Mike Mettler

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Mike Mettler  |  Oct 02, 2014  |  0 comments
Performance
Sound
Which one’s Pink? It’s a debate that’s polarized fans ever since Pink Floyd principals David Gilmour and Roger Waters split up their creative partnership in the mid-’80s. Waters went on to build an unprecedented solo live Wall of epic visual and auditory proportions, while Gilmour retained the rights to the band name and constructed two diverse, divergent studio albums and subsequent tours with his other two Floydmates in tow, keyboardist Richard Wright and drummer Nick Mason. The latter of those two LPs, 1994’s admittedly divisive The Division Bell, now comes back to life with a 20th anniversary deluxe celebration in box set form, and thanks to a brilliantly stunning surround sound mix, material initially perceived as B-level reveals itself to have been A all the way.
Mike Mettler  |  Nov 14, 2011  |  0 comments

Surround-sound guru Steven Wilson has upped the ante yet again on his Grace for Drowning solo tour by presenting the music itself in surround sound, an unprecedented feat. Well, ok, technically speaking, the show is in live quad, with two speakers placed in the back of the venue at hand.

Mike Mettler  |  Jan 20, 2017  |  0 comments
Picture
Sound
Extras
When Prince passed away from an accidental overdose of fentanyl this past April, multiple generations bonded over their mutual appreciation of his one-man empire of sonic creativity, quirky yet influential style, and overall mystique. In the wake of all this new and renewed interest in the Purple One, Warner has remastered his only three starring roles for high-def Blu-ray release via the simply titled Prince Movie Collection.
Mike Mettler  |  Apr 19, 2017  |  2 comments
Though “A Whiter Shade Pale” singlehandedly sealed their position in rock history 50 years ago this May, Procol Harum continued to make sonic waves from the late ’60s on into the ’70s. Fast-forward to the present day, where Procol Harum continues to shine brightly as evidenced by the sweet and salty sounds of Novum, out on April 21. I called I called PH vocalist/pianist Gary Brooker across the Pond to discuss the live approach to cutting Novum, the ongoing impact of “A Whiter Shade of Pale,” and why he still likes playing with orchestras.
Mike Mettler  |  Oct 22, 2014  |  0 comments
“It’s a very common name. Back of $20 bills, that’s me.” Producer Andy Jackson is being typically self-effacing as he leans back in a chair across from me in front of the massive Neve 88R console that dominates the control room in the Astoria, the grand houseboat recording studio moored on the Thames somewhere near Hampton, Middlesex in England. It’s late August 2014, and it was my distinct honor to be summoned across the Pond to partake in an exclusive listening session for The Endless River, which has been deemed the final Pink Floyd album. (River will be released worldwide by Columbia on November 10.) After a rousing listening session in a place where much of the music I heard was either created, recorded, and/or mixed, I sat down across from Jackson exclusively to discuss the genesis of River, the costs and benefits of mixing in both analog and Pro Tools, and what may (or may not) be in Floyd's future.
Mike Mettler  |  Jun 25, 2015  |  Published: Jun 24, 2015  |  0 comments
Jac Holzman, the founder of Elektra Records, believes the key to The Doors' sound lies in how the band and its ace production team — producer Paul A. Rothchild and engineer Bruce Botnick — all pulled together to make sure the integrity of the band’s sound was preserved on record. “We made albums so carefully,” Holzman notes. “I think the attention to the detail and the fussing over getting everything just right and not letting it go out otherwise are some of the reasons The Doors have held up over time. We had it right to begin with.” I rang Botnick up in California to discuss how he helped orchestrate The Doors’ formidable sonic legacy, how he translated said legacy into surround sound, and why he also still digs vinyl. Their music is your special friend, until the end.
Mike Mettler  |  Apr 20, 2012  |  0 comments

If you know anything about me, you know how much I love going to record stores, and that I especially love taking my time sifting through everything they have in stock.

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