LATEST ADDITIONS

Fred Kaplan  |  Aug 30, 2011
John Huston’s The Man Who Would Be King is one of those great films the likes of which “they don’t make anymore” (and, in fact, they rarely did), a grand tale of adventure and greed set against the great outdoors and the judgment of Nature. It’s based on Rudyard Kipling’s novel, but in many ways, it’s a throwback to The Treasure of the Sierra Madre, which Huston also directed, nearly 30 years earlier. This movie’s prospectors are former soldiers in Britain’s colonial army, seeking power and fortune by conquering tribal warlords in the mountains of Afghanistan, rather than American ne’er-do-wells panning for gold in the foothills of Mexico. But the outcome is the same: Our (anti-) heroes win everything then lose it all through avarice and arrogance. In Treasure, they dig up more gold than they can carry (or their capacity for mutual trust can endure); in King, they stumble into a cavern of riches, but one of them starts believing he really is a god (as they’ve tricked the natives into thinking), until the act is exposed.
Scott Wilkinson  |  Aug 30, 2011
Fred Maher, an audio engineer now working for DTS, talks about his career as a musician, recording engineer, and producer as well as the use and misuse of dynamic-range compression, the audible effect of lossy data compression, the art of mixing music for multichannel playback, DTS' new Neo:X algorithm that can upmix any smaller number of channels to 11.1, where to place 11 speakers, the benefit of 3D audio, answers to chat-room questions, and more.

Run Time: 1:01:11

Michael Berk  |  Aug 30, 2011

Steve Jobs may have moved on, but Apple's quickly returned to shaking up the music and movie industries in the good old-fashioned way: with beta releases and rumors.

Michael Berk  |  Aug 30, 2011

MOG, the streaming service that emerged victorious in our showdown with Spotify, comes to yet another venue - the Boxee Box, the digital media receiver S+V's Geoffrey Morri

Daniel Kumin  |  Aug 30, 2011

Cambridge Audio is a British electronics maker with a long-running dedication to serious audio (minus the silly-expensive audiophile pricing) and a long-running commitment to quality digital playback. So, when the company first previewed a network music player in late 2010, it got my attention.

Brett Milano  |  Aug 30, 2011

This Week in Music

Brett Milano takes a listen to the latest new releases and reissues: Glen Campbell turns in a surprisingly unflinching swan song, the classic early work of John Mayall's Bluesbreakers gets a fresh mono release on CD and 180-gram vinyl, plus the Red Hot Chili Peppers, Tommy Keene, Juliana Hatfield, Ice

Scott Wilkinson  |  Aug 29, 2011
I am in the market for an A/V receiver in the $500 price range. With such a variety of brands, it is hard to pinpoint one. I have a medium-size room, and I am planning to use two Definitive Technology BP-8020ST floorstanding speakers. I don't want to clutter my room with speakers in every corner. I will use my receiver to watch TV and my DVD player and VCR, no iPod or iPad. I have looked at user reviews on Amazon, and every receiver has some 1-star ratings, which tells me the technology is not that advanced yet since they break so often. Could you recommend any reliable receiver or amplifier for my setup?

Alex Frisch

Al Griffin  |  Aug 29, 2011

While 3D movies haven’t totally taken over the multiplex, the format remains a force to be reckoned with. Michael Bay just released a new Transformers installment in 3D (Transformers: Dark of the Moon), James Cameron is at work on Avatar sequels, and the entire Star Wars saga is being formatted for 3D release.

Mark Fleischmann  |  Aug 29, 2011
Performance
Features
Ergonomics
Value
Price: $799 At A Glance: A/V receiver with integrated Blu-ray player • Energy-efficient digital amplifier • Good build quality • No video inputs

My review sample of the Harman Kardon BDS 5 Blu-ray receiver arrived shortly after the death of Dr. Sidney Harman. Let’s take a moment to celebrate the life of one of the audio industry’s founding fathers. Harman and partner Bernard Kardon pioneered the A/V receiver category in 1954 with the Festival D1000, the first audio product to combine the functions of a mono power amp, preamp, and radio tuner. The stereo version, the Festival TA230, arrived shortly afterward. By the time Harman retired in 2008, A/V receivers were wearing his name. Harman International eventually became an audio empire, not only continuing the Harman Kardon brand, but also encompassing JBL, Infinity, Lexicon, Revel, Mark Levinson, and others. Harman was a renaissance man: an activist, philanthropist, professor, and public servant, the quintessential tough businessman with a heart of gold.

Geoffrey Morrison  |  Aug 29, 2011

"Style your hair for best sound." Already done, V-MODA. Already done.

Located on a wraparound removable sticker on the left earcup, this statement is my first introduction to the new Crossfade M-80 headphones. I'll forgive them for being baldists.

The right earcup sticker: "Red for right side." You'd think a simple "R" would suffice, but such banal lettering would presumably foul the stylish design.

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