Soundbar Reviews

PRICE $1,500 (updated 10/14/15)

AT A GLANCE
Plus
HDMI, lossless surround decoding
UHD-capable video passthrough
Minus
High-end pricing
No HDCP 2.2 DRM for UHD

THE VERDICT
If you close your eyes, the Arcam Solo Bar and Solo Sub sound more like a decent component system than a soundbar.

Soundbars take three forms. The main distinction among them is what serves as the heart of your system. With a passive soundbar, the A/V receiver—with all its features, joys, and woes—is the clearinghouse, and all signal sources go through it. With a less expensive active soundbar, the TV often replaces the receiver, and all signals go through the TV into the bar. But the Arcam Solo Bar is the type of active soundbar that replaces both the receiver and the TV as the heart of your system.

PRICE $1,019

AT A GLANCE
Plus
Line array is audio perfection
Perfect bass
Incredible smart-home features
Minus
Design is a little common
Adds red tint to images

THE VERDICT
The Lirpa Labs MZ1-949r soundbar offers a new level of features and sound that everyone will love.

A few years ago, we reviewed the Lirpa Labs 1776, a speaker unlike any other, and a true statement in the audio world. Sadly, despite critical acclaim—it was widely considered to be the best speaker of all time—the 1776 was a commercial failure. Lirpa Labs held on briefly, with some, shall we say, “eccentric” headphones, but the company was nearly bankrupt. An ill-advised and poorly implemented app was a step too far.

PRICE $1,599 as reviewed

AT A GLANCE
Plus
Fine tonal balance with genuine deep bass
Very substantial level potential
Elegant appearance
Minus
A few operational and hookup quirks (it’s French!)
No remote-control learn/teach scheme

THE VERDICT
A 5.1-channel system in soundbar packaging that combines tonal accuracy with impressive low-frequency response and power, plus surround as effective as we’ve heard from an all-up-front affair.

As recently as a couple of years ago, anyone shopping for an “audiophile soundbar” was in danger of being laughed off the lot. The bar scene was dominated by price-driven, mass-market models sold in big-box stores, and most of these were plastic jobs from the mega-mills of the Pacific rim, with just a smattering of somewhat more upscale choices from a few more serious American and Canadian brands.

It’s tough to be an audiophile these days. In the ongoing push by those pesky spouses and decorators to make our audio systems increasingly basic, simple, and invisible, some of us have felt the tug to hang our HDTVs on the wall and step down from a full-blown 5.1 surround sound home theater rig to a nice, slender soundbar. More often than not, that means having a subwoofer, typically supplied with the soundbar, just to fill in the bass, which inevitably goes missing during that slimming process. But, depending on how well the sub is integrated and its position in the room, that can often lead to other issues, including localization of deep male voices at the sub and possibly a gap in upper-bass frequency response that becomes most noticeable when playing music.

PRICE $350

AT A GLANCE
Plus
Clear, transparent sound
Well-thought-out feature set
Minus
Minimal display information
Credit-card membrane remote

THE VERDICT
Pioneer delivers a soundbase that puts good sound ahead of bells and whistles or sheer volume.

Over the last few years, Pioneer’s chief speaker designer Andrew Jones has become kind of a rock star in budget audio circles. Unlike some other companies that simply get a design committee to slap something together for their low-cost gear, Pioneer with Jones at the helm spends months tweaking and refining even the most modest speakers. At the other end of the scale, Jones also designs state-of-the-art speakers for Pioneer’s high-end TAD division, including the $80,000 Reference One, so the man clearly knows his way around a woofer cone.

PRICE $800 (updated 12/10/14)

AT A GLANCE
Plus
HDMI 2.0 and lossless surround decoding
7.1 channels of amplification
Fairly deep response
Upward-angled rubber feet
Minus
No HDCP 2.2 DRM

THE VERDICT
The Sony HT-ST5 provides up-to-date HDMI 2.0 connectivity along with great-for-a-bar sound, including excellent subwoofer integration.

OK, I admit it. When I signed up for audio-critic duty in the late 1980s, about a decade into my tech-journalism career, I envisioned a glamorous world of gleaming waxed wood-veneered speakers, precocious multitalented receivers, and dressed-to-kill home theaters designed by Theo Kalomirakis. Soundbars weren’t even on the horizon then. Even so, step by step, I have committed myself to the conceptual principles underlying soundbars: audio-for-video, compactness, minimal footprint, maybe a little surround magic, and user-friendliness, that last item being glaringly absent from AV receivers.

PRICE $1,500

AT A GLANCE
Plus
Impressive tonal balance
Unusually good dynamics and bass extension
Wired/wireless subwoofer hookups
Minus
Difficult-to-read display
Obscure menu structure
Modest “surround” effectiveness
No subwoofer supplied
Pricey

THE VERDICT
It’s priced among the most expensive soundbars and comes without a supplied sub. But if you value dynamics, bass extension, and overall sound quality first, you’ll be well rewarded.

The soundbar proposition is easy to understand: Plunk down some cash, open up one box, and you’ve got home theater, without the bulky speakers, messy wires, and painful expense. It’s all good, right?

You and I know better, of course— but just how close can you come?