LATEST ADDITIONS

David Vaughn  |  Jan 16, 2015

VTF-15H MK2
Performance
Features
Build Quality
Value

VTF-3 MK5 HP
Performance
Features
Build Quality
Value
PRICE $899, $799

AT A GLANCE
Plus
Tremendous bass output
Excellent value proposition
Highly flexible setup controls
Minus
Won’t win any beauty contests
Heavy!

THE VERDICT
Both subs have plenty of bass per dollar and offer lots of adjustments to fine-tune the performance to fit your room.

Robert Southey was an English poet and author whose version of the fabulous children’s story “Goldilocks and the Three Bears” was the first one published, in 1837. While the tale has entertained kids for 177 years, little did Southey realize that his story is a fitting metaphor for modern subwoofers. Like the three bears’ porridge, chairs, and beds, subwoofers come in all shapes and sizes, and finding the one that’s “just right” for your particular room can sometimes require sampling different subs and room positions in order to get the best bass response.

Al Griffin  |  Jan 15, 2015
Got a tech question for Sound & Vision? Email us at AskSandV@gmail.com

As I understand things, any motion on an LCD TV is accompanied by a loss in resolution. For example, 1080p isn’t really 1080p when the image is in motion. Here’s my question: Since OLED has a much faster response time than LCD, does resolution stay the same when the image contains motion? —Michael McGehee / Macon, Georgia

Barb Gonzalez  |  Jan 15, 2015
There were no big surprises in streaming announcements at this year’s CES.  Few new media players were shown, as the Fire TV and Nexus Android TV were released in November. Streaming 4K and HiRes Audio became a reality in 2014. Instead, it was the trends and the new technologies that will move online streaming to the next level that were the news at CES 2015.
Anthony Chiarella  |  Jan 15, 2015
Picture
Sound
Extras
Mac (Seth Rogen) and Kelly Radner (Rose Byrne) have a new baby, a new house, and, unfortunately, new neighbors. When a hard-partying fraternity moves in next door, the Radners’ blood pressure skyrockets as their property value plummets and they become locked in a contest of wits and wills with frat president Teddy Sanders (Zac Efron). Funny yet forgettable, Neighbors falls short of Nicholas Stoller’s previous directorial efforts (Get Him to the Greek, Forgetting Sarah Marshall), a consequence of the threadbare script and nonexistent chemistry between the male leads.
Fred Kaplan  |  Jan 15, 2015
Picture
Sound
Extras
La Dolce Vita was Federico Fellini’s breakout hit: a critical and commercial sensation, even in America, where foreign films till then were strictly art house fare. It’s the winding tale of a litterateur-turned-gossip columnist wandering the streets, bars, and parties of newly decadent modern Rome, seeking love, meaning, and value but finally realizing their futility and wallowing in the miasma. The film coined archetypes of the era: a character named Paparazzo, a tabloid photographer who chases after sensational shots, spawned the word paparazzi; another, Steiner, a refined man of culture who commits a gruesome crime, became the prototype of the modern ineffectual intellectual.
Chris Chiarella  |  Jan 15, 2015
Picture
Sound
Extras
Million Dollar Arm thankfully falls into that welcome category of sports movies that don’t demand a love of sports in order to click with audiences. Based on a true story, it introduces us to J.B. Bernstein (Jon Hamm), partner at a small sports agency in desperate need of a break, lest their doors close forever. He decides to think globally and soon cooks up The Big Idea: to hold a well-publicized contest in India with the intention of converting a cricket bowler into a baseball pitcher, with a seven-figure prize at stake. J.B. will secure some undiscovered talent, bring his winners home, and teach them the good old American pastime. Simple, right?
Mike Mettler  |  Jan 14, 2015
“Once we had dipped our toe in the water, it set us on a course to have a much bigger, much more robust, and not-so-introspective sound.” Roland Orzabal is describing the veritable aural sea change he and his Tears for Fears creative partner and bandmate Curt Smith underwent while recording Songs From the Big Chair, the 1985 followup to 1982’s The Hurting, their highly influential minimalist electronic-music confessional debut platform. In celebration of the album’s 30th anniversary, Mercury/Universal has released a six-disc Big Chair box set that includes scores of demos, alternate takes, live sessions, and a documentary DVD, but the no-contest audiophile grail is Disc 5, a Blu-ray containing the 96-kHz/24-bit surround-sound mix of the original album done by none other than the super-guru of 5.1 himself, Steven Wilson. “I love this mix,” says Smith. “You get a far greater spectrum of sound, and the low end is definitely improved.” I recently got on the horn across the Pond with Orzabal and Smith, both 53, to discuss the benefits of listening to Big Chair in high-res and what they’d like to do next in 96/24 and 5.1 (hint: the Seeds have been planted). Funny how time flies.
Geoffrey Morrison  |  Jan 14, 2015
What makes a good TV picture? Sharp detail? That’s a factor, sure. Vibrant color? Of course. What about brightness? Definitely, you don’t want a dim picture. How about black level? That’s vital. After all, you don’t want grayish blacks; that wouldn’t be lifelike.
Darryl Wilkinson  |  Jan 14, 2015
Predicting what the lovechild of so-and-so and such-and-such would be like isn’t an exact science. After all, Frankenstein’s monster was a lovechild of sorts, and we all know how badly that went. But after looking over a new Kickstarter project, I’m convinced that if Logitech Harmony, Bang & Olufsen , and Revolv (R.I.P.) ever rubbed up against one another long enough to swap the right amount of corporate DNA to create a lovechild, NEEO, “The Thinking Remote”, would be it...
Mark Fleischmann  |  Jan 13, 2015

Infinity Reference R162 Speaker System
Performance
Build Quality
Value

Infinity Reference SUB R12 Subwoofer
Performance
Features
Build Quality
Value
PRICE $2,100

AT A GLANCE
Plus
Detailed high frequencies
Proprietary drivers
Curved enclosure
Minus
Can be too revealing
More finishes needed

THE VERDICT
The new Infinity Reference series has superb top-end transient detail and a commendably subtle sub, turning even familiar material into a fresh experience.

“Attention to detail.” That was my mantra when I hired and trained people to write product descriptions for an e-commerce site. It’s a pretty good rule to live by in general, and I try my imperfect best to practice it myself, both personally and professionally. It came back to me when I pulled the grille off the Infinity R162, part of the big brand’s new Reference series. When I saw a tweeter waveguide unlike any I’d previously seen, I knew I was communing with a kindred spirit, a lover of detail—though one with access to far greater resources than I command as a mere reviewer. Infinity’s parent corporation, Harman International Industries, has the kind of facilities and personnel that many speaker companies can only dream of. Harman pays a whole lot of talented people to attend to detail.

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