When I saw Nirvana play Roseland Ballroom in New York City in July 1993, it was three months before the release of In Utero, the band’s explosive follow-up to the game-changing Nevermind. The balls-out, frenzied new songs I heard that night foreshadowed In Utero’s raw power. And this 20th anniversary Super Deluxe Edition not only reconfirms the depth of Kurt Cobain’s tragic genius, it also reminds our collective ear that alternative-rock icons could sound great too, despite the somewhat misleading lo-fi tag hung on the grunge movement.
TiVo goes into its fifth generation with the new Roamio line, which succeeds the Premiere line. You can still buy refurbished Premiere units through the TiVo Outlet. However, if you want the latest and greatest, consider Roamio and its three models.
The annual CEDIA Expo, held this past September in Denver, was a great show. The mood was more upbeat than many of us remember from recent years’ Expos. Traffic was brisk for most of all three days, and the manufacturers we visited seemed excited that the worst of the recession had finally passed, and that the custom install biz—which is notably affected by housing activity—had a vibrance not seen for a long while.
“Pretty much everything that goes into the music is as analog as I can make it,” says Tom Scholz, chief sonic architect of the longtime rock powerhouse known as Boston. It’s taken him 10 years to deliver the band’s sixth studio album, Life, Love & Hope (Frontiers) — “But who’s counting?” he chuckles — and discerning audiophiles know it’s well worth the wait. Signature stacked harmonies, lovingly layered guitars, emotionally uplifting vocals, sheaves of killer riffs — what’s not to like? (And, yes, Virginia, there will be vinyl.) “All I can say is the tone, the sound, and the way it’s all put together is the way I like it,” Scholz admits. “And I’m just lucky there are other people who like the same things I do.”
AT A GLANCE Plus
Big sound with undistorted, low bass
Separate, built-in amplifiers for the woofer and tweeter
Controls for fine-tuning bass and treble
Rock-solid MDF cabinetry
Minus
Requires interconnects and power to each speaker
THE VERDICT
A remarkably dynamic system with solid bass, airy highs, and wide imaging—with no amplifiers needed.
At first I wasn’t sure about the prospects for reviewing Emotiva Pro’s new Stealth speakers, if only because they’re bona-fide studio monitors. But after conferring with Dan Laufman, the designer and CEO, I was eager to try them. Turns out the Stealths are easily domesticated, and since they’re internally biamplified—there’s one amp for the tweeter and another for the woofer—I didn’t need to use a receiver, power amp, or surround processor for this review.
In the not-too-distant future, life on planet earth is perfect. World peace has finally been achieved. There is no more war, hunger, disease, or environmental disaster, and humans live in contented harmony with each other. Sounds pretty cool, no? So what’s the problem?
Director Steven Soderbergh’s latest firecracker of a movie, Side Effects, is really two distinct movies. As good as it is, it would have been even better if it had stuck with the first one. Side Effects begins as a harrowing look at a woman’s descent into a crushing clinical depression and finally full-blown psychosis.
MASS 5.1 Speaker System Performance Build Quality Value
MASS W200 Subwoofer Performance Features Build Quality Value
PRICE $1,299
AT A GLANCE Plus
Unique design
Beautiful imaging
Surprising dynamic capability
Minus
Tight binding posts won’t accommodate some connectors
Horizontal Centre speaker best used upright
THE VERDICT
Big, bold, bombastic sound from a relatively small and quite affordable package
I love double irony, that wonderfully weird phenomenon whereby a seeming incongruity loops right back around and becomes all too apt. Take the guy who names his Chihuahua Killer, for example, which seems like fun and giggles at first glance, until the little bugger tries to eat the face right off of your skull for want of a Snausage. Take also Monitor Audio’s compact MASS (spelled just like that, in all capital letters), a 5.1-channel home theater speaker system that continues the company’s trend of delivering complete home theater speaker systems in increasingly small, though typically traditionally shaped, packages. (Search the monitoraudiousa.com domain for the word diminutive, and you’ll see what I mean.) At first glance, you can’t help but think that whoever decided to hang such a MASSive moniker on a delicately tapered, lantern-like satellite speaker this small certainly had some chutzpah. And lifting one of the dainty 3.64-pound satellites does nothing to abate that initial urge to chuckle, no matter how solidly built and sturdy it may be.
Q I’m wondering about the best setup to stream music from my computer. I currently use an Apple TV connected to an Onkyo receiver to stream Apple Lossless files from my Mac via AirPlay. Is there a better way? Should I add an outboard DAC or switch to a different network streaming device? —Rafael Cremonese / via e-mail
David Bowie’s “Space Oddity” is one of the most memorable songs of the late 60s. Its release on July 11, 1969 not coincidentally coincided with the Apollo 11 moon landing. The single reached #5 on the British charts and later in his career Bowie revisited the theme several times. This odd song about an astronaut drifting in space is simply iconic. Now, audiences are discovering a uniquely new version of Space Oddity.