David Vaughn

I love a good action move as much as the next guy and am willing to suspend a certain amount of belief, but director Joe Wright takes things a little too far. For starters, Ronan maybe weighs 105 pounds soaking wet yet has the strength to take down a plethora of Special Forces personnel and latch onto the bottom of a vehicle moving at over 30 mph. Furthermore, despite all of her training, she's like a fish out of water when she encounters electricity in the modern world.

Tim Burton's The Nightmare Before Christmas is an unusual film that improves with multiple viewings. Burton cleverly mixes Halloween and Christmas with fabulous set designs and stop-motion photography, creating a whimsical world in which to tell his story. The film was rereleased to theaters in 2008 with a 3D conversion utilizing the talents of Don Hahn and ILM (Industrial Light and Magic). As explained on Mouseclubhouse.com, they used the original film for the left eye and they projected it onto a featureless piece of geometry that looks like a coffee cup. Then the camera was moved to the right three inches and re-photographed. Any gaps are then filled in via Photoshop and the resulting image is outstanding. I loved the original 2D release of the film for its fine visuals and enveloping soundtrack, but this 3D version takes it to a whole new level.

History has a way of repeating itself, and we’re beginning to see similarities between Blu-ray and DVD. While Blu-ray’s penetration rate will probably never equal DVD’s, the prices of hardware and software are now dropping to levels that don’t turn off the average consumer. But is this necessarily a good thing? With DVD, you bought the player, and it pretty much worked until it dropped. With a Blu-ray player, you need to update the firmware the moment you unbox it, and this event repeats itself quarterly to accommodate quirky BD+ copy protection on new disc releases. Then there are the firmware updates gone awry—the occasional “fix” that introduces more problems than it solves. When that happens, a company’s ability to respond to trouble becomes critical. But if the manufacturers don’t make enough money selling players, they can’t easily justify the timely updates and prompt service their customers deserve. While I love a great bargain as much as the next guy, it’s also important to consider the manufacturer’s record of after-purchase support.

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Oppo Blu-ray players have been a fixture in Home Theater's Top Picks section since the introduction of the BDP-83 in 2009. Earlier this year, we added its successor, the BDP-93, to the list due to its flawless playback of Blu-ray Discs, speed of operation, 3D capability, and streaming services from Netflix and Vudu. But good companies don't rest on their laurels, and Oppo has released an audiophile version of the player, the BDP-95, featuring the same reference-quality digital video processing with a beefed-up analog section for those who love their two-channel audio or who haven't upgraded to an HDMI-based AVR or surround processor and want the best audio possible for 7.1-channel soundtracks. Since the BDP-95 is identical to the BDP-93 in terms of video and digital audio, I'll concentrate on the upgraded analog audio here; for more on the rest of the player, see the review of the BDP-93.