AV Receiver Reviews

Audio Performance
Video Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
4K video, including scaling and HDCP 2.2
Excellent audio quality
Simpler to use than Hodor
Minus
Missing some popular features like AirPlay and Internet Radio
No Atmos or DTS:X

THE VERDICT
Plenty of power on tap and easy to use. A few quirks that don’t amount to a hill of beans. Best of all, it sounds great!

Sony posted a video blog on their Website introducing the STR-ZA3000ES and touting how easy it is for a professional installer to set up this AVR. Guess who else would find it simple? That’s right, an 8-year-old! Not since my Sherwood stereo model (circa 1982) has a receiver gone into my oft-refreshed setup with as little fuss. That doesn’t mean this AVR isn’t capable of feats of bravery and bravado; it is. A dealer installing it can easily program it to drop a projection screen when you select the Blu-ray player’s input, or hook up a second HDTV in the bedroom to show a source that’s different from the one playing in your home theater.

Lots of news on the soundbar front this week, so if you're looking to cram a surround experience into a tiny space you're in luck.

It's funny to me that so many people try to convince you that the high end is a relatively insignificant factor in the grand scheme of all things audio. Admittedly, if you put the sales figures of one large, mass-market manufacturer next to those of even several high-end manufacturers combined, the former will dwarf the latter every time. But when has audio ever been about sales figures? I certainly don't have space here to elaborate on everything that high-end audio companies do for the middle and lower ends, both tangibly and intangibly. However, one of those benefits is particularly relevant here: the issue of perception. It's hard to overstate the significance of high-end manufacturers getting into the receiver business. Certainly, high-end manufacturers have raised the receiver bar in terms of performance, the quality of internal componentry, and features, but they've also had a tremendous impact on the way that people look at receivers, legitimizing a form that many people consider to be inherently compromised for the sake of convenience and price.

"Name a product the 'Ultimate' anything and you've opened yourself up to a world of potential hurt and ridicule. The name's a boast and it's bound to instigate a challenge. That's what I thought as I unpacked Bob Carver's latest brag, months before this publication was renamed <I>Ultimate AV</I>, and I'm not changing my lead because of that."

I drink green tea the way some people drink water. I make it in large batches, keep it in the fridge, and guzzle it all day. Such are the dimensions of this innocuous drug habit that I blend teas, often adding a pinch of Butterfly Sencha (with peach and sunflower petals) to a standard Sencha, creating something more subtle than the former and more interesting than the latter. (The Tea Squad may burst through the door to arrest me at any moment.) I do the same with surround equipment. This month, I've deliberately brought together a receiver brand that prides itself on neutrality with a speaker brand that obsesses about the purity and phase coherence of high frequencies. Marantz, meet Tannoy. Tannoy, meet Marantz. What will happen next?

British hi-fi used to be quirky. Anyone who remembers, say, Connoisseur turntables, Leak amps, or Quad speakers will know what I mean. Today’s Brit-fi, however — at least as exemplified by Cambridge Audio — has successfully transitioned from quirky to distinctive.

When I reviewed one of the first of NAD’s long-awaited “new-generation” A/V receivers almost 2 years ago (can it be?), I liked it a lot.

Know what? I like this one even better.