Projector Reviews

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Geoffrey Morrison  |  Aug 24, 2011

Plenty of people reading this review may exhibit a rather visceral reaction to the Runco LS-10i projector’s $20,000 price. After all, the Sharp XV-Z17000 DLP projector that I reviewed in Sound+Vision’s last issue was 25% as expensive, was nearly as bright, and did 3D. So what gives? What does the extra money get you? A fair amount, it turns out.

Shane Buettner  |  Apr 26, 2010
Price: $6,995 At A Glance: Extraordinary out-of-box performance • Exceptional blacks and contrast • Very strong value proposition

Dynamic Images From Runco

Runco is one of the names that the home theater industry is built on. That’s not hyperbole; neither home theater nor Home Theater would be here today without the vision of men like Sam Runco. He helped design the products that created the custom install channel, and he championed front-projection home cinema. A few years ago, Planar bought Runco, and while Sam is no longer there, the Planar PD8150 we reviewed in June 2008 signaled that we could look forward to innovative new front-projection designs under the Planar and Runco banners.

Shane Buettner  |  Aug 15, 2010
Price: $14,995 At A Glance: Superb color performance • Potential for zero-drift performance over time • Detail and contrast strong, but not state of the art • Expensive

Solid-State Front Projection

Digital projection is finally digital. Yes, we’ve been looking at projected images made of discrete pixels created by digital imaging chips for the last decade or so. But in one essential aspect, digital projection has remained in the analog domain. The lamps that drive light through these projectors and onto our screens have been 100-percent analog. Even when they’re new, the performance of these lamps can adversely affect color fidelity, gamma, and gray-scale tracking. They also determine the overall light output the projector is capable of. As the lamp ages, virtually all of these critical aspects of performance drift somewhat. In the better designs, the change is mostly benign. But there’s no denying that any lamp-driven projector’s light output drops over time, and multi-hundred-dollar lamp replacements every 2,000 hours or so are a fact of life. Until now.

Thomas J. Norton  |  May 10, 2012

Performance
Features
Ergonomics
Value
Price: $10,000 At A Glance: Superb resolution • Excellent color • Top-class video processing

Projection lamps: Can’t live without ’em, can’t shoot ’em. Until recently, that is.

Projection lamps are slow to turn on and off, hot, often unstable, and have a nasty habit of getting dimmer with age, while their color balance deteriorates. If you’re fussy about your video—and if you’re reading this review you should be—the 2,000-hour useful lifetime that’s usually specified (to half brightness) for projection lamps will likely be closer to 1,000 hours or less. With a replacement averaging around $400, that’s about $0.40 per hour of use, not including the bottom line on your electric bill.

Joel Brinkley  |  Jan 25, 2004

Survey a panel of true video experts and ask them which of the many competing technologies, old and new, is capable of producing the very best picture, and the majority—perhaps even all of them—will still answer: "A top-of-the-line, data-grade CRT projector with 9-inch tubes." If asked who makes the best such CRT projector, many of those experts will cite Runco and its DTV-1200 model, though some also will praise Sony's VPH-G90U, the projector I own. The differences between two top-of-the-line 9-inch CRT projectors are modest at best.

Mike Wood  |  Oct 28, 2000  |  First Published: Oct 29, 2000
We've often said that a projector is only as good as the processor that feeds it. The most expensive projector on the planet won't save your picture from a bad video processor. Until now, most people bought projectors and processors like dim sum: à la carte or piece by piece. With few exceptions, they would buy a projector from one company and a processor from another. Runco is looking to change all that by tailoring their processors to work with specific display devices so that you can get the most out of both.
Ultimate AV Staff  |  Oct 24, 2006

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Mike Wood  |  Aug 05, 2002  |  First Published: Aug 06, 2002
If you call Runco's company headquarters and get put on hold, you'll hear about Roger Ebert's love for the film and Runco products, as well as his opinion that the latter makes home theater look much like the former. As my wife and I recently watched Panic Room in a real movie theater, I couldn't help but wonder if Ebert's comment was much of an endorsement. The picture quality was good. We just realized that, among other things, film has a lousy black level. Dark scenes were dark enough, but the blackout drapes along the sides of the screen were much darker. I've often used to the black level of CRT-based home theater projectors; I've been spoiled. I wondered, if film isn't the panacea of imaging, what is?
Thomas J. Norton  |  Sep 16, 2008
Samsung has an unusual history with high-definition video projectors. Its most recent 720p DLP model, designed in consultation with video expert Joe Kane, was superb, even standard-setting in many important respects. But dealers were rare, and worse, the projectors arrived on the market just as comparably priced 1080p models were becoming available. They ultimately sold out to lucky buyers at bargain prices.
Thomas J. Norton  |  Oct 26, 2009
Price: $12,999 At A Glance: Fast calibration, accurate color • Superb detail • Video processing under par

Dynamic and Detailed

In these days of increasingly improved LCD and LCOS projectors, new DLP models seem to be few and far between. Some manufacturers have cut back on their premium DLP projector offerings (Sharp), and some have eliminated them altogether (Yamaha).

Geoffrey Morrison  |  May 01, 2005  |  First Published: May 17, 2005
So accurate, post houses use it for a reference.

There is a reason why we say a display product's color temperature should be 6500 kelvins. There is a reason why we say color points are "off." There is a reason video has set parameters that define what it is supposed to look like. The reason is that people a lot smarter than us figured out what looks the best and wrote down what a display should do to look that way.

Scott Wilkinson  |  May 22, 2005

I first saw the Samsung SP-H700AE almost two years ago at the Video Software Dealers Association (VSDA) convention in Las Vegas. The company had hired video guru Joe Kane to help them design a single-chip DLP projector that would meet his exacting standards, and he invited me to come see the result (admittedly, in prototype form).

Mark Henninger  |  Aug 26, 2024

Performance
Features
Ergonomics
Value
PRICE $5,999

Plus
Sharp 4K resolution
Impressive color gamut
Brightness in ambient light
Easy setup and integration
Powerful built-in sound
Tizen smart features
Minus
Limited native contrast
Best in dim lighting (like all projectors)
Not for hardcore gaming
High price point

THE VERDICT
With just a few minutes setup and when viewed under controlled lighting, The Premiere 9's image is roughly equivalent in appearance to a 120-inch or larger TV.

Samsung's The Premiere 9 arrives at an interesting juncture. The ultra-short throw (UST) projector category, once a scrappy upstart, has matured, along with consumers' understanding of how these devices fit into the AV lifestyle.

David Vaughn  |  Jan 21, 2008

It is a great time to be a home theater enthusiast. Sure, the format war between rivals HD DVD and Blu-ray Disc has been distracting. But the price of 1080p projectors has fallen from the stratosphere to price levels many can actually afford. Prices of 1080p projectors are now below the $3,000 mark, and we're not talking stripped down bargain units or last year's closeouts either.

Thomas J. Norton  |  Mar 20, 2005

With its fold-down front panel and uninspiring plastic case, the Sanyo PLV-Z3 suggests nothing so much as a large (okay, very large) clock radio. In a world where, not so very long ago, video projectors were expected to require three or four strong longshoremen to deliver and set up, the newest digital designs still generate a sense of wonder. Even now, audiophiles continue to equate size and mass with quality, and "longer, lower, wider" are still the watchwords with car enthusiasts (though it's no longer politically correct to actually say so in polite company).

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