It's weird for a 50-year-old audio writer to be reviewing a product that's targeted at people half his age or less. Guys my age like products labeled "audiophile-grade" or "reference," not "Nuke" or "Boom." Meaningless as such marketing terms are, though, you gotta figure Behringer did something to make the iNuke Boom Junior iPod/iPhone dock earn its badass moniker.
It’s weird for a 50-year-old audio writer to be reviewing a product that’s targeted at people half his age or less. Guys my age like products labeled “audiophile-grade” or “reference,” not “Nuke” or “Boom.” Meaningless as such marketing terms are, though, you gotta figure Behringer did something to make the iNuke Boom Junior iPod/iPhone dock earn its badass moniker.
Audio Performance Video Performance Features Ergonomics Value
Price: $2,299 At A Glance: Audyssey’s best room correction • ISF, THX certifications • Nine amp channels
Onkyo is the quintessential feature-conscious audio/video receiver maker. The company is the champion of the mid-priced receiver, providing things like THX certification, Audyssey room correction, and other goodies at a poor man’s price point. The upper reaches of Onkyo’s line get a bit less attention in the press, however. So today we swing the spotlight onto the Onkyo TX-NR3010, second from the top of the line. At $2,299, it has a few logo-tattoos you may not have heard of before. It also has a lot more power and more ambitious build quality than its slightly less tattooed siblings.
What do you get for the home theater buff who has everything…even if that home theater buff is you? We’ve uncovered an assortment of add-ons, doodads, and whatnot that will raise the bar on your audio/video rig and beyond.
King Crimson's Larks' Tongues in Aspic: The Complete Recordings is a reissue on steroids. This is the only Crim album to have been singled out for a massive box set including 13 CDs, a DVD-Audio disc, and—in a first for indie label DGM—a Blu-ray disc. Like most other releases in the ongoing 40th Anniversary Series, this one features fresh high-res 5.1- and 2.0-channel mixes by Porcupine Tree's Steven Wilson—and you can also buy those mixes in a far less costly two-disc DVD-Audio and CD set. But the LP-size monster box of Larks is in a class by itself as it documents the intensely innovative 1972 lineup that featured avant garde percussionist Jamie Muir along with what became the surviving quartet of former Yes drummer Bill Bruford, bassist John Wetton, violinist David Cross, and guitarist Robert Fripp, the only founding member.
In May 1977, Steven Spielberg and George Lucas were vacationing in Hawaii together. Spielberg already had the biggest box-office hit of all time under his belt: a little film called Jaws; and Lucas was hiding out from what he was certain would be a monumental disaster: a pet project of his called Star Wars. After Star Wars exceeded everyone’s wildest expectations and then some, Spielberg and Lucas sat and mused about future projects. Spielberg expressed a boyish desire to direct a James Bond adventure. Lucas replied, “I’ve got that beat.”