Projector Reviews

Performance
Features
Ergonomics
Value

Still Defining Value

It’s truly amazing the kinds of values you can find in home theater today. When I first got into this hobby in the mid-’90s, most frontprojection systems were bulky and expensive. But with projectors like the Epson PowerLite Pro Cinema 9700 UB, consumers can have truly outstanding front projection for the cost of a higher-end flat-panel HDTV, something that was unheard of even a few years ago. And the value isn’t the only thing to get excited about. Epson includes some very cool features in this gem, including THX certification, anamorphic lens compatibility, and a host of video processing features.

Tell me you’ve never imagined what you’d do first if you won the lottery. Even if you never play and you know you have a better chance of getting hit by lightning than winning $10 million or (it’s a dream, isn’t it, so why go small potatoes?) even $100 million. Sure, if you take it all at once rather than in $5 million drabs over 20 years, that will drop to $50 million out of the gate. After Uncle Sam gets his cut, you’re down to $25 million. There goes your chance to buy the Seattle Seahawks.

Get the LED In

The last few years have been a golden age for digital front projection in home theater applications. Today’s best projectors offer an absolutely stellar combination of price, convenience, essential features, and most importantly, performance. In virtually all of these respects, today’s digital projectors shatter any expectations we had a few years ago. But there is a rub. Digital projection as we’ve known it has been driven by analog lamps for illumination. These lamps, which generally cost $300 to $500 each, age and need to be replaced every couple of thousand hours. If you insist on the very best performanceyou may need to replace them even sooner. In addition to dropping light output, aging lamps also affect a projector’s color performance, gammaand gray-scale tracking. Inother words, the lamp-driven projector you buy today isn’t the same projector you’ll have after several hundred hours without a touch-up calibration.

Performance
Features
Ergonomics
Value

LED Comes on Strong

Ever since I first heard about front projectors with LED light sources, the idea has intrigued me. Before RPTVs imploded, a few LED-illuminated models were available. Now, front projectors that use this technology have begun to appear.

While Mitsubishi might have a larger footprint in your memory with its big-screen TVs and flat panels, the company is focused on front projection. In fact, its Website shows 26 projector models, including four home theater designs.

Mitsubishi projectors are not your father’s Mitsubishi, and by that I mean video displays, not cars. Its projectors are marketed by the company’s Presentation Products division, which is separate from the division that sells flat-panel and rear-projection TVs.

Epson’s broad lineup of PowerLite home theater projectors can be a bit confusing, but the important point is that it splits into two parallel lines. At the top are the Pro Cinema models, and just below them are the Home Cinema designs. They track each other closely in performance, but the Pro Cinema versions offer a few extra features. These include an aspect-ratio setting for anamorphic projection on a 2.35:1 screen (the anamorphic lens required to use this is not included, and I didn’t test this feature). They also include ISFccc Day and Night modes, a spare lamp, a longer warranty, and a black case (the Home Cinema versions are white). At the top of the line, and our subject here, is the Pro Cinema 9500 UB.

Description
In appearance, the PowerLite Pro Cinema 9500 UB—one of the few projectors that is currently THX certified—closely resembles last year’s Epson flagship, the Pro Cinema 7500 UB. Its Fujinon zoom lens has a throw-distance range of 9.8 to 20.9 feet for a 100-inch (diagonal) 16:9 screen. The horizontal and vertical lens-shift controls, located at the top front of the case, have convenient mid-setting detents that make it easy to find the neutral settings. Lens shift, zoom, and focus are all manual.