Thomas J. Norton

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Thomas J. Norton  |  Dec 17, 2007

No one imagined two years ago that the cost of acquiring a high quality 1080p projector would drop to the levels many of them sell for today&mdash;levels, it could be argued, that were driven by Sony's own extremely competitive pricing, especially on the $5K <A HREF="http://ultimateavmag.com/videoprojectors/1106sonypearl/">VPL-VW50</A> "Pearl.".

Thomas J. Norton  |  Dec 12, 2017

Performance
Features
Ergonomics
Value
PRICE $5,000

AT A GLANCE
Plus
Native 4K
Superb resolution and color
Impressive HDR
Minus
No dynamic iris
No lens memories

THE VERDICT
The Sony VPL-VW285ES brings true native 4K resolution down to a price more viewers can aspire to. Add a generous helping of UHD’s wider, deeper color and high dynamic range, and it’s hard to resist.

Ultra HD with true native 4K resolution on its imaging chips has been, so far, difficult to do at a cost most consumers can accept. New DLP-driven 4K projectors that utilize pixel-shifting, which delivers the full UHD pixel count in successive half-frames of diagonally shifted pixels, have recently come on the market at prices as low as $2,000. But native 4K projectors that can put all 8 million pixels in a UHD frame on the screen simultaneously have been pricey, with the cheapest to date coming in around $8,000.

Thomas J. Norton  |  Nov 28, 2018

Performance
Features
Ergonomics
Value
PRICE $5,000

AT A GLANCE
Plus
Excellent resolution
Good HDR brightness
Quiet
Minus
Middling black level
Limited BT.2020 and P3 color coverage
No 10-point white balance adjustment

THE VERDICT
Sony’s VPL-VW295ES isn’t significantly different than last year’s VPL-VW285ES, but it’s still a tempting entry in the limited world of affordable true 4K home projectors.

Until recently, most home 4K projectors used lower-than-4K-resolution imaging chips and employed various types of time-offset pixel shifting to display a 4K image on a screen. Such projectors are affordable and widely available, and they can be remarkably effective. True, full 4K projection, on the other hand, has remained something of a golden goose, priced out of the range of mere mortals.

Thomas J. Norton  |  Feb 03, 2008

When it was introduced at the 2006 CEDIA Expo, Sony's VPL-VW50 redefined the entire front-projector price structure. Of course, a few other manufacturers were ready with their own new projector announcements at that show, but the VW50&mdash;which came to be widely known as the "Pearl" after the company's code name for the project&mdash;generated the most buzz.

Thomas J. Norton  |  Mar 28, 2014

2D Performance
3D Performance
Features
Ergonomics
Value
PRICE $15,000

AT A GLANCE
Plus
Smooth, clean detail
Excellent color
Rich, dark blacks
Minus
Occasional iris pumping
Pricey

THE VERDICT
With its compelling reproduction of smooth detail, fine color, and impressive brightness with 2D content, the VPL-VW600ES offers a tantalizing taste of 4K.

In case you haven’t noticed—or have just returned from an extended spring break in Antarctica—the newest thing in home video is Ultra HD, or 4K. 3D is so 2010. 4K is now.

But 4K home projectors are still a rarity, and so far, there haven’t been any true 4K consumer projectors even remotely approaching the price of a good 1080p model. Until now, that is. Sony’s new VPL-VW600ES comes in at an MSRP of $15,000, or just over half the price of the company’s VPL-VW1100ES, a recent update of the VPL-VW1000ES (Sony’s first consumer 4K model). That’s not exactly chicken feed, but it’s a move in the right direction.

Thomas J. Norton  |  Sep 08, 2017
Sony featured a new $25,000 laser-driven, true 4K projector in its demo theater. It looked spectacular...
Thomas J. Norton  |  Jan 06, 2017
When Sony showed something they called Crystal LED at a CES few years ago, we all thought it looked intriguing. But then it disappeared. Apparently, however, Sony has continued work on this technology...
Thomas J. Norton  |  Dec 13, 2012

2D Performance
3D Performance
Features
Ergonomics
Value
Price: $3,500 At A Glance: Plasma-quality blacks • Near flawless color • Bright, vivid 3D

All LCD HDTVs require some form of backlighting. The LCD panel’s pixels modulate the light and provide filtered color, but without backlighting to shine through the panel, you’d have no picture. Recently, LEDs (light-emitting diodes) have replaced the fluorescent backlights used in older flat-screen LCD sets. LCDs aren’t perfect in blocking light (which is why so many early models had poor black levels), but if you can shut off or dim the LEDs on demand, the LCDs’ light-blocking chores become far more efficient. And LEDs can do this; they can be shut off and turned back on almost instantaneously in reaction to the signal coming in.

Thomas J. Norton  |  Oct 21, 2014

2D Performance
3D Performance
Features
Ergonomics
Value
PRICE $4,000

AT A GLANCE
Plus
Exceptional blacks and shadow detail
Excellent color and resolution
Impressive sound with optional subwoofer
Minus
Price
Small screen for 4K

THE VERDICT
Short of sitting very close, you’ll need a screen bigger than 55 inches to see the full benefits of 4K resolution. But the XBR-55X900B is, nevertheless, a champion in all respects, including one we didn’t anticipate: state-of-the-art edge-lit local dimming.

The XBR-55X900B is the smallest set in Sony’s X900B series, which also includes the 65-inch XBR-65X900B ($5,000) and the 79-inch XBR-79X900B ($9,000). Fifty-five inches is a relatively small size for achieving the maximum benefits of 4K resolution. But it’s also perhaps today’s most popular size for the principal home HDTV, so there’s no denying its market importance for Ultra HD as well.

Thomas J. Norton  |  Oct 13, 2017

Performance
Features
Ergonomics
Value
PRICE $5,500

AT A GLANCE
Plus
Excellent contrast
Superb color and resolution
Looks good from every angle
Unique panel-based sound system
Minus
No color management system
Some white clipping

THE VERDICT
While it might appear that OLED UHDTVs are popping up everywhere, the most visible supplier to date has been LG. But Sony, by acquiring OLED panels from LG and adding its own electronics, processing, styling, and unique features, has jumped into the fray, landing firmly on both feet with a solid performer.

Sony’s new OLEDs (the 65-incher reviewed here has a 55-inch sibling, and a 77-incher will be available by press time) haven’t yet taken pride of place at the top of Sony’s TV lineup. That honor belongs to the Z9D (Sound & Vision, January 2017 and soundandvision.com), now spruced up with the imminent addition (as I write) of Dolby Vision for 2017. But you might think of the OLEDs as stepping stones to Sony’s future in self-emissive displays—the spectacular, commercially oriented, and wall-sized CLEDIS LED display Sony demonstrated at the 2017 CES comes to mind. But that’s the future. Sony’s OLEDs are now. As of today, Sony’s OLED implementation uses a panel supplied by LG (but with Sony’s own secret processing sauce). At its press-time street price of about $4,000 in the 65-inch version, it was roughly comparable, if not a touch less expensive, than LG’s own like-sized C7P model.

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