THE S&V INTERVIEW

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Mike Mettler  |  Feb 24, 2016  |  0 comments
Three Dog Night is a band that brings together the best of many worlds. They have one of those storied catalogs that just won’t quit, so you might be forgiven for forgetting how many of their songs you automatically know. A sampling of TDN’s 21 Top 40 hits includes the No. 1 singles “Joy to the World,” “Black and White,” and “Mama Told Me (Not to Come),” along with other instant-sing-along favorites like “One,” “Liar,” and “An Old Fashioned Love Song.” (See? Toldja you knew ’em all.) I called TDN vocalist Danny Hutton while he was sitting outside his Laurel Canyon home enjoying a short touring break to discuss Three Dog Night’s unique approach to making albums, why singing harmony comes naturally to him, and his view of the band’s enduring legacy. No doubt it will all be joy to you and me.
Mike Mettler  |  Jul 15, 2015  |  0 comments
Leave it to Dave Edmunds to always want to take things a little bit left of center. “I’ve never liked listening to albums, and I’ve never liked making them,” admits the Welsh-born guitarist and producer known for his modern rockabilly sensibilities (see Rockpile’s Seconds of Pleasure and solo hits like “Slipping Away” and “Girls Talk”). “I’m a singles guy; always have been.” That said, Edmunds agrees he found the right album-length formula for the 15 songs he compiled for 2013’s …Again (RPM), but he decided to shift gears for the just-released all-instrumental On Guitar… Dave Edmunds: Rags & Classics (RPM). “The album tracks are pretty similar to the originals, but you’re shocked when a guitar comes in instead of a vocal,” he explains. I called Edmunds, 71, across the Pond to Wales to discuss the one-man-band approach to Rags & Classics, delve further into his stark view on loving singles vs. LPs, and find out what he thinks the two best-sounding songs of the rock era are. Subtle as a flying mallet, indeed.
Mike Mettler  |  Dec 23, 2014  |  0 comments
“I don’t know why these songs all came out so long. I think we’re going to have to blame Steven Wilson,” laughs Dave Kilminster. The ace guitarist is discussing the impetus behind the extended track lengths on his self-described “prog-tastic” solo record, …and THE TRUTH will set you free… (Killer Guitar Records). Kilminster is known for his six-string pyrotechnics and prowess as an instructor, but you may also recognize him as being the featured lead guitarist in former Pink Floyd bassist/vocalist Roger Waters’ touring band for the past decade. For THE TRUTH, Kilminster believes getting a live feel is key: “It’s so cool to really get into the mood of a track,” he says. “There’s no sampling, there’s no Auto-Tune — just a couple of guys recording together in a room, the way it’s supposed to be.” Here, Kilminster, 53, and I discuss vintage sounds, live quad, and what it’s like to contend with immense pillows of wind while soloing atop a massive wall. That’ll keep you going through the show.
Krissy Rushing  |  Nov 12, 2008  |  1 comments

A kid who went from racing go-karts at age 7, to becoming the first Rookie of the Year to take home the Shootout victory at the 70-lap Budweiser Shootout, to scoring the highest-points finish ever for a NASCAR rookie in 2006, Denny Hamlin, age 27, is loving life. And with that success has come the means to enjoy his home in a way that suits his ultra-fast-paced lifestyle. For Hamlin, that means technology.

Mike Mettler  |  Mar 12, 2014  |  0 comments
“I didn’t have the courage to go back to any of the masters and try to recreate those beautiful, real echoes,” says Justin Hayward of The Moody Blues about the surround-sound mixes he supervised for six of The Moodies’ “Classic Seven” albums: Days of Future Passed, On the Threshold of a Dream, To Our Children’s Children’s Children, A Question of Balance, Every Good Boy Deserves Favour, and Seventh Sojourn. (In case you were wondering, there weren’t any multitrack masters available for In Search of the Lost Chord.) All six of those 5.1 mixes — done by Paschal Byrne and Mark Powell and built on the original quad mixes supervised by producer Tony Clarke and constructed by engineer Derek Varnals — appear in Timeless Flight (Threshold/UMC), the band’s mighty, 50-year-career-spanning 17-disc box set. Yes, there is a more economical 4-disc version available, but the mondo box is the only way to fly in 5.1 — if you can find one, that is. “I think Universal needs to press a few more copies,” chuckles Hayward.
Mike Mettler  |  Oct 08, 2014  |  0 comments
Photo by Neil Lupin
“Souls, having touched, are forever entwined.” It’s a lyric penned by vocalist Ian Gillan in honor of his dear friend and late bandmate Jon Lord, the original keyboardist for Deep Purple who pioneered merging rock music with classical themes. Jon Lord, Deep Purple & Friends: Celebrating Jon Lord (earMusic/Eagle Rock), recorded at The Royal Albert Hall this past April 4, showcases the breadth of Lord as both composer (“All Those Years Ago,” “Pictured Within”) and rock legend (“Soldier of Fortune,” “Perfect Strangers,” “Hush”). Here, Deep Purple drummer Ian Paice, 66, and I discuss the challenges of getting great sound in such a storied venue, how he adapts to working with different bass players, and what the future might hold for Deep Purple. After listening to and watching all that went into Celebrating Jon Lord, there’s one word in the Purple canon that one absolutely cannot use to describe Paice’s energy and tireless work ethic: “Lazy.”
Nancy Klosek  |  Aug 28, 2007  |  1 comments

<I>How designers work hand in hand with integrators for the ultimate home.</I>

Kim Wilson  |  Dec 01, 2009  |  2 comments
Creating a home theater, be it a dedicated room or part of an existing living space, requires more than a general knowledge of AV technology. In actuality, that is only a small part of the equation. To maximize the performance of your AV gear, the overall design of the room is crucial.
Mike Mettler  |  May 04, 2017  |  2 comments
“It’s just part of our audio culture,” believes Saturday Night Fever director John Badham, who supervised the 4K 1080p print restoration and English 5.1 Dolby TrueHD surround sound updates for the film's Director’s Cut, which was released by Paramount on Blu-ray on May 2 in celebration of the film’s imminent 40th anniversary. Badham, 77, called in from Southern California to discuss how to maintain a gritty look in 4K, matching song tempo to what was being filmed, and the song originally used during the infamous dance-contest rehearsal that had to be replaced at the literal last minute.
Aimee Giron  |  Oct 28, 2005  |  First Published: Aug 28, 2005  |  0 comments
With such Disney credits as Pocahontas, The Lion King, and, most recently, the restoration of the classic film Bambi attached to his name, lead restoration animator Dave Bossert shares his experience in bringing back the spirit of the famed deer and why we still chase after that light at the end of the tunnel, no matter how old we get.
Mike Mettler  |  Feb 11, 2015  |  2 comments
Don Felder has found his groove. The former lead guitarist of the Eagles is now flourishing as a solo artist, having found his sea legs on record with the broad reach of Road to Forever (INgrooves/Forever Road Music) — only his second solo album in 30-odd years, following 1983’s Airborne — and a quite muscular live set, which features Eagles favorites and deep cuts alike, ranging from “Life in the Fast Lane” to “Those Shoes,” all interspersed between powerful readings of solo favorites like “You Don’t Have Me” and “Heavy Metal.” Before heading out on his winter solo tour, Felder, 67, and I got together to discuss his thoughts on sound quality, the very mystique of California itself, and how he came to create the acoustic intro that turned the already indelible “Hotel California” into a revamped classic. Ah, such a lovely place.
Mike Mettler  |  Nov 15, 2011  |  0 comments

“I’ve been thinking about doing this for a long time,” Steven Wilson told me backstage about an hour before his groundbreaking live quad show unfolded at the Performing Arts Center at Temple University in Philadelphia on Saturday, November 12.

Chris Chiarella  |  Oct 28, 2005  |  First Published: Nov 28, 2005  |  0 comments
Film editor Thelma Schoonmaker on movie quotes, fact versus fiction, and "Marty withdrawal."

Thelma Schoonmaker has been director Martin Scorsese's editor of choice ever since their shared career-defining turn on Raging Bull. With a collaboration spanning almost four decades, Schoonmaker recently won her second Academy Award and has been nominated for three others in the past. She took time off from her work on the upcoming crime drama The Departed to rewind with us.

Lawrence B. Johnson  |  May 31, 2002  |  0 comments
Meridian's chief designer and chairman Bob Stuart speaks out on musical truth as the Holy Grail of audio.
Mike Mettler  |  Jan 28, 2015  |  0 comments
“I’ve always been a fan of records that tastefully use effects to enhance the listening experience,” says Sam Llanas, former vocalist/guitarist for roots-rock pioneers BoDeans, now ensconced in a full-time solo career. Llanas’ distinct vocal tone — which resides somewhere between gravel and grace — has touched the soul of indelible songs like “Closer to Free,” “Feed the Fire,” and “Rickshaw Riding,” and on The Whole Night Thru (Llanas Music), Llanas opens up his palette on deeply personal tracks like “Deja Vu” and “I’m Still Alive” to achieve an even more honest aural identity. “We did decide early on that we would like to make a record that would be engaging on headphones,” he reports. Here, Llanas, 53, and I discuss the importance of equipment choices and microphone placement, how to make a record that hits “hard and fast,” and his favorite BoDeans album. The man is very much still alive and kicking.

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