THE S&V INTERVIEW

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Mike Mettler  |  Nov 02, 2016  |  0 comments
Photo by Travis Shinn.

Gary and Dale Rossington have been making beautiful music together in their special union for over 35 years and counting — much of it as fully integrated members of the extended Lynyrd Skynyrd family. They've now further cemented their musical bonds by stepping back out on their own again as Rossington to produce a heartfelt, soul-grabbing, and absolutely blues-tastic new album, Take It on Faith. I called Gary and Dale during a Skynyrd tour stop in Dale’s home state of Indiana to discuss the genesis of Faith, Gary’s guitar-tone mastery, and why Skynyrd’s music must endure. Turn it up...

Bob Gatton  |  Oct 28, 2005  |  0 comments
ISF's Joel Silver tells our readers what they can do to optimize their displays' performance.

BG: What was your goal in founding the Imaging Science Foundation (ISF)?

Mike Mettler  |  Jun 01, 2017  |  0 comments
It was 50 years ago today that. . . well, you, of course, know the rest, don’t you? For on this storied day of June 1, 1967, The Beatles transformed the album format into an artform virtually overnight when they released the long-anticipated Sgt. Pepper’s Lonely Hearts Club Band. To get a relatively balanced perspective on Sgt. Pepper at age 50, I spoke with both producer Giles Martin and Little Steven Van Zandt about the album's impact on both sides of the Pond.
Mike Mettler  |  Jun 25, 2014  |  0 comments
“I’m just into the ethos of having great sound,” says Giles Martin, describing his surround sound mixing philosophy. “The intention of what we do is to make the journey as seamless as possible. I want people to enjoy what they’re listening to without thinking about it.” Martin’s “natural surround” philosophy is in full effect with the stellar 192-kHz/24-bit 5.1 mix he’s done for the 50th anniversary of A Hard Day’s Night, released on June 24 by The Criterion Collection in a Director-Approved Dual-Format Blu-ray and DVD Special Edition. (If you want to experience the film in a theater setting, it will be playing in almost 100 cities across the country on July 4, courtesy of Janus Films. Theaters and cities can be found by clicking here.)
Mike Mettler  |  Jan 11, 2017  |  0 comments
Glenn Hughes is known as “The Voice of Rock” for good reason. The bassist/vocalist’s long and storied C.V. reads like a playlist that’s been culled from the best British-bred AOR from the ’70s right up to the present day, including the likes of Trapeze, Deep Purple, and Black Country Communion. I called Hughes to discuss the latest twist on his writing process for his new solo album Resonate, how also being the album’s producer enabled him to stretch creatively, and how spinning vinyl and streaming music are very different listening experiences.
Mike Mettler  |  Jan 15, 2014  |  1 comments
“Music is astounding, isn’t it?” Graham Nash is genuinely enamored with the wonders of sound. There’s always a special twinkle in his eye whenever we get together to talk about the indelible music he’s made since the early 1960s, the new music he’s planning to make next, and how he plans to have it all, both new and old, sound even better. Nash, 71, and I met at the Broadway HQ of Random House publishing arm Crown Archetype in New York City to dive deep into his quite revelatory autobiography, Wild Tales. In addition to discussing all of the shadows, shades, and sweet sonic details to be found within Tales, we also delved into why he’s been working “under the headphones” on a Crosby, Stills, Nash & Young project that may very well become the first official hi-res Pono release. Carry on...
Mike Mettler  |  Jun 12, 2015  |  0 comments
Graham Parker has a surefire way of ensuring his longtime backing band The Rumour understands exactly how to execute the arrangements of his new songs: “You have to kick them a lot, very hard!” he says with a devilish laugh. He is, of course, joking (I think). Parker and The Rumour are quite in sync on Mystery Glue (Cadet Concept/UMe), as evidenced by the hard-edged wink/nudge narrative of “Pub Crawl,” the rollicking swing state of “Railroad Spikes,” and the silver-screen teardown on “My Life in Movieland,” which features Parker going to Tinseltown with (yes) a killer kazoo solo. Parker, 64, called from across the Pond to discuss his overall sonic goals for Mystery Glue, how and why his voice has improved over the years, and what he thinks of his earliest work. His passion for quality ain’t manufactured or just another sound.
Steve Guttenberg  |  May 30, 2013  |  1 comments
Grammy Award-winning producer Don Was has had a long and storied career producing records for some of rock ’n’ roll’s most famous acts from the early 1980s to the present. Today, he also holds the title of president of the respected jazz record label Blue Note Records. Home Theater’s Steve Guttenberg recently sat down with Was to get his take on the role of a record producer and what it was like to work with so many great artists.
Mike Mettler  |  Sep 07, 2016  |  0 comments
Emerson, Lake & Palmer were always at the forefront of progressive music, and being original has been a hallmark of ELP ever since their adventurous self-titled 1970 debut. Now, the band’s sonic legacy has been distilled into a nice three-disc collection, The Anthology (Manticore/BMG), which also serves as a 39-track sampler of a full-bore catalog reissue series, which recently commenced with three two-discs sets, each complete with outtakes and bonus cuts, for 1970’s Emerson, Lake & Palmer, 1971’s Tarkus, and 1971’s Pictures From an Exhibition. I Skyped with ELP vocalist/multi-instrumentalist Greg Lake, 68, across The Pond to discuss how effectively ELP utilized the stereo soundfield, why he prefers the analog format, and what the ultimate key is to making good records. Ooh, what a Lucky Man he still is.
Chris Chiarella  |  Nov 19, 2014  |  1 comments
Greg P. Russell is the sound rerecording mixer of Transformers: Age of Extinction, and all of the Transformers movies actually, representing three of his 16 Oscar nominations… and counting. Since this was not only his first Dolby Atmos mix but the very first Dolby Atmos Blu-ray ever, he graciously sat down to discuss his work with Sound & Vision.
Bob Ankosko  |  Apr 19, 2017  |  6 comments
15 Minutes with HDMI Forum Chairman Chris Pasqualino

When HDMI hit the scene in 2003 it was welcomed as a godsend, enabling enthusiasts to replace a rat’s nest of audio and video cables with a single connection. The specification has evolved steadily over the years to keep pace with the ever-changing AV landscape and encountered a few bumps along the way. In January, the HDMI Forum announced Version 2.1, a forward-looking upgrade of the current HDMI 2.0b spec. We recently caught up with HDMI Forum Chairman Chris Pasqualino to learn about the implications of HDMI 2.1 now and in the future.

Chris Chiarella  |  Oct 28, 2005  |  First Published: Jul 28, 2005  |  0 comments
The always-expressive entrepreneur speaks out on a doubling HD audience and idiots who shoot in NTSC.

For a great many guys, to know Mark Cuban is to envy him: The outspoken owner of the Dallas Mavericks is also the founder of the all-high-definition TV network, HDNet, which has since added his latest success, HDNet Movies, as well. Mark recently spoke to Home Theater about his newest offerings, the challenges and benefits of high-def, and an unusual prediction for the impending next-generation DVD format war.

Mike Mettler  |  Jan 29, 2014  |  8 comments
“I want to hear what the band heard during playback in the studio. And I want to respect the sound that the engineers and producers tried so hard to capture.” It’s a mantra engineer Steve Hoffman follows whenever he remasters classic, iconic albums, and perhaps those words should be etched between the monitors perched above the mixing consoles in every mastering studio across the globe. One recent labor of reissued love is near and dear to Hoffman's audiophile heart – namely, The Audio Fidelity Collection limited-edition box set that houses four classic Deep Purple albums he remastered: In Rock (1970), Fireball (1971), Machine Head (1972), and Who Do We Think We Are (1973).
Mike Mettler  |  Dec 23, 2015  |  0 comments
Restless creativity, thy name is Todd Rundgren. The always adventurous singer/songwriter/guitarist/producer found time in 2015 to not only release two albums of new music — the electro-melodic Global (Esoteric Antenna) and the even-more EDM-driven Runddans (Smalltown Supersound) — as well as embark on a few legs of a solo tour, but he also managed to write some material for and play on Ringo Starr's Postcards From Paradise (UMe) and be a part of the current touring incarnation of Ringo's All-Starr Band to boot. During a tour break, I called Rundgren, 67, at his Hawaiian homestead to discuss the differences between audience and artist expectations, the merits and demerits of vinyl, and his Beatles listening preferences. He saw the light, alright.
Mike Mettler  |  Jan 06, 2016  |  4 comments
"We're the young generation, and we've got something to say." With that provocative, catchy invocation in the perpetually shimmery hit "(Theme From) The Monkees," four lads who were also "too busy singing to put anybody else down" captured the minds and hearts of millions of viewers and listeners when The Monkees TV show debuted in September 1966. And the synergistic connection between TV and music hasn't been the same since.

As an early golden anniversary celebration of sorts, the show and the band will be major topics during the kickoff of the "Peter Noone in Conversation With Micky Dolenz" series that commences with a three-appearance block beginning tomorrow, January 7, at The Space at Westbury in Westbury, New York. Before heading east to sit down to jaw with Noone, Dolenz, 70, and I got on the phone to discuss The Monkees' ongoing impact, what he listens to at home, and the song he wrote whose name could not be said in England.

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