Projector Reviews

AT A GLANCE
Plus
Highly accurate and stable colorimetry out of the box
Impressively sharp and detailed images at a reasonable price
Useful calibration adjustments including lockable ISF modes
Minus
Punitive light leakage from lens opening
Limited lens adjustments constrain placement options
3D glasses not supplied

THE VERDICT
BenQ's HT 3050 delivers surprisingly good performance for its price, but noticeable light leakage drags down an otherwise strong recommendation.

For a while now, projector manufacturers who employ three LCD panels for the required red, green, and blue primary colors (we’re talking about you, Epson) have pointed to that technology’s ability to deliver equal lumens output for both white brightness and color brightness. Citing research by various international standards organizations, the 3LCD consortium maintains that single-chip DLP projectors (referred to as 1DLP) may suffer...

2D Performance
3D Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Laser light engine
HDCP 2.2 compliance
Excellent contrast and accuracy
UHD color support
Minus
Not true 4K
Pricey
Contrast not quite up to lofty claims

THE VERDICT
Few projectors can compete with Epson’s first salvo in the reflective LCD market, and the company’s laser engine delivers bright images with flagship-level contrast and accuracy.

Last year’s CEDIA Expo was a bit of a buzzkill for projectors. We continued to see a dropoff in the number of manufacturers, and two of the biggest names in consumer projectors, Sony and JVC, both decided to forgo new models altogether. But that didn’t stop Epson from unveiling one of the most exciting projectors I’ve seen in years, the PowerLite Pro Cinema LS10000. Not only is it unlike any previous Epson model, but it’s also the first laser-driven home theater projector I’ve seen—and at a sub-$10,000 price point. But can it compete with the juggernauts from Sony and JVC at these higher price levels? Let’s find out.

AT A GLANCE
Plus
Includes lens and projector attachment mount
Accommodates 8- to 18-foot focal distance
Minus
Some loss of horizontal resolution
Finicky setup/installation process

THE VERDICT
The CineVista lens provides a brighter and more detailed-looking image for ultra-wide movies on a 2.35:1 projection screen.

High-def televisions and projectors have an aspect ratio of 16:9. And all native HDTV content comes in that same format, which is also known as 1.78:1. It’s a different situation, however, for movies. Many blockbuster releases from the 1950s onward have a much wider aspect ratio of 2.25:1 or 2.40:1 (often called CinemaScope). When you watch these on your TV, the result of the mismatch is black bars at the top and bottom of the screen.

Oh, and it’s $800...

Winter is my favorite season, when all the past year’s new flat-panel TVs have been reviewed and I can switch my attention to projectors. This season was particularly bountiful, as I was able to score three of the best projectors on the market for review. Sony’s VPL-HW50ES, plus an Epson and a JVC, all arrived on my doorstep within a few days of one another. Not too shabby, that. Time for a roundup.

This is a fascinating hybrid of a product: a portable projector with built-in, Roku-powered, media streaming.

There are web streamers, and there are projectors, but this is the first time I've seen them combined into one, easy-to-use product.

Fascinating is one thing. Worthwhile? That's a different question. . .