Steve Guttenberg

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Steve Guttenberg  |  Jul 12, 2017  |  2 comments

Performance
Build Quality
Comfort
Value
PRICE $200

AT A GLANCE
Plus
Truly innovative tech
Proprietary quad-driver design
Highly transparent sound
Great value
Minus
Cables aren’t user-replaceable

THE VERDICT
The 1More Quad Driver’s sound dazzles with its transparency, wide-open imaging, and nimble bass.

There’s something really special happening here. The 1More Quad Driver In-Ear is easily the most transparent, best-imaging headphone I’ve heard for $200. I’m not joking—before I knew the price, I assumed it was at least $300 or $400. Since there’s no outward indication of what makes the Quad Driver so outstanding, I was super eager to find out.

Steve Guttenberg  |  Nov 13, 2006  |  0 comments
Video: 2
Audio: 4
Extras: 3
James Brown, a.k.a. the Godfather of Soul, is a force of nature. If you’ve never seen his live show back in the day or think that Prince and OutKast are hot stuff, do yourself a big favor and spin the James Brown Live at Montreux 1981 DVD. If the fierce grooves don’t get your mojo working, the sheer spectacle of a sweat-soaked Brown and his 14-piece funk band will. You get a healthy dose of his greatest tunes—“It’s a Man’s Man’s Man’s World,” “I Got the Feelin’,” “Papa’s Got a Brand New Bag,” and “Sex Machine”—packed within the disc’s all-too-short 71-minute running time. The jazz/funk workouts never let up, and, while Brown’s vocal prowess may not match the primal rhythm-and-blues sound he had in the 1960s, in 1981, he was still untouchable.
Steve Guttenberg  |  Feb 05, 2007  |  0 comments
Video: 2
Audio: 4
Extras: 0
Over his long career, Van Morrison has recorded close to 40 albums, but his video appearances are rare. That’s why I so fondly remember the Van Morrison: The Concert VHS tape, a stellar show recorded in 1989. But it never came out on DVD. Long-deprived fans will relish Live at Montreux 1980/1974, a two-disc set with both complete shows (selected by the man himself).
Steve Guttenberg  |  May 04, 2012  |  4 comments
Edgar Villchur didn’t set out to start a speaker company; he just wanted to license his acoustic suspension designs to other speaker companies. In the early ’50s, he shopped the concept to the biggest names in the business, but not a single one was interested. So Villchur started Acoustic Research in 1952, and his very first speaker, the AR-1, was an immediate hit. Villchur’s design strategy used the elasticity of air within a sealed cabinet to provide the restoring force for the driver, which allowed his relatively small speakers to produce deep, low-distortion bass.
Steve Guttenberg  |  Aug 11, 2013  |  Published: Aug 09, 2013  |  0 comments
Performance
Build Quality
Ergonomics
Value
Price: $449 At a Glance: Stellar build quality • Folds up into a compact bundle

AKG credits producer, recording artist, and DJ Tiësto (Tijs Michiel Verwest) with the sound tuning of the headphones that bear his name, and that’s cool, but I wouldn’t blame you for thinking that’s not necessarily a good thing. I haven’t been swayed by any celebrity ’phones, but I try to approach every review with an open mind, and by first judging their look and feel, the K267 Tiësto doesn’t give off any overt DJ vibes. As soon as I started listening, I relaxed. It didn’t sound like a DJ headphone; there’s no pumped-up bass or zippy highs. The K267 Tiësto sounds, above all, balanced, which puts this new AKG in the top ranks of audiophile headphones in its price class.

Steve Guttenberg  |  Mar 13, 2014  |  0 comments

Performance
Features
Ergonomics
Value
PRICE $699

AT A GLANCE
Plus
Hand-crafted in Austria
Ear coddling comfort
User-replaceable cable
Minus
Expensive
Lacks mike or inline remote

THE VERDICT
The AKG K712 Pro’s winning combination of comfort, build quality, and superlative sound puts it in the top tier of headphones in its price class.

Headphone shoppers should never forget that sound quality should always be balanced with comfort. Sure, sound is the thing, but you’d be unwise to assume all headphones are equally comfy. I wish. The majority of full-size headphones on the market—including a lot of very expensive ones—can be a chore to wear for more than an hour or so. AKGs have no such problem; the company nailed big headphone comfort with their K701 that debuted in the U.S. in 2006, and this new model, the K712 Pro, looks and feels much the same (the less expensive K701 remains in the line). Both models feature similar drivers, but the K712 Pro’s two-layer Varimotion driver has been redesigned to increase bass output.

Steve Guttenberg  |  Dec 31, 2006  |  0 comments
Close to the edge.

I'm constantly amazed by the steadily improving sound of real-world-priced components, but it's fun to see how far mind-bogglingly fantastic high-end electronics have come. Yes, I have to admit that there's a certain amount of poseur gear that sports nosebleed pricing but doesn't really deliver sound that's much better than everyday good stuff. Have no such worries here, though. Anthem's Statement D2 surround processor and P5 amplifier are the real deal. Even by high-end standards, their capabilities are inspired.

Steve Guttenberg  |  Apr 09, 2006  |  0 comments
Great balls of fire.

Anthony Gallo Acoustics' speakers had me thinking about the old Humpty Dumpty nursery rhyme. If you'll recall, after Humpty took a nasty fall and was smashed to pieces, all of the king's horses and men could never make him whole again. Following my cracked-up analogy, two- and three-way speakers break up the sound, sending it through woofers, midranges, and tweeters (and still sound great), but they can't ever really make the sound perfectly whole again. That's why full-range, single-driver speakers are the Holy Grail for some audiophiles. Enter Anthony Gallo Acoustics' latest set of balls, the new A'Diva Ti satellites, which get awfully close to that ideal. Heck, the wee A'Diva Ti is almost full range. Its 3-inch titanium/paper driver covers all frequencies from about 90 hertz to 22 kilohertz!

Steve Guttenberg  |  Dec 14, 2004  |  Published: Dec 15, 2004  |  0 comments
The sound goes round and round and comes out here.

The 2004 Home Entertainment East Show was chock full of cool, new high-tech goodies, but I found myself returning again and again to the Arcam/Gallo Acoustics room. This was all the more surprising because I'm pretty familiar with Arcam's uncommonly elegant electronics and Gallo's radically round speakers, but they were demoing the Drumline DVD at realistically loud levels, and the choreographed thunder of competing marching bands was huge, dynamically alive, and tons of fun. A week after the show, I was still reminiscing about the sound. I made some phone calls, worked out some scheduling and shipping details, and now I'm sitting here exploring the system's capabilities in my very own home theater. Let me tell ya, the spectacular sound I heard at the show wasn't a hallucination; the Arcam/Gallo combination is good. . .really good.

Steve Guttenberg  |  Dec 20, 2007  |  0 comments
Splendiferous spheres.

Billed as Ron Carter: The Master @ 70, it was a birthday celebration of the legendary jazz bass player's career—and the music at that early summer jazz concert at Carnegie Hall was truly magical. The highlight of the night arrived when Carter played selections from Miles Davis' Kind of Blue album with Herbie Hancock on piano, Wayne Shorter on sax, and Billy Cobham on drums. I could hear the quartet's music reflecting off the stage's rear wall while it simultaneously floated above the audience in the hall. The sound was so masterfully mixed, I couldn't tell for sure how much of what I heard was the actual instruments or Carnegie Hall's discreetly amplified sound system. It stands as one of those "is it live or...." moments. The next day, I played a stack of Ron Carter CDs over Anthony Gallo Acoustics' new Reference AV speakers and TR-2 subwoofer. The sound was so sweet, I experienced that déjà vu feeling all over again.

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