Mike Mettler

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Blu-ray Movie Reviews
The Circle
Mike Mettler  |  Dec 01, 2017  |  0 comments
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If you do something in your life and there’s no camera around to capture it, did it really happen? In essence, that’s the core conceit of The Circle, director James Ponsoldt’s of-the-moment adaptation of Dave Eggers’ 2013 speculative fiction novel that imagines a fully interconnected world where the life unfilmed is not worth living (well, kinda).
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Music Disc Reviews
Marillion: Misplaced Childhood: Deluxe Edition
Mike Mettler  |  Nov 29, 2017  |  2 comments
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I hate to admit it, but I didn’t “get” Marillion when I saw them open for Rush at the Rosemont Horizon just outside of Chicago on March 21, 1986, playing their 1985 breakthrough album Misplaced Childhood in its entirety. While I was properly enamored with the uplifting performance of their touchingly seductive FM hit “Kayleigh,” I just wasn’t able to connect with the rest of the set for some reason. Apparently, I wasn’t alone in that feeling, since I also heard a good bit of the crowd boo/catcall Marillion throughout their performance, the first time I had heard such a thing occur at a live show.
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The S&V Interview
Arlo Guthrie Gives Thanks for 50 Years of “Alice’s Restaurant Massacree”
Mike Mettler  |  Nov 22, 2017  |  0 comments
Is there a more hallowed Thanksgiving tradition than the annual spinning of Arlo Guthrie's magical 18-minute tale about one fateful Thanksgiving Day encounter that's also celebrating its 50th birthday this year, “Alice’s Restaurant Massacree”? Guthrie and I discuss the song’s sonic origins, what had to be done to ensure it fit perfectly onto one album side, and the Guthrie family’s storied annual holiday tradition of playing Carnegie Hall in New York.
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The S&V Interview
Blondie Seeds Their Signature Sound on Pollinator
Mike Mettler  |  Nov 08, 2017  |  0 comments
As defined as the sound of legendary new-wave icons Blondie may appear to be on record, it’s how they’re able to open things up onstage while supporting their buzzworthy new album Pollinator that keeps things interesting for the bandmembers themselves. Drummer Clem Burke and I got on the line to discuss Blondie’s special chemistry on record and onstage, how to be creative while working with click tracks and drum machines, and the special kick he added to the back half of “Heart of Glass.”
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The S&V Interview
Gavin Elder on Filming David Gilmour’s Live Return to Pompeii
Mike Mettler  |  Oct 25, 2017  |  1 comments
Photo: Sarah Lee

David Gilmour’s July 7 and 8, 2016 concerts at the storied Pompeii ampitheatre marked the first time anyone had performed there in front of a live audience since the gladiators put on their own special brand of swords & sandals entertainment back in 79 A.D. Director Gavin Elder and I recently got on the line to discuss the logistics of filming in such a historic locale for Blu-ray, the goals for the concert’s color palette, and how his team figured out a way to accommodate Gilmour’s lone specific visual wish for the production.

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The S&V Interview
Talking With Tom Petty, The Man Who Never Backed Down
Mike Mettler  |  Oct 11, 2017  |  0 comments
Photo: Mary Ellen Matthews

I had the privilege of interviewing the late Tom Petty for Sound & Vision on three separate occasions. In these previously unpublished back-and-forths culled from my sitdown with Tom in Malibu in 2010, Tom tells me how The Heartbreakers truly got their start, how the band worked together to create new material, and shares his hopeful thoughts toward the band’s future.

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Music Disc Reviews
Jethro Tull: Songs From the Wood: 40th Anniversary Edition
Mike Mettler  |  Oct 04, 2017  |  0 comments
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These days, when it comes to surround sound mixing, most in-the-know producers and musicians’ respective collective first thought inevitably turns to the maxim, What would Steven Wilson do? Indeed, the man also known as the once and future king of hi-res and 5.1 production has long staked his claim as the No. 1 go-to guy for any artist interested in obtaining a top-shelf mix that takes full advantage of the vaunted six-channel, 96-kilohertz/24-bit (and sometimes higher!) audio spectrum offered via DVD and/or Blu-ray. (And yes, a hi-res download option is on the master main menu as well.)
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Reference TracksThe S&V Interview
Ronnie Montrose Rocks the Nation with a Fabulous Final Studio Album, 10x10
Mike Mettler  |  Sep 27, 2017  |  5 comments
Ronnie Montrose. Photos courtesy Bill Towner.

“His guitar speaks for itself.” It’s a phrase that could be applied to many a dominant and influential guitar player of the rock era, but it’s no accident it was also stickered on the front of albums bearing the name of Bay Area guitar legend Ronnie Montrose. Montrose initially made his mark laying down indelible riffs for the likes of Van Morrison (“Wild Night”) and The Edgar Winter Group (“Free Ride,” “Frankenstein”), but when he joined forces with a then-unknown Sammy Hagar to form Montrose in 1973, he shepherded a band immediately described as America’s answer to Led Zeppelin, Black Sabbath, and Deep Purple, all rolled into one. (“Rock the Nation,” indeed.)

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Blu-ray Movie Reviews
Saturday Night Fever Director's Cut
Mike Mettler  |  Sep 15, 2017  |  1 comments
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Much as 1955’s Rebel Without a Cause and 1969’s Easy Rider defined the youth-culture zeitgeist of their respective decades, 1977’s Saturday Night Fever deftly captured the me-decade essence of the 1970s, instantly catapulting John Travolta to the A-list in the process.
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The S&V Interview
Avant-Garde Pioneer Irmin Schmidt on Can’s Singular Sonics
Mike Mettler  |  Sep 12, 2017  |  Published: Sep 13, 2017  |  0 comments
When Can began releasing their structurally challenging, progressive/electronic music out of Cologne, West Germany in 1968, they essentially ushering in the movement that came to be known as Krautrock, and their far-reaching influence has been cited by such convention-defying artists as David Bowie, the Talking Heads, and Radiohead. Can keyboardist Irmin Schmidt called me to discuss the band’s new The Singles collection and their singular improv-compositional style, when surround sound mixes are (and aren’t) options for their catalog, and what Can song avant-garde German composer Karlheinz Stockhausen gave his rarely handed out seal of approval.
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