Projector Reviews

Sort By: Post DateTitle Publish Date
Thomas J. Norton  |  Jan 17, 2002
When Madrigal Audio Labs decided to get into the video-projector business, it was no surprise that they aimed right for the top. With its Mark Levinson, Proceed, and Revel lines, Madrigal is not exactly known for budget products, and the MP-9 makes an immediate statement that the company is as serious about high-end video as it is about high-end audio. Not so incidentally, the addition of a video line, Madrigal Imaging, now makes Madrigal dealers one-stop shops for state-of-the-art home theater.
Kevin Miller  |  Jan 03, 2002  |  First Published: Jan 04, 2002
Welcome to a new era of DLP performance.

In terms of video performance, DLP-projection technology for home theater applications has just taken a major leap forward. Sharp's new XV-Z9000U is the first DLP projector based on Texas Instruments' new native 16:9, 1,280-by-720-resolution chip. This projector promises to radically change the front-projector market, as it offers unprecedented picture quality in its product category at a very reasonable price. At a list price of $10,995, the XV-Z9000U comes close to delivering the same picture quality as 7- and 8-inch CRT-based front projectors that range in price from $15,000 to $30,000. The XV-Z9000U is one of those rare products in the home theater industry that elevates its category to a performance level that many of us previously thought was unachievable.

Mike Wood  |  Dec 29, 2001  |  First Published: Dec 30, 2001
The Piano HE-3100 DLP projector is such a bargain, you can add fries and a Coke.

Let's face it. Cheeseburgers, at least to low-income-bracket electronics reviewers, are one of three perfect foods (pizza and beer being the other two). So, I greatly anticipated tasting southwest-U.S.-based fast-food chain Carl's Jr.'s Six-Dollar Burger . . . for $3.95. Supposedly, we can now have the same-quality burger normally found at Chili's or T.G.I. Friday's or wherever, but for less money. It was with much the same anticipation that I looked upon PLUS Corporation's announcement that they would market a $3,000 DLP projector, dubbed the Piano. Since most home-theater-based DLP projectors, like the ones in our recent Face Off (October 2001), cost around $10,000, $3,000 seemed like a pretty tasty deal.

Thomas J. Norton  |  Oct 14, 2001

For years, the only game in town for those wanting a home-theater video projector was the cathode-ray tube, or CRT. Many buyers are put off by the bulky size, setup sensitivity, need for constant tweaking, and limited brightness of these devices, but there's no denying that, when combined with a screen of sensible size for the typical living room, a CRT provided overall home-theater performance second to none.

Darryl Wilkinson  |  Feb 28, 2001  |  First Published: Mar 01, 2001
Better than I pixelled it.

The first step in overcoming any problem is admitting that you have one, so I'll admit that I don't normally like LCD projectors. There's no point in hiding the fact—it was bound to come out. Of course, I'm ashamed to admit that I'm prejudiced against an entire class of display devices. This is America, after all, where products should be judged on merit and not the composition of their pixels. But, you know, they're fine for other people. It's just not the kind of projector I'd have in my living room . . . . So, I was fully prepared not to like Sharp's XV-DW100U LCD projector. Sure, it can accept input signals from an analog NTSC tuner all the way up to 720p and 1080i from an outboard DTV tuner. So what if it easily connects to your computer, too? All right, it is amazingly easy to set up. OK, it works as a front or rear, floor or ceiling projector. I'll even give you the fact that it's a blast to watch. But, hey, it's still an LCD projector, remember?

Mike Wood  |  Jan 18, 2001  |  First Published: Jan 19, 2001
"It's not dead yet! In fact, it looks like it's going for a walk."

Monty Python's take on the plague in the Middle Ages could just as easily be applied to the CRT-based front-projector market. Pundits have long proclaimed that CRT technology, at least 30 to 40 years old and an admitted setup and maintenance hassle, is dead, or at least in its last years of life. Upstarts like DLP and D-ILA and adolescents like LCD are ready to take CRT's place in the front-projector market. Then, as other consumer-projector manufacturers close their doors, a new CRT company pops up.

Thomas J. Norton  |  Dec 29, 2000

Audio considerations seem to be the top priority of most home-theater enthusiasts. But once you reach a certain plateau of sound quality you begin to take a good look at your video display, and most of us end up wanting a separate projector and screen for that real movie experience. At <I>SGHT</I>, we've reviewed some of the most exotic video-display products on the planet. But when the daydreaming stops, we realize that these projectors are the video equivalents of Ferraris. As much fun as they are to write and (we hope) read about, only a few lucky readers will ever park them in their homes.

John J. Gannon  |  Nov 29, 2000

Ever since the days of David and Goliath, the world has rooted for the little guy. In the underdog we invest our imagination and our collective hope: we want him to win&mdash;or at least put up a good fight. And every once in a while, the little dog gets to choose weapons that can skew the results in his favor. Such is the case with the newest entry in the residential CRT market, the Theater Automation Wow HD-800 CRT projector.

Mike Wood  |  Oct 28, 2000  |  First Published: Oct 29, 2000
We've often said that a projector is only as good as the processor that feeds it. The most expensive projector on the planet won't save your picture from a bad video processor. Until now, most people bought projectors and processors like dim sum: à la carte or piece by piece. With few exceptions, they would buy a projector from one company and a processor from another. Runco is looking to change all that by tailoring their processors to work with specific display devices so that you can get the most out of both.
Mike Wood  |  Mar 28, 2000  |  First Published: Mar 29, 2000
Sèleco shows us that you can get excellent color fidelity and great resolution at a budget price.

If you don't want a front projector, you should. Projectors rock! A big-screen image is the only way to get that cinematic feel with home movies (prerecorded movies, that is—not the jittery Handicam shots of your baby's first steps).

John Sciacca  |  Mar 14, 2011
I first experienced Runco’s new D-73d 3D projector at the CEDIA Expo last September and was pretty impressed. By “pretty impressed” I mean that it was the best display of 3D technology I witnessed at the show. I find myself prone to headaches and discomfort when viewing many 3D demonstrations, and the D-73d was the easiest-on-the-eyes solution I’d seen. But there is a big difference between being wowed by a 10-minute demo and evaluating something critically for hours on end. So, when an opportunity to review this new projector at Runco’s factory headquarters came up, I jumped at the chance!
Geoffrey Morrison  |  Mar 23, 2011

To understand the greatness of JVC’s DLA-X7 projector, it’s important to understand contrast ratio. Every TV and projector company rattles on about a million-to-one this and a billion-to-one that. How come? Because there’s no standard method to measure it. Result: Manufacturers can pretty much make up whatever they want.

Geoffrey Morrison  |  Jun 16, 2011

Sharp was once king of the $10,000 projector class, a class now nearly disappeared. With the 3D era under way, it returns to the game with this $4,995 offering, only to find the market far more competitive than before. Most notable is the $500-cheaper JVC DLA-X3, the baby brother of the X7 model I reviewed in the April/May issue. 

Pages

X