Steve Guttenberg

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Steve Guttenberg  |  Oct 25, 2016  |  0 comments
Performance
Build Quality
Comfort
Value
PRICE $309

AT A GLANCE
Plus
Handsome design
Extraordinary build quality
Rich sound
Minus
Doesn’t fold for compact storage

THE VERDICT
It’s easy to be distracted by the Meze 99 Classics’ good looks, but they’re also great-sounding headphones.

Call me shallow, but I fell deeply in love with the Meze Classics 99 headphones even before I heard them. Those precision carved, hand-finished, solid wood earcups, stainless steel headband, self-adjusting headband strap, and sumptuous earpads all lend a luxury feel to the design, though the price is solidly affordable. No other headphones near the price look and feel like the 99 Classics.

Steve Guttenberg  |  Jul 31, 2001  |  Published: Aug 01, 2001  |  0 comments
M&K's K-5 proves that a small speaker doesn't have to deliver a small performance.

Miller & Kreisel Sound has a habit of being there at the very start of things. The company's timeline stretches all the way back to 1973, when Steely Dan's Walter Becker wandered into Mr. Kreisel's shop and asked him to design a subwoofer and monitoring system for his Pretzel Logic mixing sessions. The rest, as they say, is sub-history. OK, you probably already knew that M&K is synonymous with badass subwoofers, so here's another cool bit of trivia. In 1976, long before the words "home" and "theater" were ever used together in a sentence, M&K introduced their first subwoofer/satellite system. Their pioneering spirit in the pro-sound world is legendary; so, naturally, Dolby Labs depended on an M&K MX-5000 system during their developmental work on Dolby Digital in the early '90s. M&K's list of achievements could easily fill this entire review, so I'll stop myself right now and move on to the subject at hand: their brand-new and most affordable satellite speaker, the K-5 ($149). This little guy, measuring a scant 7.375 by 4.875 by 5.875 inches, can serve with distinction as a front, center, or surround speaker.

Steve Guttenberg  |  Nov 04, 2002  |  Published: Nov 05, 2002  |  0 comments
Listening outside the pod.

Mirage's VP of engineering, Ian Paisley, went bipolar way back in 1987. Hold on a sec, let me restate that: Paisley designed the first commercially successful bipolar loudspeaker, the Mirage M-1, in 1987. That speaker garnered raves in all of the audiophile mags and put Mirage on the map. Ah, but do bipolar/wide-dispersion speakers always produce great sound? It all depends. People have criticized some omnidirectional speakers for their overly diffuse, vaguely defined imaging. While I've never owned a set of Mirages, I've been a fan of this sort of speaker since I bought a pair of "direct/reflecting" Bose 501 speakers in '76. Hey, I was still wet behind my not-yet-golden ears, and Bose's dispersion concept caught my fancy. My Bose affair was a quickie, and I eventually settled down for a long-term relationship with a pair of Quad ESL-63 (dipole) electrostatic speakers.

Steve Guttenberg  |  Mar 18, 2005  |  0 comments
It's three omnidirectional speakers in one.

Here's a tip for home theater newbies: Don't shop for speakers using just your eyes. That advice holds true for any speaker, regardless of size or price; when it comes to what we euphemistically refer to as "lifestyle" speakers, though, please try to listen before you make a purchase, or you'll deserve what you get. Lifestyle-inflicted design compromises too often exact a toll on performance—skinny towers can sound undernourished, wall-mounted speakers can produce pancake-flat imaging, and pint-size satellites can come up short.

Steve Guttenberg  |  Sep 03, 2007  |  Published: Aug 03, 2007  |  0 comments
Melodious metal.

Monitor Audio has the metal thing down. I remember thinking that after my first encounter with a pair of Monitor Studio speakers in the mid-1980s. In those days, metal drivers had a reputation for adding an annoying metallic zing to the sound, but the Monitors were as sweet as could be. Over the years, Monitor continued to hone the technology; even now, when there are a lot of great-sounding speakers with metal drivers, to my ear, nobody does it better. Monitor's current product range includes a healthy selection of custom-install models and the heavy-metal contenders, which run from the entry-level Bronze, the Silver, the Gold, and up to the flagship Platinum speaker lines.

Steve Guttenberg  |  Mar 01, 2004  |  0 comments
Little speakers with big aspirations.

It must be something of a conundrum for speaker designers: Today's buyers are demanding more and more from smaller and smaller speakers. The designers' incredible shrinking speakers work their mojo with ever-more-innovative cabinet designs, and their high-tech drivers push the performance envelope. At least that's what they tell me. No doubt some of their more-extreme claims are jive techno babble, but that's OK—the sonic truth will inevitably be laid bare when the pedal hits the metal on the Fast and the Furious DVD. The pint-size speakers better deliver the goods. . .or else.

Steve Guttenberg  |  Jun 29, 2017  |  1 comments

Performance
Build Quality
Comfort
Value
PRICE $49

AT A GLANCE
Plus
Great sound on the cheap!
Triple driver design
Nice and comfy
Minus
Ho-hum looks

THE VERDICT
The Monoprice TripleXXX’s sound quality definitely ups the ante for budget-priced in-ear headphones.

The Monoprice TripleXXX may be the most affordable headphone I’ve ever reviewed for Sound & Vision, but I took it seriously. So much so, it was my go-to headphone for NYC subway rides for weeks, even when I wasn’t in reviewing mode and just listening to the TripleXXX for fun. That says a lot about these headphones, so don’t let the low price throw you. These little guys sound plenty good enough for audiophiles looking for a set of budget-priced travel headphones.

Steve Guttenberg  |  Jul 03, 2012  |  0 comments
In the beginning there was "lamp cord." Speaker cable was something you bought off a spool at the local hardware store, but Noel Lee had a better idea: audiophile speaker cables. He had a day job at the Lawrence Livermore National Laboratories, where he worked as a laser-fusion engineer. In his spare time he played drums in an all-Asian country-rock band called Asian Wood.
Steve Guttenberg  |  Aug 16, 2006  |  0 comments
It's not just cables anymore.

It was in the late 1970s when Noel Lee, a laser-fusion design engineer, started a little company, Monster Cable, which soon spawned, well, the entire high-end audio-cable industry. Over the decades, Monster maintained their dominance in the cable market as it branched into power conditioners and M•Design home theater furniture. Now, with Monster Music, they're jumping into the record business with a line of High Definition Surround SuperDiscs. Noel Lee's passion for multichannel music—and frustration with the stillborn SACD/DVD-Audio formats—pushed him to extract the best sound from Dolby- and DTS-encoded music. Monster Music claims that the SuperDiscs are the first music releases certified by THX for sound quality.

Steve Guttenberg  |  Aug 31, 2017  |  0 comments

Performance
Build Quality
Comfort
Value
PRICE $799

AT A GLANCE
Plus
Closed-back, planar magnetic design
Made in San Diego, California
Beautifully balanced sound
Minus
Non-standard connectors on the earcups

THE VERDICT
The Aeon are a game changer for MrSpeakers. Their least expensive headphones might be their most accomplished design.

I meet a lot of audiophiles who flat out refuse to give headphones a chance. They go on about the headphones they bought in college when Michael Jackson released Thriller and won’t even try the new breed of ’phones. This one here, the MrSpeakers Aeon, might be the headphones that turn them around. The complete package—the sound, the shape, the smooth feel of the carbon fiber earcups, the luxuriously thick earpads, and best of all, the price—might win over even the most curmudgeonly of resistors.

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