A conversation with Jeff Clark, Director of Software Engineering, Audyssey Laboratories
Dealing with the effects of room acoustics is one of the biggest challenges in getting a movie or music system to sound “right.” Even the best speakers can sound awful — muted and boomy or bright and anemic — in an acoustically difficult environment. For the past 18 years, Audyssey Labs has shown a relentless dedication to delivering and continually refining technology that improves sound quality without the listener having to intervene. We sat down with Jeff Clark, director of software engineering, to discuss Audyssey’s past and present efforts to “push any listening scenario as close to a reference listening experience as possible.”
AT A GLANCE Plus
Ample brightness
Contrast-boosting HDR-Pro feature
Vivid color and detail
Living room-friendly design
Minus
Wide Color Gamut filter dramatically reduces light output
Relatively high fan noise in Normal Light mode
No integrated Netflix streaming
THE VERDICT
BenQ’s first ultra short throw projector is a winner on many fronts, offering compelling brightness, vivid color, and a dynamic presentation of 4K/HDR sources.
Is there a projector maker that hasn't yet come out with an ultra short throw (UST) model aimed at viewers who want a theater-size image in their living room, but without the usual ceiling-mount and dark room baggage that accompanies it? If you asked me that question one year ago, I would have replied "BenQ." But now, with its V7050i 4K DLP Laser TV, BenQ has joined the UST projector fold, adding its name to the ranks of Sony, Epson, Optoma, Vava, Hisense, LG, Samsung, and others.
M&K Sound today announced an update of its V Series of subwoofers featuring a new décor-friendly design and THX Certification for two of the three new models.
An Israeli A/V enthusiast faced a quandary not uncommon among home theater builders: Is the space I've set aside big enough for a no-compromise audio solution? The question loomed large as he pondered the entertainment options for a new luxury penthouse he was planning to buy in the heart of Tel Aviv. Making the situation even more challenging, the space had to be acoustically isolated.
Serious question: Why do dogs like to stick their heads out of car windows? That question has haunted philosophers for centuries and unfortunately I don't have an answer either. But someway, somehow, it is part of the same mystery of why humans really like to listen to music while driving.
By the time November 1980's Gaucho rolled around, Steely Dan were more than ready to close up shop and take a self-imposed two-decade hiatus. Indeed, Gaucho's sparkly veneer was a fitting then-final coating on the acclaimed jazz-leaning but genre-defying band's first decade, fully encapsulating the dark-humored observational worldview of its principal creators—bassist/ guitarist Walter Becker and keyboardist/vocalist Donald Fagen—to a literal T.
Though last week’s CES 2022 turned out to be somewhat of a disappointment, A/V manufacturers continue to turn out new products in the face of lingering component shortages, shipping delays, and mounting inflation. We round up the latest A/V news and product announcements, including two from the Big Show that wasn’t.
AT A GLANCE Plus
Very accurate, natural tonal balance
Impressive bass extension
Remarkable center-channel off-axis consistency and timbral match with towers
Minus
Towers are sensitive to placement
Some non-linearities at loudest playback levels
Generic looks (grilles-on)
THE VERDICT
With its impressive accuracy and peerless price, this Monolith by Monoprice Encore System is the new speaker value champ.
The story of how Monoprice parlayed its success as a humble purveyor of computer peripherals into its current status as a direct-to- consumer A/V gear powerhouse will have to wait for another day, mostly because I don't know it. But I do know this much: the torrent of ultra-high-value speakers and electronics, desktop audio, and even pro audio designs that have bubbled up from the Monoprice spring over the past few years is all but unprecedented in my decades in the audio/video world.
The so-called Golden Age of Television is a bit of a moving target, but is generally thought to have run from the early 1950s to perhaps the mid 1960s. Depending on where you draw the line it began with the first mega-hit sitcom, I Love Lucy, and ended with the launch of the original ( Kirk, Spock, Bones) Star Trek.
A key characteristic of that age was the limited number of channels available. There was no home video of any kind, no way to record a show and later skip the commercials, and (at least in the '50s) black and white viewing on an enormous 21-inch (or smaller!) screen. As primitive as all that sounds, television was then the hot new entertainment technology, and the ratings for the best shows (with their limited competition) were enormous by today's standards. We might laugh today at the TV options of that era, but remember that TV nearly killed off the movies. Audiences in 2100 might well look back at what we have todayand laugh.
Our current cornucopia of options now features 99-channels of cable (and nothing to watch!), content streamed from a range of services (and over $100/month to pay for them!), and an unlimited variety of physical video discs (and yes, physical media is struggling but still far from dead).
Then there's YouTube, a free service supported by advertising.
Up until a few weeks ago I considered YouTube an Internet oddity devoted to cat videos and looney stunts...