The new Sennheiser Momentum On-Ear headphone takes everything I loved about the original Momentum over-ear headphone and puts it in a smaller, infinitely more stylish and affordable package. Coming in a range of colors, and at a lower price, this headphone retains the sound quality and voice of the original but makes it more accessible to more people.
AT A GLANCE Plus
Four balanced armature drivers
Customizable frequency response
User-replaceable cables
Minus
Not as good at isolating outside noise as custom in-ears
THE VERDICT
The SE846 combines state-of-the-art engineering with great musicality.
You guys know Shure; it’s best known as a microphone manufacturer, but millions of vinyl lovers have had long-term affairs with Shure’s phono cartridges. The company jumped into the earphone market in 1997 and focused on pro users—musicians and sound engineers—but audiophiles quickly got the word. Microphones, cartridges, and earphones have one thing in common: They’re all “transducers.” Microphones convert sound into electrical signals; cartridges convert groove wiggles into electrical signals; earphones convert electrical signals back into sound. The all-new SE846 reference-grade earphone was in development for four years.
AT A GLANCE Plus
Best-in-class sound
Minus
Bass sounds more full than accurate
THE VERDICT
One of the best-sounding in-ear headphones to come along in a long time. The IE 800 is a game changer.
I’ve heard most of the world’s best in-ear headphones, and frankly, those custom-molded models fitted to my ear canal from the likes of JH Audio, Ultimate Ears, and Westone regularly trump the universal-fit models. So before I popped on the Sennheiser IE 800, a universal-fit earphone, I wondered if the sound would justify its $1,000 MSRP. I shouldn’t have worried; the IE 800 is a game changer.
All other headphones bow to these. All other headphones are NOTHING compared to these. These are, to put it simply, a collection of the greatest headphones on Earth.
AT A GLANCE Plus
Elegant two-piece add-on to enhance smartphone audio
More power, superior DACs
Sleek, serious metal construction
Minus
Makes phone heavy and bulky for your pocket
Metallo case a pricey add-on
THE VERDICT
V-Moda offers a stylish solution to turn your smartphone into the sonic titan you always dreamed it could be.
The Samsung Galaxy S III (a.k.a.GS3) was arguably last year’s second best-selling mobile phone, behind the iPhone 5, and the popularity of this non-Apple device—reportedly over 30 million units in consumers’ hands—in a sea of Android competitors speaks volumes. Smartphones do a lot, often serving as many folks’ primary media player, but they face the quandaries of all modern portable gear: Performance must contend with the realities of physical size and weight, as well as battery life. One such casualty is the diminutive digital-to-analog converter inside the phone, which turns the digital audio signals into analog audio that we can hear over headphones or the built-in speaker. As a GS3 user for the past 11 months, I have no major gripes about the onboard DAC (in this case built into the Qualcomm WCD9310 chip), but it is fair to say that it wasn’t selected only for audio quality, but perhaps partly because it’s tiny and it won’t overwhelm the phone’s battery.
AT A GLANCE Plus
Clean styling
Neutral and highly accurate sound
Looks more expensive than it is
Minus
Could have more headband padding
THE VERDICT
Onkyo’s debut outing in the headphone market is near perfect.
We are living in a golden age for headphones. New models and even types of headphones are announced, and a month or two later, there’s another deluge. The waves of entry-level, midrange, and high-end models never let up. But even in the midst of headphone mania, Onkyo’s ES-HF300 distinguishes itself on a number of counts. I’m happy to see that rather than take the shiny plastic design route, the ES-HF300 sports brushed, black anodized aluminum construction, and it looks thoroughly modern and yet classic.
AT A GLANCE Plus
Euro design
Real lambskin ear pads
Oodles of detail and
resolution
Minus
Not vegan friendly
THE VERDICT
A beautifully balanced headphone that’s beautiful to look at.
Bang & Olufsen isn’t just another high-end audio company. Far from it. The Danish firm started making TVs in 1952, and their 1970s turntables were the best looking of the era. I’m not alone in admiring the industrial design; the Museum of Modern Art in NYC has 18 B&O products in its permanent collection. B&O is no Johnny come lately to headphones, either; they’ve been making outstanding ones as far back as the late 1970s!
Let me start by saying, I know headphones. I have reviewed a lot, I own a lot, and my ears have endured a lot. Generally speaking, function comes before form in my recommendations. Do they sound good? Are they comfortable? How much do they cost?
Only after these questions are positively answered do I then I allow myself to get excited over how pretty they are. Rarely am I able to reach that glorious final stage. To be frank: most tech that focuses on form ends up lacking in function (I’m looking at you, Beats). But every once in a while, my inner geek gets her day, and today it’s thanks to the British company RHA’s 750i. Now, knowing the substance is there, just look at them. Sigh...Sexy, no?
Much to the dismay of audiophile old fogies, the audio scene has been overrun by punks and their celebrity endorsements. Everywhere you look (Dre, I’m looking at you) you see audio gear, headphones in particular, with a famous DJ or other artist name attached. Of course, even old fogies were young once, and now it’s another generation’s turn to discover how cool audio is.
Sennheiser has long been a fixture in the professional audio and high-end audiophile market. I’ve used my Sennheiser HD 595 and HD 600 Open Dynamic headphones for many applications - in the studio for reference monitoring, for sound quality consulting, and for audio forensics. When Sennheiser announced the Momentum series, I was instantly curious about these affordable, fashionable, and (somewhat) portable headphones. Would they live up to the brand’s reputation?
Price: $449 At a Glance: Stellar build quality • Folds up into a compact bundle
AKG credits producer, recording artist, and DJ Tiësto (Tijs Michiel Verwest) with the sound tuning of the headphones that bear his name, and that’s cool, but I wouldn’t blame you for thinking that’s not necessarily a good thing. I haven’t been swayed by any celebrity ’phones, but I try to approach every review with an open mind, and by first judging their look and feel, the K267 Tiësto doesn’t give off any overt DJ vibes. As soon as I started listening, I relaxed. It didn’t sound like a DJ headphone; there’s no pumped-up bass or zippy highs. The K267 Tiësto sounds, above all, balanced, which puts this new AKG in the top ranks of audiophile headphones in its price class.
Has there ever been a headphone brand so controversial as Beats? It's undeniably popular; just walk around any downtown or airport in any industrialized country and you're almost sure to see a set. Yet audio enthusiasts-including the ones at Sound & Vision-often deride Beats' sound quality.
The companies that have most benefitted from the headphone boom are the ones who are great at marketing but don't know much about audio engineering. (Yet.) Two of the hottest brands in the biz are Beats and Skullcandy, companies that didn't even exist when the iPod debuted.
I’ve been searching a long time for a good noise-cancelling headphone priced around $100—something that might approach the performance of the $299 Bose QC-15 but at one-third the price.