Growing up is tough enough for any eleven-year-old, but when Riley finds out that her family is moving, her idyllic life is turned upside down. She must now contend with a new house, a new school, and a host of new feelings. Fortunately, the five main emotions that share control of her mind—Joy, Sadness, Disgust, Fear, and Anger—are at the ready. But when partners Joy and Sadness find themselves cut off from headquarters, confused little Riley’s situation quickly goes from bad to worse.
Once again, writer/director Pete Docter has crafted a tale that entertains the youngest viewers while also challenging even the smartest adults in the room. The underlying psychology is brilliantly laid out, allowing
us to explore the relationship between emotions, memories, and personality. Dialogue is deliciously witty (star Amy Poehler is comedy gold in any medium),
and in revealing the delicate balance between happiness and sorrow, the story achieves its greatest poignancy.
Cooper (Matthew McConaughey) is a swell, resourceful dad… and pilot… and engineer… and farmer. In short, he’s the perfect candidate for a dangerous mission to other worlds to help save mankind. The future that he and his family inhabit is bleak, cynical, and full of toxins that are rapidly making life on Earth unsustainable. The only glimmer of hope requires Coop to leave behind everyone and everything he knows to lead a crew across time and space in search of a new home. Back on Earth, our brightest minds are struggling to do their part, and these home and away teams will intersect in a most unexpected way.
Nestled among Ion's various USB turntable offerings was this different spin on analog-to-digital conversion: The TAPE 2 PC copies old audiocassettes to MP3s, and even grabs track names off the internet via Gracenote MusicID. So all of you erstwhile Walkman enthusiasts (and we are legion) can now transport your library into the 21st century without breaking the bank on hundreds of Duran Duran and Rick Springfield downloads.
Patently rejecting the notion that brevity is the soul of wit, IaMMMMW is Hollywood’s first (and last?) “epic comedy,” clocking in at two hours and 24 minutes in its popular version. Just about every A-list comedy actor of the era is involved in this sprawling tale of some everyday folk who drop everything for an unplanned dash to find a deceased criminal’s buried loot.
Newly arrived on Ultra HD Blu-ray from Lionsgate is this trifecta from the canon of auteur filmmaker Quentin Tarantino, all making their 4K disc debuts. Do they kill?
Jackie Brown 4K
For the longest time, I resisted watching Jackie Brown for the simple reason that I admire Quentin Tarantino first and foremost as a writer par excellence, and JB was him indulging his fondness of the great Elmore Leonard rather than conjuring wholly new realms as he had done with Reservoir Dogs and Pulp Fiction before it. The resulting adaptation of the book Rum Punch can rightly be considered lesser Tarantino...
You take on some baggage when your movie stars Tom Cruise. He’s been a box office titan for decades, so you’re improving your chances of a hit. On the other hand, ever since the couch-jumping incident, he tends to bring a certain off-screen persona that rubs a lot of folks the wrong way. Plus, a leading man of his magnitude tends to be Tom first, character second.
Bearing the lofty Jackass mantle, this feature film eschews the basic format of the erstwhile MTV series, which bombarded viewers with a string of standalone stunts and running jokes performed by a brave troupe with a high tolerance for pain. Instead, Bad Grandpa emulates the Borat model, crafting a basic plot and characters as a scripted backdrop for multiple outrageous set pieces that unfold before unsuspecting bystanders.
When we think shark, we think scares, but the incredible thrills that helped propel Jaws to the #1 box office crown in 1975 would not have been nearly as effective without a rock-solid story and engaging characters. (That's one explanation for the many awful rip-offs.) Peter Benchley's best-selling first novel gave director/ uncredited screenwriter Steven Spielberg tremendous fodder, with concrete plot points, clear motivations, and rich backstories.
At its best, science fiction sparks the imagination, inspiring the question, “What if…?” And in the world of cinema, this enthusiasm gives way to conjecture, even debate: Remember the decades of geek chatter about the version of Blade Runner that might have been, eventually leading to Ridley Scott’s Final Cut? We come away from Frank Pavich’s remarkable documentary Jodorowsky’s Dune with that same excitement. The second half of that title is no doubt familiar, either as Frank Herbert’s seminal novel or as the much-reviled 1984 film by David Lynch that it eventually became. The first part, not so much: Chilean-born filmmaker Alejandro Jodorowsky is perhaps best known for the surreal Western El Topo, widely considered the first “midnight movie” for its offbeat appeal.