AV RECEIVER REVIEWS

Audio Performance
Video Performance
Features
Ergonomics
Value

In a world so mixed up, muddled up, and shook up that we can’t even depend on Superman to wear his red Underoos outside his pants like a proper superhero, it’s heartening to know that tax evasion and mortality aren’t the only certainties in life anymore. If anything, a new slate of A/V receivers from the big names in consumer electronics is even a surer certainty, with high-end features from last year’s offerings trickling down a model number or two and support for the latest connectivity features from the middle of the line on up.

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Class-leading DSP surround
5.1.2-channel Dolby Atmos/DTS:X decoding
Useful Scene memory feature
Wireless surround speaker (and multiroom) option via MusicCast speakers
Minus
No 9-channel (front- and rear-height) Atmos/DTS:X expansion option
Slow DLNA audio streaming respons

THE VERDICT
Yamaha’s unique DSP-surround technology sets apart what is otherwise still a strong A/V receiver in a highly competitive market niche.

I get to review a lot of A/V receivers. Familiarity breeding— well, familiarity— I confess that I tend to sort new examples into one of three classes. The flagship models cost a lot, pump out 140 or so watts from each of at least nine and often more channels, and they tend to cram in every conceivable feature. Entry-level jobs are cheap, five- or seven-channel affairs that usually top out at 65-or-so real watts per channel and incorporate more basic feature sets.

The Consumer Electronics Association recently kicked off a “Convert Your Mom” campaign to advance the transition to digital television. One thing your mom will probably never want is a surround receiver. Sure, no home theater buff in her right mind would relegate audio functions to TV speakers. But, although the receiver is the nerve center for many systems, it’s also a stumbling block to many potential users. Receivers just do too many good things—entailing setup and adjustment hassles along the way. Make them simpler, and you lose capabilities. Make them full featured, and you get an instruction manual that’s like War and Peace (minus the literary merit).

I've always appreciated the quality of Yamaha receivers; in fact, my very first "serious" stereo receiver was a Yamaha. So it was with eager anticipation that I agreed to review the company's current flagship receiver, the Rx-Z1.

According to Wikipedia, a flagship is the lead ship in a fleet of vessels that is usually the fastest, largest, newest, or most heavily armed. In terms of home-theater electronics, a flagship model is the company's top-of-the-line design, with cutting-edge features, capabilities, and technologies.

A cross between a torque-driven Datsun Z and a rev-happy Mazda RX was the first thing I thought of when I read the model designation of Yamaha's new flagship receiver: RX-Z9. I wasn't far off. This baby is a beast of a receiver with enough horse under the hood to drag you kicking and spitting into a 21st-century home theater beyond reproach. The list of standard features is as long as a dragster's tailpipes, but starting with the 170W to each of seven primary channels (and another 50W for two Presence channels), Yamaha's intentions are quite clear: This is all the receiver you need!