LATEST ADDITIONS

HT Staff  |  Jul 24, 2013
Rediscovering America with Van Dyke Parks plus a Smashing Pumpkins box set, an Otis Redding archival release, and new releases from Julian Cope, Edward Sharpe & the Magnetic Zeros, Justin Roberts, and more.
Josef Krebs  |  Jul 23, 2013

The Ice Storm

This 1997 tale of middle-class conformity and malaise, directed by Ang Lee (Life of Pi, Crouching Tiger, Hidden Dragon, Brokeback Mountain) tells of the Connecticut suburb of New Canaan circa 1973, a land of bored, half-hearted adult experimentation with long-term relationships and casual sex while their youngsters experience their own first exci

Ken Richardson  |  Jul 23, 2013

Van Dyke Parks: Songs Cycled

New release (Bella Union)
Photo by Roman Cho

This is the first new album credited to Van Dyke Parks alone since 1989’s Tokyo Rose, but the dozen tracks are actually the A- and B-sides of six singles he released on his own label, Bananastan, in 2011 and ’12. Furthermore, whereas four of the A-sides are indeed new-since-1989 original songs (and another track is a co-write), five selections are arrangements of traditional, folk, or classical material, and the remaining two are re-recordings of earlier Parks compositions.

On paper, then, Songs Cycled is a hodgepodge. But when did we ever listen to Van Dyke Parks on paper? Fact is, the 12 numbers miraculously form a coherent whole — an album that, true to its creator’s longtime ambition, celebrates the glorious sound of music.

 |  Jul 23, 2013
This 1997 tale of middle-class conformity and malaise, directed by Ang Lee (Life of Pi, Crouching Tiger, Hidden Dragon, Brokeback Mountain) tells of the Connecticut suburb of New Canaan circa 1973, a land of bored, half-hearted adult experimentation with long-term relationships and casual sex while their youngsters experience their own first exciting and troubling attempts at the same.
HT Staff  |  Jul 23, 2013
Super-Thin, Curved Screen Model Launched at Best Buy’s Magnolia Design Center

In a surprise move, LG Electronics announced yesterday that the first OLED TV in the U.S. is being offered for sale at Best Buy’s flagship Magnolia Design Center store in Richfield, MN.

HT Staff  |  Jul 23, 2013
Kaleidescape today introduced the Cinema One movie server, its first product designed for retail distribution. The $3,995 server provides storage and instant access to up to 100 high-definition Blu-ray or 600 DVD-quality movies. Until now, the company made products that were available only through custom installers.
Brent Butterworth  |  Jul 23, 2013

The CEA-2010 subwoofer output measurement lets us separate the great subwoofers from the merely good ones, in a way that's more reliable and repeatable than traditional measurements or listening tests. However, it's still not widely used.

Brent Butterworth  |  Jul 23, 2013

The CEA-2010 subwoofer output measurement lets us separate the great subwoofers from the merely good ones, in a way that's more reliable and repeatable than traditional measurements or listening tests. However, it's still not widely used.

Brent Butterworth  |  Jul 23, 2013

The CEA-2010 subwoofer output measurement lets us separate the great subwoofers from the merely good ones, in a way that’s more reliable and repeatable than traditional measurements or listening tests. However, it’s still not widely used.

Darryl Wilkinson  |  Jul 22, 2013
I’ve been sampling a variety of soundbars lately, ranging in price from $300 to $3,900. Despite the generic term – “soundbar” or “surround bar” – it’s actually a very diverse and interesting category with all sorts of subcategories within the soundbar umbrella: active, passive, LCR-only, LCR plus discrete rears, and etc. It’s also a category that can arouse understandably strong emotions of disgust and disdain among purists and quite a few custom installers. For millions of people, however, simplicity usually trumps sound quality; and the soundbar tsunami continues to swell and is unlikely to crest anytime soon.

But the pencil-thin form factor of flat-panel TVs is at odds with the acoustic principles speaker engineers currently take advantage of. The result is a shotgun marriage of something that is skinny with a partner that is usually a bit bigger-boned. Both of the home-theater spouses, though, do share a common aspect. Each one performs best when viewed/listened to from a position directly in front of the it. And therein lies a problem: what do you do with the soundbar if you turn the flat-panel on its base or otherwise change the angle of the TV (if it’s mounted on a tilting, pivoting, or full-motion wall mount from, for example, companies such as OmniMount, Triple Play designs from Bell’O, or Sanus)? In a more extreme case, what’s to be done with the soundbar if the TV is mounted in a corner?

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