3D Projector Reviews

Price: $12,000
At A Glance(br) Plus: Best contrast ratio performance ever • Hand-Picked Parts • 3D performance is catching up
Minus: Not true 4K • Loud in high lamp mode

THE VERDICT
The best contrast performance I’ve seen or measured to date and spectacular pixel focus and uniformity.

Earlier this year, I had the chance to review JVC’s spectacular DLA-X55R 3D D-ILA projector and proclaimed it “the best 2D picture I’ve seen from any projector in my room to date.” That was the truth until my personal DLA-X75R arrived shortly after. The DLA-X75R is one up in JVC’s lineup and had improved contrast performance and was actually a bit sharper. So when I was given the opportunity to review JVC’s flagship DLA-X95R I was more than happy to accept. This would give me the opportunity to see just how much improvement JVC’s hand-picked parts added to the performance. Boasting a 130,000:1 native contrast performance while supposedly maintaining the brightness of my DLA-X75R, I was more than intrigued.

PRICE $7,000

AT A GLANCE
Plus
Twice as bright, same contrast
HDR10 compatible and full P3 color support
HDMI 2.0a and HDCP 2.2
Minus
Black uniformity hit or miss
New HDMI chips slower to sync
Still no native 4K

THE VERDICT
With nearly twice the brightness of its predecessor, big improvements to 3D and 4K playback, and a good dose of UHD future-proofing, the DLA-X750R is more than just a mild refresh.

When new JVC projectors were announced at this past October’s CEDIA, they basically looked the same as the models from two years ago, with only some modest differences visible on paper in the brightness rating plus support for the latest version of HDCP. But in use, the new DLA-X750R features some significant upgrades from the outgoing DLA-X700R. Let’s dive in and see how JVC delivered one of the best projectors I’ve reviewed to date.

Price: $2,995 At A Glance: Excellent detail • Good black level • Full calibration control • Limited physical setup options

I remember my first exposure to a DLP front projector. It was at a trade show in the late 1990s and was not a warm and fuzzy experience. Blessedly, I don’t recall the manufacturer. But compared to CRT front projection, in which even a bargain-basement model commanded $10,000 or more, the simpler, smaller DLP, a technology developed at Texas Instruments, held out the promise of form factors and prices that would appeal to a wider range of buyers.

PRICE $579

AT A GLANCE
Plus
Great value
Good overall performance
Backlit remote control
Minus
Limited installation features
So-so contrast

THE VERDICT
Good overall performance, ample adjustments, and a low price make Optoma’s HD142X a great entry-level projector.

You might not be aware of it, but there’s a new war going on. No, it’s not between countries, ideologies, or individuals; it’s between DLP projector manufacturers. A handful of companies are battling to provide a single-chip model that delivers the best-looking, brightest picture at the lowest price. Over the past few months, I’ve reported on two such projectors, the ViewSonic LightStream Pro7827HD ($890, Sound & Vision, September) and the InFocus ScreenPlay SP1080 ($549, see review at soundandvision.com). Next up: Optoma’s HD142X ($579), another affordable model aimed at the casual home theater fan and gamer.

Price: $3,499 At A Glance: Crisp and detailed picture • Good black levels • Thorough but com- plex calibration controls

Panasonic entered the home theater projector market in 2001. But the company already had decades of experience in the business projector world, beginning with CRTs in 1975 and later moving into its current mix of LCDs and DLPs. All of the company’s home theater designs have used LCD imaging chips, however, and the PT-AE8000U is the latest link in a long chain dating back to that 2001 model, the PT-AE100.