Panasonic is strutting its 2011 lineup in 15 cities starting this week. On display during the Experience Amazing Tour will be Viera 3DTVs, apps, Blu-ray players, HTiBs, Lumix cameras, and camcorders.
The tour began this week at New York's Grand Central Terminal and will finish up in Miami on May 15. Stops in between will include Long Island, Chicago, LA, Boston, Detroit, Phoenix, Philadelphia, Minneapolis, San Francisco, DC, Dallas, Seattle, Atlanta, and Houston. See
schedule.
When Robbie Robertson met Jimi Hendrix in New York’s Greenwich Village in 1966, Hendrix (then going by the name of Jimmy James) was intent on learning about a subject crucial to his future as an artist. “He only wanted to talk about songwriting,” revealed Robertson. “Because I was playing with Bob Dylan then, he thought I might know something about those secrets.” What was the best advice Robertson shared with Jimi? “If everybody is writing about one particular thing, then I would not go in that particular direction, because it’s crowded over there.
Video: 4/5
Audio: 4/5
Extras: 3.5/5 Nina is a ballerina in a New York City ballet company whose life, like all those in her profession, is completely consumed with dance. She lives with her obsessive former ballerina mother Erica who exerts a suffocating control over her. When artistic director Thomas Leroy decides to replace prima ballerina Beth MacIntyre for the opening production of their new season, "Swan Lake", Nina is his first choice. But Nina has competition: a new dancer, Lily, who impresses Leroy as well. Swan Lake requires a dancer who can play both the White Swan with innocence and grace, and the Black Swan, who represents guile and sensuality. Nina fits the White Swan role perfectly but Lily is the personification of the Black Swan. As the two young dancers expand their rivalry into a twisted friendship, Nina begins to get more in touch with her dark side - a recklessness that threatens to destroy her.
Onkyo continues to upgrade its line of receivers, today adding the everything-and-the-kitchen-sink HT-RC370 and just slightly less fully spec'd HT-RC360 ($849 and $549 respectively) to its 7.2 lineup, smoothing the feathers of those audio and videophiles who might have felt left out by last week's announcement of the music-only, decidedly retro TX-8050 stereo receiver.
Keith Pray, Publisher of Source Interlink Media web sites, is thrilled to announce the April preview launch of InnerFidelity, a new website dedicated to playing well with personal audio.
Price: $2,700 At A Glance: Receiver priced, separates performance and power • Next-gen Internet connectivity and versatility • Sophisticated sonics, simplified setup
Everybody’s Been Burned
Are you weighed down by a boat anchor of an expensive, powerful, but obsolete A/V receiver that doesn’t have HDMI inputs or processing for the latest lossless audio formats? You’re not alone. Everybody’s been burned by fast-moving technological change. You could unload your boat anchor for a few hundred dollars on eBay or AudiogoN and start over. But should you? Consider that today’s cost-conscious race-to-the-bottom A/V receivers and even some separates seem to be getting cheaper but worse sounding, not better. But if Marantz’s AV7005 surround processor and MM7055 amplifier are as good as the hype suggests, this could be the way to go. And in case of future obsolescence, at least now you’re into separates, which makes upgrades a less pricey proposition.
In anticipation of the 30th anniversary reissue of Rush's truly seminal Moving Pictures as both CD+DVD (April 5) and CD+BD (May 3) deluxe editions, with PCM 5.1 and DTS-HD Master Audio 5.1 surround-sound mixes by Richard Chycki, I'm dipping into my personal Rush interview archive to present a truly exclusive, incremental look at how the band's attitude toward bringing its vaunted studio material into the surround-sound arena has literally changed from "no" to "go" over the last decade.
In anticipation of the 30th anniversary reissue of Rush’s truly seminal Moving Pictures as both CD+DVD (April 5) and CD+BD (May 3) deluxe editions, with PCM 5.1 and DTS-HD Master Audio 5.1 surround-sound mixes by Richard Chycki, I’m dipping into my personal Rush interview archive to present a truly exclusive, incremental look at how the band’s attitude toward bringing its vaunted studio material into the surround-sound arena has literally changed from “no” to “go” over the last decade.