Laurie Fincham has a storied career in speaker design and engineering that began in England in the early 1970s when he worked for Goodmans Loudspeakers, Celestion, and KEF. By day, he delved into speaker theory and design. By night he played stand-up bass in a jazz group to supplement his income. While at KEF, he co-developed the Fast Fourier Transform (FFT) system for measuring and modeling speaker. In the early ’90s, he moved to the U.S. to work for Infinity before joining THX in 1998.
Today, as senior vice president of audio research and development, Fincham manages the audio side of the company George Lucas founded to raise the bar for cinema sound...
Trick or treat? No tricks here…only treats—especially for home theater enthusiasts weighing various pathways to object-based surround sound (a.k.a. Dolby Atmos or DTS:X). Here we present three Top Pick-rated options in AV receivers—from low to high to very high, as in drop-dead state of the art for those whose priority is sonic purity at all costs. Speaking of object-based surround, how about a simple soundbar-based system that provides a remarkably convincing Dolby Atmos presentation? You read that right—a soundbar. Rounding out this month’s Top Pick honorees are two headphones that couldn’t be more different: one with elegant, solid-wood earcups, the other a pair of “in-ear monitors” that distinguish themselves as the world’s first ’buds designed for listening to and “mixing” live music in real-time. Mind-blowing? You bet.
As one place we could count on for quiet contemplation, the bathroom has largely been electronics-free. But serenity has its challenges. Natural reverb was destined to make the bathroom the go-to spot for singing. Ever since the SoundBlaster add-in card legitimized “bathroom” ambience as a musical effect, the porcelain palace has become everyone’s in-home performance space.
Halloween is seriously the best. It’s socially acceptable to play dress up like when we were kids, eat candy, and face our fears together. Of course, a big part of October tradition is scary movies. Everyone will be dusting off or downloading their copies of The Shining and Friday the 13th, but if you’re looking for a little variety in your spooky screening this all hallows eve, I’ve put together a little list of forgotten or underrated gems worth peering at from under a blanket. Get your popcorn and pumpkin juice ready!
In late 1820, the whaling ship Essex, out of Nantucket, Massachusetts, was rammed and sunk by an enraged sperm whale. The captain and his crew were left stranded in the Pacific Ocean, 2,500 miles from mainland South America. The true story of their ordeal in tiny whaling boats, where many of the crew perished as the survivors slowly made their way to an eventual rescue, partially inspired both Nathaniel Philbrick’s book In the Heart of the Sea: The Tragedy of the Whaleship Essex and Herman Melville’s Moby-Dick.
It’s easy in this brave new world of Ultra-Uber-HDR-4K HDTV to forget that the sound is still half—yes, half—of the home theater experience. Even if you’re actually smart enough to know that, and you wander into your local big-box electronics store in an effort to improve upon the tiny rear-facing drivers that pass for flat-panel TV speakers, you’re probably in for a knee-deep wade through soundbars and Bluetooth speakers before you stumble onto the audio/video receivers. You remember receivers: Those boxy things? Bunch of buttons and knobs and lights on the front? At one time, people used to called them stereos? “Oh yeah...those,” says the young skeptic festooned with the store logo on his shirt. “I think we still carry a couple of them in that back room over there.”
Emotiva Audio is now shipping a number of products announced earlier this year, including the entry-level BasX series of amplifiers and preamp/tuners, new Airmotiv speaker models, and the XPA Gen 3 reference amplifier.
Startup Detroit Audio Lab has embarked on a unique AV mission: Bring audio manufacturing back to the U.S. by handcrafting audiophile-quality speakers using wood reclaimed from blighted homes and businesses that once thrived during Motor City’s golden age, which dates back to the first mass-produced automobile—Henry Ford’s Model T.
AT A GLANCE Plus
Dolby Atmos and DTS:X support
Anthem Room Correction (ARC)
11 amp channels in one box
Minus
ARC doesn’t calibrate dual subwoofers individually
Pricey
THE VERDICT
One of the finest-sounding AVRs I’ve had the pleasure to audition, though it’ll cost ya.
Much like a luxury sports car, the flagship AVR is expected to have every bell and whistle under the hood in order to appeal to the well-heeled crowd that’s willing to drop a few thousand dollars on a piece of electronics. The real bummer is that even if you spend the extra cash on a flagship, there’s no such thing as totally future-proofing your investment, due to the rapidly changing landscape of the home theater business.