Thomas J. Norton

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Thomas J. Norton  |  Jan 11, 2011  |  1 comments
As with the Thiels, we mentioned these Sony speakers earlier in this report. But also like the Thiels, they deserve another mention. No other speakert impressed me as much as this one did at the show. I'm enough of a show veteran to realize just how much the room, associated components, and program material can effect the sound of a system, but under the conditions in the Sony room, in a 2-channel setup (four of the speakers were also being used in a surround system in a different room) they impressed me about as much as any speaker ever has at a trade show. The sound was punchy, dynamic, and full-bodied without being overblown. And they made both modern and classical music sound real—few speakers can do as well on both.

The SS-AR1's (I sense an homage in that name) have been on the market in Japan since 2006, but have recently been upgraded in the voicing and crossover department.

But will we ever see them for sale here in the states? Possibly, but this show appeared to be a trial run to judge dealer interest. That's been a problem with Sony speakers in the past, and there have been some very good ones. High-end dealers are reluctant to take on Sony speakers, and Sony dealers are reluctant to take on speakers this expensive—currently about $27,000/pair in Japan.

Associated equipment included Pass Laboratories monoblock solid state amps and an EMM Labs (Meitner) Reference SACD/CED player.

Thomas J. Norton  |  Mar 21, 2006  |  0 comments

Sony's 2006 line show for dealers and press offered few surprises. Yes, there was the new BDP-S1 Blu-ray player, planned for release in July at $1000. But it must rankle Sony every time they announce that the first Blu-ray player to market, day-and-date with the first Blu-ray titles in late May, will be from Samsung (if you haven't already heard, the delay of the PlayStation3 gaming console/BD player until November has created that awkward situation.)

Thomas J. Norton  |  Dec 15, 2004  |  0 comments

The STR-DA9000ES is Sony's entry in what has become a new trend in home theater: receivers that seriously challenge separate components. That challenge is extended not only in features and performance, but in size as well. Many of these new behemoths equal the sheer bulk of more than a few preamplifier-processor and amplifier combinations.

Thomas J. Norton  |  Jan 09, 2018  |  1 comments
Kazuo Hirai, Sony’s head honcho for the US market, gave Sony’s entire press event standing in front of a huge screen with constantly changing images (though all of them stills). There was no information provided as to what sort of display the screen was, but I plan to inquire later in the show as it was perhaps the most impressive display shown during the entire press day. But it’s apparently not a technology currently used in a consumer product...
Thomas J. Norton  |  Jun 30, 2007  |  0 comments
Out with the Cineza. In with the BRAVIA.

Until recently, Sony's popular LCD video projectors carried the Cineza brand name. Apart from the fact that I always wanted to say, "bless you" whenever someone said Cineza, it was perfectly fine name. But Sony has now extended the "BRAVIA" moniker, once used to designate only its flat panel displays, across its line of displays.

Thomas J. Norton  |  Jan 30, 2005  |  0 comments

Once upon a time, it was widely accepted that LCD projectors had two major weaknesses. First, in commonly available consumer models, the pixel structure could result in the infamous "screen door effect." That is, because the wiring driving each pixel had to be routed between the pixels, the pixel spacing, or pitch, was wide enough to make the pixel grid visible at close viewing distances.

Thomas J. Norton  |  Nov 02, 2011  |  5 comments

2D Performance
3D Performance
Features
Ergonomics
Value
Price: $3,700 At A Glance: Deep blacks • Accurate 2D color • Outstanding brightness

Sony’s VPL-HW projectors go back a few years, with steady model-to-model refinements. Last year it was the VPL-HW20; this year it’s the VPL-HW30ES. Note that the HW30 now carries Sony’s premier ES designation. But there’s more than that to account for its price premium over the VLP-HW20. Not only does the new model build on its predecessor’s already excellent 2D performance, but it’s also 3D-ready, using active shutter glasses you can purchase separately along with an external 3D emitter. Or if you prefer your projector to be 3D-capable right out of the box, you can purchase it with two pair of model TDG-PJ1 glasses and the TMR-PJ1 emitter included as the VPL-HW30AES for $4,000.

Thomas J. Norton  |  Mar 30, 2017  |  1 comments

2D Performance
3D Performance
Features
Ergonomics
Value
PRICE $2,000

AT A GLANCE
Plus
Excellent color and detail
Bright, punchy picture
That price!
Minus
Middling blacks and shadow detail

THE VERDICT
With all of today’s hullabaloo about 4K and HDR, it’s easy to forget that there’s something special about a theater-like image on a big projection screen—even if it’s plain vanilla, standard dynamic range, and 1080p. One look at the Sony VPL-HW45ES will remind you of that fact.

I've been projector-less for a good two years. It began with a 2015 move across the country from California to Florida. Then came a steady stream of flat-screen TVs as that technology progressed from the 2K era to the age of Ultra HD with 4K resolution, advanced color, and high dynamic range (HDR). Still, it’s not like I’ve been exiled to the proverbial desert island. Those top-of-the-line TVs have been a treat, and there’ll be more to come. I’ve missed having a big screen, however, with the sense of image immersion that only a frontprojection setup can provide.

Thomas J. Norton  |  Feb 04, 2013  |  5 comments

2D Performance
3D Performance
Features
Ergonomics
Value
Price: $4,000 At A Glance: Superb detail resolution • Superior blacks and shadow detail • Solid color performance • Includes spare lamp

In Sony’s pantheon of projectors, the VPL-HW models are the company’s solid middle-class family. While a product selling for $4,000 or nearly so isn’t likely to be found at Target or Walmart, in the projector world it sits nicely between bargain basement and “if you have to ask” pricing.

Thomas J. Norton  |  Dec 18, 2005  |  0 comments

<I>When our Photo Research PR-650 SpectraScan Colorimeter&mdash;the tool we use to calibrate most of the projectors we review&mdash;went into the shop for repair recently, not destined to emerge until mid January, a decision had to be made. The Sony VPL-VW100 is one of the hottest video products to hit the market this year. Do we wait until January to post our full review, or bring you what we have now&mdash;observations based on using the user controls, a test DVD or two, and experience with other well-calibrated displays&mdash;followed up later by additional details, including a full calibration. I decided on the latter, to bring you the information we have just as soon as possible, making this first-ever </I>Ultimate AV<I> two-part review that doesn't involve more than one product. Part two of this review can be found <A HREF="http://ultimateavmag.com/videoprojectors/206sony2/">here</A>.&mdash;TJN</I>

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