Price: $1,745 At A Glance: Sealed design controls bass • Satin-finish MDF enclosures • Factory-direct sales enhance value
Are you one of those people who can’t resist a supermarket circular? Do you trawl the Internet looking for coupon codes that can be pasted into online purchases? Loudspeaker pricing doesn’t often indulge us with the same feeling of satisfaction that we get from buying a jumbo jar of marinara sauce or a cashmere scarf at an extremely low price. But while researching this review last December, I couldn’t help noting that Emotiva’s factory-direct speakers offered some wiggle room to the timely shopper. The XRC-5.2 LCR speaker normally sold for $299/each—not a bad price to begin with—but was momentarily going for an introductory price of $239/each.
If you haven’t listened to the brilliant Sound+Vision Radio program, you’re missing out. I say “brilliant” not in a self-serving, egomaniacal way.
Wait, of course that’s why I’m mentioning it. But don’t let my ego prevent you from enjoying the witty banter and in-depth discussions of all things A/V, music, movies and more.
Links to local affiliates where you can hear us, plus podcast links and such, after the jump.
We can bemoan the demise of audio quality all we want, but the truth is that good quality audio has always been at our fingertips. If our digital files have sounded bad, it's because we (and we're talking consumers and manufacturers) have been too stingy with our storage capacities. Wanting to cram as much music onto our devices as possible, regardless of how badly the signal had to be degraded to get it all in there, we ended up accepting things like 128 kbps MP3 files as passable. But our beloved iPods and iPhones have had the ability to store lossless and high bit-rate audio from the very beginning, as purists have known all along. You just need a way to get your high-quality files out of those little boxes.
We can bemoan the demise of audio quality all we want, but the truth is that good quality audio has always been at our fingertips. If our digital files have sounded bad, it’s because we (and we’re talking consumers and manufacturers) have been too stingy with our storage capacities. Wanting to cram as much music onto our devices as possible, regardless of how badly the signal had to be degraded to get it all in there, we ended up accepting things like 128 kbps MP3 files as passable. But our beloved iPods and iPhones have had the ability to store lossless and high bit-rate audio from the very beginning, as purists have known all along. You just need a way to get your high-quality files out of those little boxes.
I have a B&W 600-series 5.1 speaker system and a Sony STR-DA5400ES A/V receiver and TA-N9000ES power amp. I am running the power amp in BTL (bridge-tied load) mode for the front left and right speakers and normal mode for the center channel. The surrounds are connected to the surround-speaker outputs of the receiver directly. Putting aside calibration and room size, am I doing the right thing regarding compatibility, connections, and power?
Here’s a product that had three strikes with me before I ever heard it. First there’s the name, which seems more appropriate for a Frito-Lay product. Then there’s the lineage: JBL’s smaller, less-expensive docks never impressed me. Last, Maroon 5 appears in the ads. What, I ask rhetorically, would the creators of “Moves Like Jagger” know about sound quality?
Here's a product that had three strikes with me before I ever heard it. First there's the name, which seems more appropriate for a Frito-Lay product. Then there's the lineage: JBL's smaller, less-expensive docks never impressed me. Last, Maroon 5 appears in the ads. What, I ask rhetorically, would the creators of "Moves Like Jagger" know about sound quality?
Rush fans...the moment you've all been waiting for has arrived. Not quite like clockwork, but Clockwork Angels is finally and definitely headed your way.
Director Steven Spielberg is one of the greatest filmmakers of his generation, and he knows how to capture an audience's attention and keep it riveted to the screen. While War Horse isn't one of his best pictures, it does create an emotional bond to the main charactera horseand we get to follow his journey from his humble beginnings through his adventure in the First World War. The cinematography is fantastic, but it's the DTS-HD MA 7.1 soundtrack that makes this a demo-worthy disc, with pinpoint imaging and some of the most intense LFE since Saving Private Ryan.