LATEST ADDITIONS

ANY AUDIOPHILE CAN RECOGNIZE a pair of Grado headphones from 50 feet away. The distinctive, old-school leather band and earpieces mounted on sliding rods give them a World War II vibe. But audiophiles love them for their sound, not their looks.

YOU’LL NEVER BE TEMPTED to take this headphone on the bus. The earpieces of Audio-Technica’s ATH-AD900 are huge, measuring about 4.5 inches in diameter and concealing a big 53mm driver. Unlike almost all other headphones, the ATH-AD900 does not have an adjustable band. Instead, it features a pair of spring-loaded, padded “wings” that support it on your head. The soft padding and big earcups made the ATH-AD900 super-comfortable for Howard, Joe, and me. But it felt droopy to Will, and Geoff found the feel of the wings on his bald pate intolerable after a few minutes.

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Those of us who are “the baby of the family” know the ever-living hell of growing up surrounded by older siblings. In addition to the incessant abuse—both mental (teasing, taunting, terrorizing) and physical (wedgies, wet willies, purple nurples)—there’s the oxygen-depleting cloud of expectation that swirls around your every step, especially if you’ve had a particularly zealous overachiever blazing the familial trail ahead of you. By the way, for those parents who aren’t aware of it, “Why can’t you be like your brother?” isn’t, in most cases, a terribly motivating exhortation. Unless, of course, said brother happens to be a ne’er-do-well who lives off the proceeds of an obscenely large trust fund, drinks absinthe with impunity, and eats fresh beignets heaped high with powdered sugar for breakfast (at noon) every day. (That’s my kind of role model! Bring it on, sibling rival…) Unfortunately, few of us are blessed with the kind of bottom-feeding low-life for an older brother or sister who makes you look like a shining star just for getting out of bed and watching cartoons in the morning. Instead, we’re doomed to a life of waking up knowing that the rest of the day is likely to be nothing but another disappointment to our parents, grandparents, and every ancestor who ever walked (even remotely) upright.

Cinema 12 Surround Processor
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Model 7.125 Amplifier
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Over a decade ago, while writing for a now-defunct audio magazine, my editor shipped me a pair of monoblock Cary tube amps he’d never gotten around to reviewing. Something must have shook loose during transit, because instead of music, all I got when I powered them up was a wisp of smoke as one monoblock sadly committed hara-kiri! The Cary Cinema 12 and Model 7.125 are an eternity of light years away from those fragile forays into bottle socketry. They exude an air of quality and reliability that physically and musically justify their significant price.

Call me weird, but I get excited when I see XLR connectors on my audio gear. Time spent in my fledgling home studio has taught me why pros prefer them. The Cinema 12 offers both single-ended RCA and true, differentially balanced XLR outputs, an arrangement and circuit design mirrored on the Model 7.125 amplifier. The Cinema 12 even offers a pair of stereo analog XLR inputs and a single balanced digital input beyond the roster of seven single-ended analog input pairs. Audio purists will appreciate the fact that you can bypass all digital conversions for your analog sources, including the 7.1 analog input you might use with an SACD player.