Soundbar Reviews

Writing about consumer electronics for the past two decades has taught me a few things: Always take good notes, don’t believe everything you read in press releases, and at least try to keep an open mind. Case in point, the soundbar. The very idea of a single box containing the amplification, processing, and all of the loudspeakers necessary to adequately present home theater audio was met with early disdain. But hearing was believing, and now it’s a viable (and thriving) product category.

Then a crate recently arrived containing the Atlantic Technology FS-7.1, a redesigned, upgraded version of the company’s well-regarded FS-7.0 seven-channel home theater soundbar.

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Addicted, as millions of us are, to the near instantaneous gratification of loaded DVRs and streaming services capable of providing lifetimes of mindless entertainment, it’s no surprise that we want speed and simplicity to apply to the entire process of watching TV. In fact, digging the remote control out from under the couch cushions ought to be about the limit of the physical and mental effort involved.

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My system is perpetually a work in progress. The speaker stands are always serving new guests (with martinis). Surround receivers slide in and out of the rack’s guest-receiver berth to bedevil me with the GUI of the week. But once in a while, I can’t resist the temptation to yank every cable out of every back panel, throw them onto the middle of the floor, and marvel as the mountain of copper snakes gets higher and higher. Last year, my system spring cleaning yielded a record haul: More than half the cables I pulled out didn’t go back in.

The valley between most televisions' woeful onboard audio and the glory of a full-on 5.1-, 6.1-, or 7.1-channel audio system is a broad one indeed, and wending its way through the middle like some bittersweet creek is the much-maligned soundbar. Once dismissed by the techno-elite as home theater for the lazy, the soundbar has since evolved into a viable compromise bet ween…well, something great and nothing at all.

Soundbar System
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ForceField 3 Subwoofer
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Women. They’re the problem. They’re the ones who have ruined home theater for all the manly men out there whose only vice was reclining in front of a set of towering speakers that dominated the room like a pair of long-faced Easter Island monoliths—speakers so masculine, they used testosterone instead of ferrofluid to cool the voice coils and were topped with skeleton-ugly horn tweeters so efficient Joshua could have used them to bring down the walls of Jericho the first day (before lunch!). For additional aural excitement, in a front corner of the room, openly begging for attention and not girlishly hiding behind a couch or doing double duty as a plant stand, would be a massive subwoofer with a magnet assembly so powerful that localized rooftop occurrences of the aurora borealis would happen from time to time. Techs from the local hospital would often bring patients to the house and use the subwoofer for testing when the lab’s MRI machine needed repair. But no more. The man cave has been emasculated and replaced by the female grotto, complete with bowls of potpourri and seating geometries that would make Euclid weep with grief. The coup de grâce, however, the fatal blow to any home theater’s manhood, is the now near-obligatory soundbar. Long and falsely phallic, it mocks the real men in the room as it preens itself under the flat-panel HDTV.

Say what you want about soundbars, but the category counts as one of the more active areas of speaker design. Sure, many products pumped out over the last few years are low-end ones designed to be sold as accessories for flat-panel TVs. But plenty of serious speaker companies have also gotten into the game, and the performance of the resulting products, while not yet at a level to make audiophiles toss out their tower speakers en masse, has proven more than sufficient for casual home theater use, as well as for background music listening.