The S&V Interview

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The S&V Interview

An Ounce of Prevention

Rebecca Day | Aug 28, 2007 | First Published: Aug 29, 2007

<I>When it comes to changing technology, Florida's Audio Video Lifestyles proves that it pays to think ahead.</I>

The S&V Interview

Andy Summers on His One-Man Sonic and Filmic Synchronicity

Mike Mettler | Oct 08, 2015

Is it fair to say everything little thing Andy Summers does is magic? It certainly seems that way, as the onetime Police guitarist is experiencing a late-career renaissance, having recently dropped a diverse instrumental album, Metal Dog (Flickering Shado), and narrated an acclaimed documentary about his former band, Can't Stand Losing You: Surviving The Police (Cinema Libre). Summers, 72, and I recently spoke about creating those signature Metal Dog soundscapes, becoming a voiceover artist, and the (sorry) arresting nature of The Police's unique chemistry. His not-so-secret journey makes us all see light in the darkness.

The S&V Interview

Arlo Guthrie Gives Thanks for 50 Years of “Alice’s Restaurant Massacree”

Mike Mettler | Nov 22, 2017

Is there a more hallowed Thanksgiving tradition than the annual spinning of Arlo Guthrie's magical 18-minute tale about one fateful Thanksgiving Day encounter that's also celebrating its 50th birthday this year, “Alice’s Restaurant Massacree”? Guthrie and I discuss the song’s sonic origins, what had to be done to ensure it fit perfectly onto one album side, and the Guthrie family’s storied annual holiday tradition of playing Carnegie Hall in New York.

The S&V Interview Audio Video News Premiere Design

Ascendo’s Seismic Subwoofer Is a Modern Marvel

Bob Ankosko | Feb 25, 2020

There’s no denying the lure of powerful, deep, visceral bass. How it pulls you into the action. How it scares the living hell out of you. How it makes music real. We were so intrigued by the beastly 6-foot-tall SMSG50 super subwoofer designed and built by Germany’s Ascendo Immersive Audio that we had to dig deeper. We wanted to know what it takes to design and build a subwoofer of this caliber — one capable of producing peak levels up to 140 dB and deliver 105 dB of sound pressure at 5 Hz. Is a subwoofer that weighs 441 pounds and uses a single 50-inch (!) driver to plumb the infrasonic depths really better than a model of more manageable size with maybe a few 18-inch drivers? We caught up with Geoffrey Heinzel, partner and director of international sales and marketing for Ascendo, to learn more about this modern marvel.

The S&V Interview Audio Video News

ATSC 3.0: TV’s Next Generation

Bob Ankosko | Jul 19, 2017

15 Minutes with ATSC President Mark Richer

ATSC 3.0 is hailed by its proponents as a revolution in technology that will transform TV broadcasting by bringing together internet and over-the-air signals with a common IP backbone. We reached out to Mark Richer, president of the Advanced Television Systems Committee, to learn more.

The S&V Interview

Aubrey Powell: Pink Floyd’s Perennial Man of Vision

Mike Mettler | Dec 12, 2019

Aubrey Powell, Hipgnosis co-founder and the creative director for Pink Floyd's massive The Later Years: 1987-2019 box set, tells us why having a personal bond with the artist helps with the creative process and why the intended visual message must connect with the music itself.

The S&V Interview Audio Video News

Audio Statesman: Meridian Founder Bob Stuart

Bob Ankosko | Mar 01, 2016 | First Published: Feb 29, 2016

Few have done more to advance the state of the art in audio reproduction than J. Robert Stuart, co-founder, chairman, and technical director of England’s prestigious Meridian Group, Life Fellow of the Audio Engineering Society (AES), and recipient of the Custom Electronic Design & Installation Association’s 2015 Lifetime Achievement Award. In a recent video commemorating the honor, Meridian co-founder and long-time collaborator, Allen Boothroyd—the man responsible for the brand’s elegant designs—observed: “I never realized when I set up business with Bob that the guy’s a genius.” Genius, indeed...

The S&V Interview Audio Video News

Audyssey’s Acoustic Odyssey

Bob Ankosko | Jan 20, 2022

A conversation with Jeff Clark, Director of Software Engineering, Audyssey Laboratories

Dealing with the effects of room acoustics is one of the biggest challenges in getting a movie or music system to sound “right.” Even the best speakers can sound awful — muted and boomy or bright and anemic — in an acoustically difficult environment. For the past 18 years, Audyssey Labs has shown a relentless dedication to delivering and continually refining technology that improves sound quality without the listener having to intervene. We sat down with Jeff Clark, director of software engineering, to discuss Audyssey’s past and present efforts to “push any listening scenario as close to a reference listening experience as possible.”

The S&V Interview

Avant-Garde Pioneer Irmin Schmidt on Can’s Singular Sonics

Mike Mettler | Sep 12, 2017 | First Published: Sep 13, 2017

When Can began releasing their structurally challenging, progressive/electronic music out of Cologne, West Germany in 1968, they essentially ushering in the movement that came to be known as Krautrock, and their far-reaching influence has been cited by such convention-defying artists as David Bowie, the Talking Heads, and Radiohead. Can keyboardist Irmin Schmidt called me to discuss the band’s new The Singles collection and their singular improv-compositional style, when surround sound mixes are (and aren’t) options for their catalog, and what Can song avant-garde German composer Karlheinz Stockhausen gave his rarely handed out seal of approval.

The S&V Interview

Bass Maestro Tony Levin

Mike Mettler | Oct 23, 2013

How low can you go? If you’re Tony Levin, vaunted bassist and Chapman Stick pluckmaster known for adventurous, innovative low-end work with heavy hitters like Peter Gabriel and King Crimson, it’s also a question of how far. Even with such a storied pedigree, Levin, 67, has always been one to constantly seek new challenges, and he’s met that creative hunger head on with his current collaboration, Levin Minnemann Rudess, a progressive trio that also consists of drummer Marco Minnemann (Steven Wilson, UKZ) and keyboardist extraordinaire Jordan Rudess (Dream Theater, Liquid Tension Experiment).

The S&V Interview

Beautiful Music

Adrienne Maxwell | Mar 01, 2006

Behind the scenes at the 2006 Grammy Awards. Organized chaos. That's what I witness as I walk backstage and move through the adjoining corridors of the Staples Center. It's the day before the Grammy telecast, the final of three rehearsal days leading up to the big event. U2 has just finished their hour-and-a-half rehearsal, and breaking down their set has taken longer than planned. While one team maneuvers U2's massive equipment through the ramps backstage, another works feverishly to ready the stage for the next act. Still other crew members hurry to and fro with no apparent destination.

The S&V Interview

Benmont Tench Breaks Down Why He Loves Vinyl

Mike Mettler | Mar 26, 2014 | First Published: Mar 25, 2014

“I don’t want to stop anyone from getting the CD, but vinyl is the truest way to hear this record,” says Benmont Tench about his new solo album, You Should Be So Lucky (Blue Note). “When you have Glyn Johns [The Rolling Stones, Eagles, The Who] recording something to tape, you really want to hear it on vinyl.”

The S&V Interview

Billy Sherwood Says Yes to Taking Circa Into the Hi-Fi Valley

Mike Mettler | Aug 17, 2016

These days, Billy Sherwood — the multi-talented, multi-hyphenate musician who cites bassist, vocalist, guitarist, songwriter, producer, mixer, and engineer as being among the many caps he wears in his sonic haberdashery — is spending the bulk of his time as the bassist in Yes, having been handpicked by the late Chris Squire to be his replacement. As rewarding as being in Yes is for Sherwood, his passion project is his other band, Circa, in which he plays guitar and sings lead vocals. Sherwood, 51, called me to discuss his goals for the overall sound of circa's new album Valley of the Windmill, what it’s like backing up William Shatner, and what the future may hold for Yes.

The S&V Interview

Blondie Seeds Their Signature Sound on Pollinator

Mike Mettler | Nov 08, 2017

As defined as the sound of legendary new-wave icons Blondie may appear to be on record, it’s how they’re able to open things up onstage while supporting their buzzworthy new album Pollinator that keeps things interesting for the bandmembers themselves. Drummer Clem Burke and I got on the line to discuss Blondie’s special chemistry on record and onstage, how to be creative while working with click tracks and drum machines, and the special kick he added to the back half of “Heart of Glass.”

The S&V Interview Blu-ray Player Reviews

Blu-ray and HD DVD Face Off

Geoffrey Morrison | Jul 09, 2007 | First Published: Jun 09, 2007

Two that do one; one that does two.

LG shocked the consumer electronics world at CES when they announced that, not only were they coming out with a player that would play Blu-ray and HD DVD, but it would be shipping in less than a month. True to their word, it did, and I got one in to try out. Around the same time, Toshiba released a pair of second-generation HD DVD players. The model I look at here, the HD-XA2, is notable as it is the first HD DVD player to output 1080p. The Blu-ray camp (seeing as they had just released most of their players) had no such exciting newness beyond what you read about in our April issue. So, we got in the Panasonic DMP-BD10 Blu-ray player, which is unique in that it doesn't seem to be a clone of any other players (which you can't say for many of the BD players out there). Where should your money go (if at all)? Just keep reading.

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