trinitron is the premiere picture-tube technology known to two or three generations of TV buyers. But what has Sony done for us lately? In front and rear projection, the company has mustered SXRD, a visually credible version of silicon-based liquid-crystal technology. Only in flat panels, the subject of this review, has Sony yet to earn a commanding role.
2D Performance 3D Performance Features Ergonomics Value
Price: $3,500 At A Glance: Plasma-quality blacks • Near flawless color • Bright, vivid 3D
All LCD HDTVs require some form of backlighting. The LCD panel’s pixels modulate the light and provide filtered color, but without backlighting to shine through the panel, you’d have no picture. Recently, LEDs (light-emitting diodes) have replaced the fluorescent backlights used in older flat-screen LCD sets. LCDs aren’t perfect in blocking light (which is why so many early models had poor black levels), but if you can shut off or dim the LEDs on demand, the LCDs’ light-blocking chores become far more efficient. And LEDs can do this; they can be shut off and turned back on almost instantaneously in reaction to the signal coming in.
When it comes to picture quality, LCD TVs ?with a full-array, “local dimming” LED backlight tend to outperform their edge-lit LED brethren by a not insubstantial margin. We’ve covered the particulars of LED backlight tech before, so I won’t get sidetracked in explaining it here, but the finer control afforded by a full-array design allows for improved contrast and, for the most part, better uniformity when displaying dark images. Sony was among the first TV makers to push full-array for LCD, and then mysteriously put the tech on hold. But it roared back in 2011 with the XBR-HX929 line, a series that pushed full-array to new heights. The newest such sets to arrive from Sony are the HX950 series, which started shipping in late 2012. Can they match, or even exceed, Sony’s vaunted HX929 TVs?
Price: $2,795 At A Glance: Built-in multifan airflow cooling system • Discrete IR input • Watertight cable entry compartment cover
A number of years ago, I wrote an article about putting together a backyard home theater using an inflatable front-projection screen from Sima. It was a blast—and more than just a blast of air from the pump that inflated the Michelin-Man-dream-date, 72-inch-screen-covered blimp in less than 6 minutes. I took the setup to a friend’s house one Saturday during my “research” where we had a three-family movie night on the patio in his backyard. Sodas and margaritas flowed freely that evening. Much popcorn was popped. I don’t think any of us remember the actual movie, but to this day none of us has forgotten how much fun we had—more fun, as a matter of fact, than we’d ever had watching a movie the proper way inside the house.
At 3D theaters, you’re handed lightweight passive glasses that work in tandem with a polarizing filter positioned over the projector’s lens. When viewing at home with a 3D TV, you use bulky, battery-powered glasses with active shutter liquid-crystal lenses. Passive glasses in theaters are cheap and easily replaced. But at an average cost of $100 per pair, glasses used at home represent a sizable investment. Better to put them in a safe place — and keep ’em away from kids!
Manufacturers are finally making a big push to position the TV as the central hub it was always meant to be. Case in point: LG. Not only does its 55LM7600 feature the company’s excellent Smart TV interface, but it also has a Web browser, multiple USB inputs to attach flash or hard drives, and more. This 55-inch set represents TV/computer convergence driven from the TV side, complete with a gorgeous, computer-style icon-based interface and a “Magic Remote” that works like a wireless mouse.