Atlantic Technology's Peter Tribeman was in no mood to mince words about the divergence of the video and audio industries. TV makers, he declared, "have thrown our industry under the bus." The occasion—and the solution—is a soundbar with killer bass that will "take the den and the livingroom back for the audio industry."
Home theater is in your blood. You crave the latest and greatest gear and are constantly thinking about your next upgrade. You can’t resist tinkering. Impossible. You’re regularly chastised by family members for monopolizing the remote, ready to tweak the sound or picture at any moment—and get reprimanded often for doing so just as the opening credits start to roll. Glaringly bright images, lopsided sound, flabby bass—these are things that make you cringe. There’s no getting around it: You’re hard core, and no one is going to stop you from dreaming about quitting your day job to design and build insane home theaters.
A couple of weeks ago, I dropped by an active/passive 3D TV shootout held by LG as part of their effort to publicize the benefits of their passive 3D approach over competing active-shutter systems. LG has survey research data showing that some 80 percent of viewers choose their passive 3D system over any of their competitors' active sets, when asked about color, picture quality, brightness, and comfort of glasses. Format war over?
When I got the press release for the new InTune in-ear headphones from Fuse, it made me think: How is any particular genre of music supposed to sound? And does it already sound that way, or do you have to do something to it to make it sound like it’s supposed to?
The InTune headphones inspired this question because they’re available in four varieties, each tuned for a certain type of music: red for rap and hip-hop, orange for rock, blues and country; blue for jazz and classical; and green for pop and easy listening.
Treat your room right, and it’ll treat you the same.
If you’re serious about your home theater, you’ve probably spent a lot of time agonizing over what gear to buy. But what about the room itself? Even with extremely high-end gear, you can’t achieve optimum audio performance without paying attention to the acoustics. Without room treatment, expensive speakers can sound awful, but even moderately priced speakers in a properly treated room can sound terrific. Some experts even say the speaker system and electronics contribute only 50 percent to your system’s overall sonics—with the room responsible for the other 50 percent. If you’re not factoring in acoustics, your system might sound only half as good as it could—and should.
Traditionalist jazz trumpet titan Wynton Marsalis and British blues-rock guitar master Eric Clapton may have begun their careers very differently, but as both men have made the transition to elder statesmanship they've repeatedly reaffirmed their love for and dedication to the blues forms that gave rise to jazz and rock in the first place.
The 2011 edition of the massive Internationale Funkausstellung Berlin (that's "Berlin International Radio Show," or just "IFA" for those of us who don't speak German) comes to a close tomorrow, with an overwhelming number of products from some 1,400 exhibitors on display, from super-automatic espresso machines to soundbars. Our own Corinne Iozzio was there, and managed to get a look at some of the latest (and just plain weirdest) stuff on offer from the world of consumer electronics.
When I first heard H-PAS (Hybrid Pressure Acceleration System) technology from Solus/Clements and Atlantic Technology at CEDIA two years ago, I was very impressed at the depth of bass produced by relatively small drivers in a specially ported cabinet. Since then, we've reviewed the AT-1 floorstanding speaker, which garnered a Top Pick designation. At CEDIA this week, Atlantic Technology will be demonstrating its new H-PAS PowerBar 235, a 2-channel, 42-inch soundbar that claims to reach down to 47Hz at -3dB with no subwoofer. Can't wait to hear it!