Tower Speaker Reviews

Are you experienced?

At its best, home theater is all about making movies feel so real you'd swear you're there. And not just the wham-bam flicks; some of my best experiences have come from straight-ahead dramas. That was absolutely the case with Breach, a chilling portrait of FBI agent Robert Hanssen, the man who sold countless security secrets to the Soviet Union for over 20 years. Actor Chris Cooper's portrayal of the psychopathic traitor totally mesmerized me, but I also credit Paradigm's fifth revision of their Monitor Series speakers for keeping my attention glued to the screen. Every detail of the sound—from the claustrophobic acoustics of Hanssen's office and the whirring noise of his computers' cooling fans, to the dense traffic snarl of Washington, D.C. streets—were all so effortlessly presented that I never thought about the speakers. That's the Zen of it all. When everything's just right, you don't realize the speakers are there.

PRICE $4,700 (as tested)

AT A GLANCE
Plus
Crisp detail
Big, powerful sound
Minus
Tower unstable on thick carpet
Poorly designed grilles

THE VERDICT
The Premier range is far from the most expensive in Paradigm's speaker lineup, but the performance and build quality that it offers lets it compete with speakers twice the price.

The other day a friend who's neither a videophile nor an audiophile dropped by my home to watch a movie. A pair of loudspeakers I had just finished reviewing for Stereophile, our sister publication, were sitting in a corner, waiting to be packed up. When I told him their price—$6,000/pair—he appeared shocked. Even Paradigm's affordable new 700F speakers, then as now serving as the left/right channels in my system, are pricier than he would like were he to invest in a system of his own (unlikely!).

Big, bold, and beautiful.

Odd as it may seem for a speaker review, I must begin with my first visual impression of Paradigm's new Reference Signature speakers. Granted, I usually stress that a speaker's physical appearance means little—after all, we don't buy speakers to look at them. If the current trend is any indication, though, many people don't agree, as evidenced by the proliferation of smaller, prettier, and more aesthetically sensitive speakers.

Audiophiles first came to know Paradigm as a manufacturer of speakers in the affordable/cheap 'n' cheerful/bang-for-the-buck category—speakers you might buy when you're in college, until you can afford the speakers you really want. However, Paradigm's products now cover a wide range (five distinct series, plus in-walls and outdoor/marine), topped by the Reference Signature line. This year marks Paradigm's 26th in business, so it must be doing something right.

PRICE $7,000/pair (R5t tower), $5,000 (D15s subwoofer)

AT A GLANCE
Plus
Clean, uncolored sound (R5t)
Surprisingly powerful bass (R5t)
Excellent build quality (R5t)
Stunningly dynamic performance (D15s)
Excellent build quality (D15s)
Minus
Pricey (both)
Not the best option for very large rooms (R5t)

THE VERDICT
Perlisten Audio's R5t towers and D15s subwoofer offer stunning performance and good looks, but in this case the great sound and build quality will cost you.

Even the most veteran A/V enthusiast is unlikely to have heard of Perlisten (short for Perceptual Listening) Audio, but that situation should soon change. Founded by a group of audio industry veterans, the company was formally launched in 2021. For a new speaker outfit, the number of Perlisten models is astonishingly long and encompasses towers, standmounts, center and surround speakers, in-walls, and subwoofers, all of them engineered in the U.S. and manufactured in China.

PRICE $48,000 as reviewed

AT A GLANCE
Plus
Audyssey MultEQ XT Pro room equalization
Variable-axis soft-dome tweeters on surrounds
All speakers are biamped or triamped
Minus
Expensive
Status LEDs on amplifier are bright and can’t be dimmed
Requires professional installation

THE VERDICT
When it comes to the evolution of loudspeakers, Phase Technology has an enviable pedigree filled with innovation. The company’s newest dARTS speaker/amp package is a spectacular achievement that mitigates the effects of room acoustics and creates a highly theatrical, intensely musical experience that’s extremely rare.

One day last summer, I found myself grumbling more than usual as I stood staring at 550 pounds of speakers and amps that Phase Technology had shipped to my house. (Actually, because the gravel road I live on is very unfriendly to tractor-trailers, I had to drive to the depot, load a couple of pallets of heavy boxes into two vehicles, drive home, and then unload it all.) The gear makes up the top-of-the-line version of the company’s new, second-generation dARTS system.

Like three-button suits, ribbon drivers seem to go in and out of fashion arbitrarily. But there's a pattern. First, they're all the rage for their airy, transparent, detailed sound. Then they're shunned because of inherent technical limitations or their low impedances (which present a difficult load for an amplifier to drive). Or because of the complexities involved in getting them to mate with the traditional cone drivers typically used to produce low frequencies. Or because new materials and technologies have improved the performance of cone and dome drivers, which, being easier to manufacture and use, make ribbons' theoretical advantages not worth the hassle. Then there's a breakthrough in ribbon design and the cycle repeats.