AV Receiver Reviews

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Mark Fleischmann  |  Aug 13, 2015  | 

Audio Performance
Video Performance
Features
Ergonomics
Value
PRICE $600

AT A GLANCE
Plus
Dolby Atmos 5.2.2
Wi-Fi, AirPlay, Bluetooth on board
HDCP 2.2 rights management
Minus
Tight, crowded remote control

THE VERDICT
With Atmos added and both Wi-Fi and Bluetooth newly baked in, this receiver is a better value than its immediate $600 predecessor.

Less than a year has passed since I called the Pioneer VSX-1124 both “a top-performing receiver at a competitive price point” and, just in case that seemed too dispassionate, “a miracle.” So much has happened since then. For starters, Dolby Atmos happened, adding object-oriented surround with dedicated height channels to the basic surround footprint. Yet it’s almost a shock to see Atmos in a $600 receiver, the new VSX-1130. If you’re still on the fence about Atmos, Pioneer hasn’t stopped there. Bluetooth, formerly a $99 accessory, is now baked in.

Mark Fleischmann  |  Aug 19, 2004  |  First Published: Aug 01, 2004  | 
This receiver's front panel is black but sets itself apart with a high-gloss finish and Pioneer's traditional (and rather attractive) amber display. It doesn't depend excessively on the jog dial. To the left, above the jog dial, are buttons labeled "music" and "movies," which make it easy to switch between Dolby Pro Logic II's music and movie modes (there's no IIx). To the right are buttons that choose the external line inputs for a universal player, select modes for the room EQ (including off), and bypass the tone controls for direct stereo playback. Touching any button on the remote activates red-orange backlighting.
Scott Wilkinson  |  Apr 03, 2005  | 

When Michael Fremer reviewed the <A href="http://ultimateavmag.com/avreceivers/55/">Pioneer VSX-49TX</A>, he concluded that it was "one of the best, if not <I>the</I> best, A/V receiver on the market today." Of course, technology marches ever onward, and Pioneer hasn't rested on its laurels. Their subsequent flagship receiver, the VSX-59TXi, builds on the qualities of its predecessor, offering even more features for the same $4500 price tag.

Daniel Kumin  |  Oct 03, 2005  | 

Pioneer sure packed an awful lot of stuff into its new A/V receiver, the Elite VSX-74TXVi, beginning with the mouthful of letters in its model name. Far more engaging is its iPod connectivity: this is the first receiver we've seen to offer fully integrated control for Apple's ubiquitous iPod music player.

Mark Fleischmann  |  Aug 17, 2006  | 
Set me up, and let me fly.

Back when Jimmy Carter was president (or was it Ford?), my first audio system featured a Pioneer SX-434 receiver. Even then, manufacturers had figured out that SX sells. My old receiver was rated at 15 watts per channel and weighed 18 pounds. Today, I'm reviewing a Pioneer VSX-816 A/V receiver (SX still sells) with 110 watts times seven. At 20.3 pounds, it's put on some weight, but what a difference a couple of pounds can make.

Kim Wilson  |  Nov 03, 2011  | 
Performance
Features
Ergonomics
Value
Price: $330 At A Glance: 3D-compatible • On-screen display, analog only • Compatible with iPod/iPhone and iPad using supplied USB cable • Bluetooth compatible; requires adapter

This entry-level A/V receiver is a small investment that gets you into the new 3D landscape. It's powerful enough for a small to moderate-sized room, it provides essential surround codecs for the latest movie soundtracks, and it offers quick setup with Pioneer's exclusive auto-calibration system. While it does offer an onscreen display, giving it some points beyond even lower-priced AVRs, it doesn't output the OSD via HDMI. Bluetooth compatibility and a USB port provides some additional functionality and accommodation for wireless headphones and portable media devices.

Daniel Kumin  |  Oct 24, 2017  | 

Audio Performance
Features
Ergonomics
Value
PRICE$479

AT A GLANCE
Plus
Satisfying power for both two-channel and multi-channel modes
3.1.2-channel Dolby Atmos/DTS:X setup option with phantom surrounds
Surprisingly responsive home-network streaming
Basic auto-setup/EQ on board
Minus
Five-channel power requires choice between height or rear channels
No analog multiroom capability
No audio outputs other than HDMI

THE VERDICT
Good five-channel power, 4K/HDR readiness, excellent streaming responsiveness, and phantom-rear-channel Atmos give this affordable AVR its distinct attractions.

Everybody knows what to expect from a flagship or cruiser-class A/V receiver: top-bracket power of 120 watts per channel or more, with nine, 11, or even 13 channels ready for latest-generation surround technologies like Dolby Atmos and DTS:X, as well as hightech auto-setup routines and DSP on board. And then there are the deluxe extras, such as extensive multiroom capabilities, 4K/HDR passthrough and 4K scaling, and plenty of internet- and computer-audio streaming options. But what can you expect from the other end of a brand’s AVR fleet? Not so much, right?

Mark Fleischmann  |  Aug 18, 2008  | 
Happy with what you have to be happy with.
Michael Trei  |  Jul 03, 2019  | 

Performance
Features
Ergonomics
Value
PRICE $999

AT A GLANCE
Plus
IMAX Enhanced certified
Nine channel amp for flexibility
Extensive wireless options
Minus
Ample power for a medium-size room
Limited crossover control Non-illuminated remote

THE VERDICT
Pioneer's first A/V receiver to carry IMAX Enhanced certification offers fine sound and bang- up-to-date technology at a mid-level price.

More than any other category of home theater gear, A/V receivers are subject to an ever-evolving list of "must have" technologies. The required logos for each of these licensed features now forms a long row extending the full width of most receivers, with IMAX Enhanced counting as the latest logo gunning for real estate on any AVR that wants to be up-to-date.

Daniel Kumin  |  Aug 25, 2022  | 

Performance
Features
Ergonomics
Value
PRICE $1,499

AT A GLANCE
Plus
Dirac Live and Pioneer MCACC room/speaker correction
9 powered channels for driving a 5.1.4 Dolby Atmos or DTS:X system
HDMI 2.1, 8K-ready with variable refresh on all inputs
Minus
Small, unlit remote
Cheesy speaker-out terminals
Can’t store Dirac and MCACC “runs” simultaneously

THE VERDICT
The Pioneer VSX-LX505 provides a lot of bang for your buck, including nine channels for powering a full Dolby Atmos or DTS:X setup and two excellent auto-EQ options.

Pioneer's VSX-LX505 Elite A/V receiver represents a new generation of reasonably priced AVRs that boast up-to-date technology and enough channels to rock a full 5.1.4 Dolby Atmos or DTS:X surround setup with four height speakers without having to rely on an outboard amplifier to power "extra" channels. And that's not its only marquee feature: The LX505 is Roon Tested to ensure compatibility with the music-management/streaming software, supports HDMI 2.1/4K passthrough on its main HDMI inputs and outputs, and is certified to work with Sonos systems. It also supports 8K video and incorporates Dirac Live room/speaker-correction EQ technology along with Pioneer's proprietary MCACC (Multi-Channel Acoustic Calibration) system.

Kris Deering  |  Jun 16, 2008  | 
HT examines the video processing in today’s top AVRs to find out which solutions make the grade.

While many new technologies have been incorporated into A/V receivers over the last few years, perhaps the biggest change we’ve seen in these traditionally audio-based components is the inclusion of advanced video processing. Just a few years ago, video processing was reserved for high-priced standalone machines that almost required a doctorate to employ. But now we’re seeing high-quality solutions incorporated into even midline AVRs, and video processing is being used to differentiate and market these products against one another in a hotly competitive market.

Daniel Kumin  |  Sep 20, 2011  | 

Once, all you needed to enter the receiver business was audio-engineering chops, competence in packaging efficiency, and a sharp pencil over the bottom line. That was then before the digital audio/video revolution and the birth of the A/V receiver as we know it. Today, you need at least as much smartsin the computer, DSP, and software/firmware fieldsas you do in plain ol’ audio, a fact that has thinned,and continues to thin, the herd of receiver makers noticeably.

Brent Butterworth  |  Sep 20, 2011  | 

The speaker world is anything but conservative. Think of the different types you can buy: good ol' cones 'n' domes, electrostatics, planar magnetics, ribbons, horns, pulsating spheres, and more, mounted in all sorts of enclosures or in no enclosures at all.

The world of custom home theater is less daring. Installers want speaker systems that sound great, play loud as hell for hours on end, place reasonable demands on amplifiers, and install easily. This is why you rarely see anything but cone 'n' dome speakers used in custom home theaters.

Of the companies catering to the custom market, BG Radia is one of the few that does things differently.

Daniel Kumin  |  Dec 28, 2011  | 

The company that makes most everything (and makes most everything it makes pretty damned well), Yamaha has been tuning up its forks, and the result seems to be ever more feature-packed, value-focused designs.

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