<IMG SRC="/images/archivesart/410hidalgo.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Famed horseman Frank T. Hopkins (Viggo Mortenson) enters a grueling competition—"The Ocean of Fire"—with his mustang Hidalgo. Together, they must not only survive a 3000-mile race across the Arabian desert, but they must also prevail over competitors who will stop at nothing to win.
An undeniable dramatic masterpiece, High Noon has lost none of its considerable power to enthrall an audience with its relentless suspense born of inexorable doom. We know at once that Marshal Will Kane (Gary Cooper) is a damned good man. Yet when news breaks that a murderer he sent to hang is instead returning with his gang for revenge, he is heartlessly shunned by the townsfolk he has risked his life to protect.
Clint Eastwood has been a household name for over 50 years thanks to his impressive Hollywood résumé that includes work in TV as Rowdy Yates on Rawhide and as a movie star playing such iconic characters as Dirty Harry, Josey Wales, and Philo Beddoe, but it’s his work as a director that has had the greatest impression on me. Believe it or not, the iconic actor has directed 35 films since 1971 winning two Oscars in the process for Unforgiven and Million Dollar Baby.
<IMG SRC="/images/archivesart/hsm3.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>America's favorite Wildcats are back for their exciting final year at East High. Amidst a basketball championship, prom, and the big spring musical, Troy (Zach Efron) and Gabriella (Vanessa Hudgens) vow to make every moment count, as their lifelong college dreams put the future of their relationship in question.
This is the funniest classic film that doesn’t star the Marx Brothers and one of the best—certainly the most frantic—newspaper movies (outgunned only by the very different All the President’s Men). It also marks the peak in director Howard Hawks’ fling with super-fast pace and overlapping dialogue, which he’d pioneered over the previous two years, with Bringing Up Baby and Only Angels Have Wings, and which influenced many future directors, notably Robert Altman.
<IMG SRC="/images/archivesart/403hitman.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Based on the popular video game, <i>Hitman</i> stars Timothy Olyphant as a genetically engineered assassin known as "Agent 47." When an assassination doesn't go as planned, the hunter becomes the hunted as he is pursued across Eastern Europe by both Interpol and Russian agents.
Ben Affleck drunk, and wearing tights- threat or menace? Actually <I>Hollywoodland</I> reminded me that we once knew Ben Affleck's name because of his acting talent and not the sheer tonnage of projects he was involved with or who he was engaged to. This well crafted movie tells the story of the death and then life of George Reeves, the Superman of 1950s camp TV. Coming in I knew nothing of Reeves' mysterious death let alone his life beyond the tights. <I>Hollywoodland</I> weaves through Reeves' life by way of a private investigator's look into his death, a character the film's creators acknowledge is an amalgam of several people and not a real person. The other chracters names have apparently not been changed to protect the innocent (or guilty).
The following reviews appeared as "Reference DVD" features in the Movies section of Sound & Vision. Out of the 22 discs chosen for their exceptional audio and video from September 2000 through July/August 2003, I consider these five the standouts. BLUE CRUSH Universal
All the clichs are in place. New coach with a checkered past and something to prove. Down-on-its-luck team. Hostile, meddling townsfolk. The big game. You've seen it all before.
Three friends, Nick (Jason Bateman, Kurt (Jason Sudeikis), and Dales (Charlie Day), are slaving away at their jobs in Los Angeles and have one thing in common; they each have horrible bosses. One night they hatch a foolproof plan to murder them and hire an ex-con (Jamie Foxx) as an adviser. Well, he isn't what they expected and their foolproof plan has a very likely chance to get them thrown behind bars for the rest of their lives.
At some point in your life, you're going to end up with a horrible boss. In fact, I've been unfortunate enough to have a few of them over the years. But as bad as things were, I never once contemplated murder (torture, maybe, but never murder!). Anyway, I found this movie to be mostly entertaining for the first two acts and I actually felt a little something for the characters. Sadly, the third act falls apart with childish antics and plenty of foul language.
<IMG SRC="/images/archivesart/hotfuzz.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>London police officer Nicholas Angel (Simon Pegg) is too good for his own good. His arrest record is tops in the department, which makes everyone else look bad, so his supervisor arranges a promotion and he's transferred to Sanford, a small, quiet town in the country. The crime rate is very low, but something is amiss because there are so many fatal accidents, so Nicholas and his bumbling new partner Danny (Nick Frost) are on the case.
Looking to cheer up one of their old friends (Rob Corddry) who just attempted suicide, Adam (John Cusack), Nick (Craig Robinson), and Adam's nephew Jacob (Clark Duke) take a road trip to a ski resort where they hung out in the 1980s. After a wild night of partying and hot tubbing, the quartet finds themselves transported back to 1986 and they must relive their experiences without causing a "butterfly effect."
Judd Apatow has ruined the typical Hollywood comedy with his sick sense of humor. Granted, he had nothing to do with this production, but it's a pure rip-off of his brand of humor that I personally don't find very funny. The language is so harsh a sailor would blush, there are multiple scenes with projectile vomiting, and too many crude sexual references befitting teenage boys and not grown men. It's pretty sad when the most mature member of the groups is actually a teenage boy.
<IMG SRC="/images/archivesart/hoteldogs.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Two orphans, Andi (Emma Roberts) and her younger brother Bruce (Jake T. Austin), find themselves in a foster home with a strict "no pets" policy, so they set out to find a home for their dog Friday. Using an abandoned hotel in their neighborhood, they soon realize it can house more than just their own dog, and they end up creating a haven for all the strays in the city.
Hotel manager Paul Rusesabagina (Don Cheadle) is put between a rock and a hard place when he's confronted with saving his family or doing whatever he can to save over 1,200 Tutsi refugees from being massacred by Hutu extremists.
The world can be an ugly place and in 1994 the situation in Rwanda resulted in over 1 million deaths. Men such as Rusensabagina show us that despite all the bad in the world, there are truly good people that will stop at nothing to do what is right, even if it means sacrificing their own life. Cheadle's performance earned him an Oscar nomination, but in my opinion he was robbed when Jamie Foxx won for his portrayal of Ray Charles.
Lisa (Reese Witherspoon) is in the emotional dumpster after getting cut from the Olympic softball team and shacks up with a major league baseball player and ladies' man, Matty (Owen Wilson) while she tries to put her life back together. Shortly after their relationship takes root she meets George (Paul Rudd), a business man facing his own personal issues with his father and a pending indictment by the Justice Department, and the two become good friends but could there be more to the relationship than she realizes?
Writer-director James L. Brooks' has quite a resume and I guess every now and then even the best of writers will release a stinker, and this certainly qualifies. The love triangle storyline had possibilities between Rudd, Wilson, and Witherspoon, but there are too many loose ends with Rudd's neurotic secretary (Katheryn Hahn) and his father (Jack Nicholson) that could have been excluded to quicken the pace and make the film more interesting.