One of the sessions in the Content Theater was presented by 3net, the 24/7 3D channel co-created by Imax, Discovery Channel, and Sony and currently available on DirecTV. In addition to the big projected image, six 42-inch Sony monitors located along the walls were showing the same content so we could see what it looks like on a typical home display, for which 3net's original content is designed.
Today, I attended a couple of sessions on 3D in what is called the Content Theater. The material was displayed from a Sony 4K digital-cinema projector using a dual-lens RealD polarization system projecting different 2K sections of the imager for the left and right eyes. The polarization-preserving, perforated screen was from Harkness and measured 24x13 feet.
Panasonic's 152-inch 4K plasma is nothing new, but it never fails to impress, especially when seen next to a person, in this case PR rep Courtnee Coburn. CTO Eisuke Tsuyuzaki told me some people have actually built a house around this monster!
Price: $600 At A Glance: Slim A/V receiver with energy-saving Class D amplification • Variety of streaming content via VuNow and PlayOn • Dolby Volume low-volume listening mode
Internet in a Boxx
As networked media features steadily infiltrate HDTVs, Blu-ray players, set-top boxes, and other audio/video products, streaming may be upstaging 3D as the must-have technology. The question is how to get streaming into your system. Do you want your choice of HDTV to hinge on streaming features—as opposed to, say, picture quality? While that may be the ideal solution for some, others will seek ways of smuggling streaming into their racks via smaller purchases such as Blu-ray players, set-top boxes—or A/V receivers, like the Sherwood R-904N NetBoxx. At $650, it delivers a huge array of networked media features for a nice price.
The ancient Greek ruler Phalaris wasn’t an easy man to work for. He was known as Phalaris the Tyrant of Agrigentum (and no one ever says of people with Tyrant in their name, “Great guy! I’m always better off for having seen him.”). He wasn’t content with the state of the art of torture and execution, e.g., boiling, flaying, burning, sawing in half—you know, the classics. It was good technology that got the job done, but Phalaris was a man who pushed his employees, constantly asking the question, “What’s next?” Under his firm and visionary leadership, the brass worker Perilaus of Athens developed what would become the next big thing in execution—and entertainment—for a decade or more. Known as the Brazen Bull, it was a large, hollow brass chamber in the form of, as you might guess, a bull (think the Wall Street bull, only without the tourists posing next to its metal genitalia) with a lockable access door. Horrible to be trapped inside, of course. Even more horrible should someone light a fire underneath it, which, this being the rule of Phalaris the Tyrant, they did without fail.
“We’ve got about 6,000 songs to play for you tonight,” Geddy Lee said to raucous cheers during the first set break at Rush’s return to Madison Square Garden last night. Well, give or take some 5,974 other choices, the Canadian trio powered through 26 tracks at the NYC stop of the Time Machine 2011 tour. The set has remained the same since the two shows I saw last summer (Jones Beach in July, PNC Bank Arts Center in September), but hold your fire—the musicianship and vigor never waned.