Fairy tales have been reinterpreted throughout history, often with great success. Little Red Riding Hood has been updated by artists from Tex Avery to Stephen Sondheim; it was even presented as a very funny Fractured Fairy Tale on the Rocky and Bullwinkle show. Unfortunately, Catherine Hardwicke’s new version doesn’t belong in such high-class company.
A brown leaf floats on brilliantly clear water that flows over rich green seaweed. That’s just one of the many lyrical images that fill the opening sequence of Solaris. A horse trots along in the background. A cup of tea overflows in a momentary thunderstorm — the rain stopping as quickly as it started, leaving the sound of dripping water and then a serene silence.
Forty years have hardly put a dent in Straw Dogs, the controversial 1971 film by director Sam Peckinpah (which spawned the faithful remake now showing in theaters). With its graphic depiction of violence, the movie remains as disturbing as ever.
Clinical depression isn’t exactly the stuff of Hollywood dreams. And in 2011, neither is Mel Gibson. His real-life drunken tirades have cost him dearly — and they make him an unlikely candidate for the necessarily sympathetic movie role of a severely depressed man who takes to talking through a beaver hand-puppet just to survive.
File this one under Wasted Potential. The Green Hornet does have plenty of visual style, courtesy of director Michel Gondry. It also has the likable Seth Rogen as the title character, the awesome Christoph Waltz (Oscar winner for Inglourious Basterds) as the bad guy, and Cameron Diaz as the brainy eye candy.
File this one under Wasted Potential. The Green Hornet does have plenty of visual style, courtesy of director Michel Gondry. It also has the likable Seth Rogen as the title character, the awesome Christoph Waltz (Oscar winner for Inglourious Basterds) as the bad guy, and Cameron Diaz as the brainy eye candy.
File this one under Wasted Potential. The Green Hornet does have plenty of visual style, courtesy of director Michel Gondry. It also has the likable Seth Rogen as the title character, the awesome Christoph Waltz (Oscar winner for Inglourious Basterds) as the bad guy, and Cameron Diaz as the brainy eye candy.
There’s a particularly wonderful scene in The Illusionist, the animated movie adapted and directed by Sylvain Chomet (The Triplets of Belleville) from a previously unfilmed script by Jacques Tati. When the Monsieur Hulot-like character familiar to fans of Tati goes into a movie theater, there’s Tati’s Mon Oncle up on the screen in live action.
The story was irresistible: A group of men (eventually joined by a teenage girl) escape from a vicious labor camp in Stalin's Gulag and make their way, on foot, to the safety of India, traveling through Siberia, the Gobi, and the Himalayas - a distance greater than the length of America.
People usually remember where they were and what they were doing at the time of an earthshaking event. It’s likely you remember for September 11, 2001. I know I do.
Director Abdellatif Kechiche has crafted an engaging, truthful tale of unexpected and tempestuous romance between two young women. At three hours, it explores these characters and their relationship in extraordinary, almost excessive detail, so be warned. The graphic lovemaking scenes have garnered something of a reputation for Blue Is the Warmest Color, but they are in service to a powerful story of wild emotion. Despite dozens of international awards, including the top prize at Cannes, this one was hard to find in theaters here in the States, so this Blu-ray is especially welcome.
Screenwriter-director Woody Allen serves up a delicious modern variation on Tennessee Williams’ A Streetcar Named Desire filled with humor, tragedy, and great performances. Leading the cast is a towering Cate Blanchett as Jasmine, a former New York socialite whose life has fallen to pieces. The story is told by flashing back and forth between her old life of luxury and glamour in her 5th Avenue, Manhattan mansion (and summer house in the Hamptons) and her new humble and humbling existence living with her working-class sister (Sally Hawkins) in San Francisco after Jasmine’s successful businessman husband (Alec Baldwin) is sent to prison for fraud and all their funds seized.