Mike Mettler

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Mike Mettler  |  Apr 23, 2021
Performance
Sound
Neil Young is an international treasure. Perhaps he should adopt Frank Sinatra's signature mantra "I did it my way" as his own, because his artistic vision is, frankly, unparalleled in the history of popular music. Neil always does what he wants, releases new and archival material whenever he wants, and often chooses to lay it all down in whatever genre strikes his fancy. Even better, he takes great pains to ensure we the listeners get to hear all of it in the highest resolution possible.
Mike Mettler  |  May 31, 2009
Reprise (10 Blu-ray Discs)
Archives ••••• Picture •••• Sound ••••• Extras •••••
"FUCK THE AUDIENCE." So say
Mike Mettler  |  Jun 08, 2016
Could there be a better name for the first all-new Monkees studio album in 20 years than Good Times? Produced and mixed by Adam Schlesinger (Fountains of Wayne, Tinted Windows), Good Times! teems with vintage energy from all four Monkees — including the late Davy Jones. Good Times! is the perfect soundtrack to accompany the band’s 50th anniversary celebrations this year, which also include having the TV show appear for the first time on Blu-ray (The Monkees: The Complete Series) and a tour featuring Micky Dolenz and Peter Tork (and sometimes Michael Nesmith, schedule permitting). Recently, I sat down with Nesmith, 74, in New York to discuss his songwriting influences, his sonic goals for his Good Times! contributions, and The Monkees’ enduring legacy.
Mike Mettler  |  Apr 28, 2023

Rush’s September 1982 album Signals celebrates the release of its 40th anniversary Super Deluxe Edition today, April 28, 2023—and it’s a spatially inclined box set that contains a stunning new Atmos mix of the core album by longtime Rush confidante and noted producer/engineer Richard Chycki on Blu-ray. In a recent Zoom interview, Chycki and music editor Mike Mettler discuss the esteemed producer’s overall Atmos mixing M.O. for Signals, the one specific request from Rush guitarist Alex Lifeson that was honored in “Subdivisions,” and why “Countdown” truly lifts off into the stratosphere in Atmos. Read on to decipher all the fine immersive signals accordingly. . .

Mike Mettler  |  Sep 18, 2020
Two words I'd never dream of associating with Nick Mason would be "idle hands." If anything, the longtime co-founding Pink Floyd drummer has always liked keeping himself busy, whether it's been behind the drum kit or handling the respective steering controls of exotic cars and/or flying machines (a.k.a. airplanes, in everyday parlance).
Mike Mettler  |  Dec 05, 2013
Performance
Sound
When I saw Nirvana play Roseland Ballroom in New York City in July 1993, it was three months before the release of In Utero, the band’s explosive follow-up to the game-changing Nevermind. The balls-out, frenzied new songs I heard that night foreshadowed In Utero’s raw power. And this 20th anniversary Super Deluxe Edition not only reconfirms the depth of Kurt Cobain’s tragic genius, it also reminds our collective ear that alternative-rock icons could sound great too, despite the somewhat misleading lo-fi tag hung on the grunge movement.
Mike Mettler  |  Sep 26, 2011

"Simple needs and simple expectations make for beautiful longevity."

Mike Mettler  |  Feb 15, 2025

Memphis rapper NLE Choppa is in the midst of celebrating Black History Month by releasing a new single each week here in February 2025. His first two BHM offerings— the hopeful confessional of “Crescent Moon,” and the anti-gun-violence hip-hop hymnal “Can We Live?”—both aspire to achieve loftier heights and goals in Dolby Atmos (albeit in slightly different ways). Read Mike Mettler’s review to find out if the Atmos mixes of these two uplifting tracks maximize their best 360-degree intentions. . .

Mike Mettler  |  Jan 08, 2006

Pioneer's AVIC-Z1 car navigation system features a 30-gigabyte hard drive and a touchscreen user interface.

Mike Mettler  |  Jul 29, 2022

I don’t know about you, but I love hearing what I call “the humanity of performance” while listening to music. What I mean by that is, whenever I hear singers take breaths before or after they sing their lines (or even when they do it in the middle of them!), and/or I discern things like chairs scraping across floors or fingers moving across fretboards, I’m totally cool with it.

These recording elements all give me a sense of space (i.e., where the recording took place and the proximity of those involved) and even the character of the performers, to some degree. Certain producers like their recordings to be more insular than that, which is certainly fine in isolated cases—but the more “real” a recording is the better, imo.

The reason I bring this up is there are plenty of human elements involved in the five tracks I’ve selected for this week’s Spatial Audio File. As always, I’ve thoroughly spec’ed and checked each track by way of my personal deep-dive listening sessions on both my home system and headphones alike. You’ll find each and every one of them amidst the scores of stellar Made for Spatial Audio and Dolby Atmos tracks within the ever-growing Apple Music library. >p> Let’s all now plug directly into the inherent sonic sea of humanity at hand as we collectively check out this week’s five-spot of truly immersive tracks, which are. . .

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