AV Receiver Reviews

Paul Barton doesn't merely talk about Canada's National Research Council; he preaches about the facility, acting as the Billy Graham for Canadian scientific research. And well he should. The NRC was founded to provide scientific, practical, and developmental support to Canadian companies wishing to compete in a global economy. Barton began using the NRC's facilities and its scientific minds in 1974, just two short years after he launched a modest little speaker company called PSB. Within a year, PSB released the Avante, the first speaker the company designed with the NRC's help. Since then, Barton has continued to design well-received and well-reviewed speakers, each delivered with assistance from the NRC facilities.

While many new technologies have been incorporated into A/V receivers over the last few years, perhaps the biggest change we’ve seen in these traditionally audio-based components is the inclusion of advanced video processing. Just a few years ago, video processing was reserved for high-priced standalone machines that almost required a doctorate to employ. But now we’re seeing high-quality solutions incorporated into even midline AVRs, and video processing is being used to differentiate and market these products against one another in a hotly competitive market.

The speaker world is anything but conservative. Think of the different types you can buy: good ol' cones 'n' domes, electrostatics, planar magnetics, ribbons, horns, pulsating spheres, and more, mounted in all sorts of enclosures or in no enclosures at all.

The world of custom home theater is less daring. Installers want speaker systems that sound great, play loud as hell for hours on end, place reasonable demands on amplifiers, and install easily. This is why you rarely see anything but cone 'n' dome speakers used in custom home theaters.

Of the companies catering to the custom market, BG Radia is one of the few that does things differently.

The company that makes most everything (and makes most everything it makes pretty damned well), Yamaha has been tuning up its forks, and the result seems to be ever more feature-packed, value-focused designs.

To me, Rotel has always been the Everyman's answer to high-end audio. The company has always followed a "straight wire with gain" philosophy, which has earned it respect throughout the audiophile community. Like NAD, it's believed in holding to conservative power ratings, particularly compared to mass-market American and Japanese offerings. My daughter uses "40-Watt" Rotel integrated amplifier that's a decade old to drive her Magnepan MMG speakers, which are a pretty tough load, and it is more than comfortable with the task.

Family Matters

Longtime readers will recognize the Rotel RSX-1065 as my reference A/V receiver. It’s been around so long that it’s no longer listed on Rotel’s Website. Mine has been in service since 2001, when I reviewed it, setting a record for longevity and giving every loudspeaker review I’ve written since then a firm foundation. When I tell speaker makers what I use for amplification, they breathe a sigh of relief and change the subject. Even the arrival of the seven-channel version, the RSX-1067, left me unfazed. The five-channel version has served me for nearly eight years.

How would you like your audio/video receiver if it had a coal chute and chimney atop the chassis? Would you enjoy shoveling coal into the chute as the chimney belched black smoke and particulates into your home?

Or would you find this entire arrangement so unhealthy, so 19th century, as to be unbearable? Most people probably would prefer to avoid burning coal when sitting down for movie night or putting on some music. And of course, there are no A/V receivers that run directly on coal. But don’t fool yourself. Coal is the single-largest feedstock for electricity generation—not only in developing economies like China, but in the United States as well—far outpacing natural gas, nuclear energy, and other sources.