LATEST ADDITIONS

Thomas J. Norton  |  Mar 24, 2015
A recent article in the trade publication CE Pro surveyed several industry experts on the material they recommended to check out your subwoofer. I’ve now lost the article in preparing for my cross-country move—almost complete except for the small detail about getting the household furniture and goods delivered! But I do have some ideas of my own which may or may not overlap with that now missing article. I’ll concentrate here on movie soundtracks, in which the benefits of a subwoofer will be most obvious even with the largest main L/R speakers most listeners are likely to be using.
Mark Fleischmann  |  Mar 24, 2015

SoundSpot MT-3 Speaker System
Performance
Features
Value
SUB-8X Subwoofer
Performance
Features
Build Quality
Value
PRICE $3,000 as reviewed

AT A GLANCE
Plus
1mm-thick steel sphere Concentric drivers Superb imaging, soundfield
Minus
Predictably modest bass Satellites pricey

THE VERDICT
Morel’s MT-3 Music Theatre combines steel truncated-sphere enclosures, concentric drivers, and a unique grille pattern to create a visually striking and high-performing compact sat/sub set.

The advent of Dolby Atmos casts a shadow over existing 5.1- and 7.1-channel surround systems. Some home theater buffs want the new technology and want it now, while others may decide not to go all in. In between are those wondering whether to leave the door open for Atmos. And that brings us to the Morel MT-3 satellite/subwoofer set. The 5.1-channel configuration reviewed here does not support Atmos; at least, these satellites lack the up-firing drivers that constitute an “Atmos-enabled” speaker system. However, their base provides for wall-, ceiling-, or tabletop positioning with no additional hardware, and surface-mounting an extra pair (or two) of satellites on a ceiling would indeed bring this speaker system into Atmos territory with a 5.1.2 (or, better yet, 5.1.4) configuration.

Corey Gunnestad  |  Mar 24, 2015
Picture
3D-ness
Sound
Extras
Way back in the mid to late 1980s, I was an avid comic book collector, and one of my favorite discoveries around that time was a brand-new and independently produced comic called Teenage Mutant Ninja Turtles. It lacked the polish and grandeur of the Marvel and DC titles, but it was raw, edgy, and totally original. There was no shortage of blood on the katana, if you get my drift. Not long after that, however, mainstream pop culture bastardized it into a puke-inducing kiddie cartoon and toy franchise. The once-hardcore vigilante turtles suddenly became pizza-eating wisecrackers who over-frequently used words like dude and cowabunga. It also spawned three diaper-filling live-action films, and I abandoned all hope after that.
Mark Fleischmann  |  Mar 24, 2015
A promising new encoding method from Meridian, maker of world-beating active loudspeakers and other digital audio hardware, has been adopted by Tidal and 7digital, two major forces in music streaming. Tidal is the Norwegian company whose lossless 16-bit streaming has gotten audiophiles interested in streaming. 7digital operates music download and streaming services for itself and other parties and was the first company to offer DRM-free MP3 downloads in 2008.
Ken C. Pohlmann  |  Mar 24, 2015
Last time, we took a quick look at some of the workings of Meridian's new MQA (Master Quality Assurance) technology. As we observed, MQA claims to shoehorn all the fidelity of a high-res file into a standard-res file size. Terrific. But with 24/192 and lossless formats already well established, what is the incentive to introduce a new format? It turns out that there are plenty of incentives.

John Sciacca  |  Mar 23, 2015
A few years ago, I attended a product demonstration at CES by a company famous for touting how durable its hard drives were. In fact, the company—ioSafe—calls its products “disaster proof hardware” and used CES to deliver extreme, over-the-top demonstrations to prove just what kind of damage their drives could withstand and still protect all of the data stored within.
Lauren Dragan  |  Mar 20, 2015
To enjoy their gear, high end audio enthusiasts have generally been trapped at home. From speakers, to receivers and amplifiers, none of the means of reproducing quality sound were exactly portable. Even the enthusiast-level headphones that have arrived on the scene over the last few years are large, unwieldy, unfashionable, and require at minimum a decent headphone amp to function. (See: most Audeze, Oppo HA-1, HiFi Man, etc.)

In addition, most planar magnetic headphones are open-backed, which means listening in less-than-quiet or public situations can be a challenge. Well, my fellow audio recluses, the PM-3 by Oppo aims to change all that.

Steve Guttenberg  |  Mar 20, 2015

Sony MDR-Z7
Performance
Build Quality
Comfort
Value

PRICE $700

AT A GLANCE
Plus
Yummy sound, nice bass, clear top end
Impeccable Japanese build quality
Huge soundstage for a closed-back design
Minus
Doesn’t fold for compact storage

THE VERDICT
Sony's back with a winner! The MDR-Z7 looks, feels, and sounds like a high-end headphone.


Sony PHA-3
Performance
Build Quality
Features
Value

PRICE $1,000

AT A GLANCE
Plus
Handles ultra-high-res 384kHz/32bit files
Does DSD at 2.8MHz and 5.6MHz
Single-ended and balanced headphone outputs
Minus
No indicator for remaining battery charge

THE VERDICT
The Sony PHA-3 has undeniable synergy with the MDR-Z7, but sounds terrific with other headphones.

Sony's hardly a newcomer to the upper echelons of the headphone scene. Some of you might recall the legendary MDR-R10 from 1989—at $2,500, it was the most expensive headphone in the world. The sleek Qualia 010 debuted in 2004, and that one bore a remarkable resemblance to Sennheiser's current flagship, the HD-800, but the Qualia 010 arrived five years before! Now, with the $700 MDR-Z7, Sony's back with a new, considerably more affordable flagship. For this review, we mated it up with the company’s also-new flagship portable DAC/headphone amplifier, the PHA-3.

Bob Ankosko  |  Mar 20, 2015
Performance
Features
Ergonomics
Value
PRICE $99; two for $179

AT A GLANCE
Plus
Extra boom for bass hounds, especially fans of hip-hop and dance music
Minus
Clunky
Can create a buzzing sensation when worn on a belt
One more wire to deal with

THE VERDICT
Woojer is not for everyone, but it can add a visceral element to mobile listening that may appeal to gamers and fans of dance, hip-hop, and other bass-driven music.

Can a small device that clips to your belt produce the visceral sensation of a live musical performance or the deep, pulsating bass felt in a dance club? Can it wow mobile gamers with spine-tingling bass?

Kickstarter-funded Woojer (“See Me, Feel Me,” April 2014) aims to do just that with a “wearable subwoofer” that connects between your music player (or any audio source) and headphones. Technically speaking, Woojer is a polyphonic tactile transducer that converts audio frequencies below 500 hertz into low-frequency vibrations to “make your body feel like it is exposed to high acoustic energy.”

Kim Wilson  |  Mar 20, 2015  |  First Published: Mar 19, 2015
The owners of this house were building their dream home, with the expectation of fully integrated systems throughout the house, which would include 12 televisions, multiple zones of music, a dedicated theater, interior and exterior lighting, security, and more. This kind of complex whole-home project is nothing new to Electronics Design Group (EDG), of Piscataway Township, New Jersey. However, the challenge here was that the house was over 100 years old and was being rebuilt to keep its early 1900s aesthetics.

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