Thomas J. Norton  |  Jan 14, 2014
In a dark cubicle, with no photos possible (or allowed), Panasonic demonstrated a prototype of a 4K flagship LCD/LED set planned for release later in 2014. Sited next to the now discontinued ZT60 plasma, it looked impressive. The LCD set had full-array LED backlighting, and appeared to have respectable off-center performance—as far as it was possible to tell in such a small space. One of the Panasonic reps said it had an IPS LCD panel—the LCD technology with the best off-axis performance.

Thomas J. Norton  |  Jan 14, 2014
In the most ambitious home theater demo at CES, MSR Acoustics coordinated an Elite Home Entertainment Experience in a large room at the Venetian Hotel.
Thomas J. Norton  |  Jan 14, 2014
Wolf Cinema was the second of only two home theater demos I found at the Venetian Hotel (the other being the MSR discussed above), which was otherwise (apart from a few soundbars) a sea of 2-channel, audio-only demos. Wolf Cinema showed three of its offerings. The fabulous photo shown here was the headliner, the $25,000 SDC-25. It's a single-chip DLP design with lamp-free, LED illumination, and looked plenty bright on a 102-inch (wide) screen.
Thomas J. Norton  |  Jan 14, 2014
While Aerial Acoustics' speakers aren't candidates for the bargain basement, they do have a reputation for great sound and solid engineering. The new 6T ($6000) is a thinner and relatively more affordable sibling to the company's 7T (just under $10,000).
Thomas J. Norton  |  Jan 14, 2014
Joseph Audio wins my vote for the best sound I heard at CES this year, with the qualifier that I didn't have time to visit more than half of the rooms st the Venetian Hotel, the site for high-end audio.
Thomas J. Norton  |  Jan 14, 2014
GoldenEar Technology introduced its new 3D Array XL soundbar (Spring, $1500). It's wide enough to accommodate a 70-inch HDTV, and as a passive soundbar requires an external AVR. GoldenEar recommends separate surrounds and a subwoofer for optimum results (not included), though it can operate without them.
Thomas J. Norton  |  Jan 10, 2014
Instead of formally exhibiting at the CES this year, Harman International set up shop in a large ballroom at the Hard Rock hotel. When we were there, the place was jumping, despite the relatively remote vernue.
Thomas J. Norton  |  Jan 10, 2014
The bipolar dual tweeters on the opposing front faces of the Infinity Reference Series surround speaker are said to produce a very uniform front dispersion. The mid/bass driver is mounted on the back, where a metal bracket keeps it spaced out from the wall by a couple of inches.
Thomas J. Norton  |  Jan 10, 2014
Brent Butterworth covers the details on the new Infinity Reference Series below. Here’s a look at the three-way center ($499). Its vertical orientation for the midrange and tweeter is, in my opinion, the only proper way to design a center channel speaker —other than using a speaker identical to the left and right, which can only work if the screen is very high or acoustically transparent, or the system is used for music only with no images.
Thomas J. Norton  |  Jan 10, 2014
Lexicon’s venerable MC-12 preamp-processor, which has been on the market for over ten years (with important upgrades alinbg the way to accommodate the changing times) is about to be replaced by the MC-14. The latter (April, $10,500) will offer a full complement of inputs and other ports, including HDMI, USB, 7.1-channel analog, Ethernet, RS-232, and a headphone output. It accepts all current consumer sources, and also has a selectable analog bypass for playback. Oddly, however, there is no provision for any form of manual or automatic room compensation.

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