LATEST ADDITIONS

The Warner Bros. Archive Collection has remastered and released another contemporary classic from their vaults: The World According to Garp, and a welcome arrival it is. Adapted from the novel by John Irving and released back in 1982, this quirky comic drama featured star-making performances from three relative newcomers: Glenn Close, John Lithgow, and a gifted young comedian named Robin Williams. Appropriately, Lithgow and Close were both nominated for Academy Awards for their supporting performances, but it was several years too soon for Williams to be taken seriously as a dramatic actor. George Roy Hill, who directed Paul Newman and Robert Redford in Butch Cassidy and the Sundance Kid and The Sting, showed inspired brilliance in giving the lead role to Williams, an actor whose only prior characterizations were a manic alien named Mork from Ork and a one-eyed sailor named Popeye.

PRICE $250

AT A GLANCE
Plus
Musically coherent sound
Comfortable velour earpads
Moving parts don’t creak
Minus
Not especially rugged
Limited low bass
No carry case

THE VERDICT
The affordable Sennheiser HD 598 is styled differently from its famous and more costly sibling, the HD 600, but is just as beautifully voiced and just as insanely comfortable.

The motley crew that lives in my headphone drawer was getting long in the tooth when I decided to add a widely acknowledged classic to the collection. The new acquisition was the Sennheiser HD 600, now more than 20 years and umpteen generations old, and he’s become my go-to guy when I want to spend an evening kicking back with headphones that guarantee total physical and listening comfort. Lately I’ve had a chance to try the HD 600’s little brother, the HD 598. At $250, it lists for $150 less than the HD 600, though as of mid-November it was widely available at major online e-tailers (Amazon, Best Buy, B&H) for $150 to $175.

Fandango, the online movie ticket service, has acquired the movie streaming service M-GO.

The concept of being a true global artist didn’t really exist until the rise of Yanni, the visionary Greek keyboardist/composer who’s played his own unique brand of instrumental music for over 5 million concertgoers worldwide (and counting). Sometimes, you’ll find him and his top-tier “United Nations” orchestra playing for audiences gathered at international landmark locations like the Acropolis in Greece, The Forbidden City of China, the Taj Mahal in India, and The Great Pyramids of Egypt — the latter event having recently been shot in 4K and coming soon to Blu-ray and DVD, after a spring airing on PBS. Yanni’s broad sonic palette covers many musical styles — something that’s no accident, given his voracious consumption of music as a child. “I grew up in Greece, so I was exposed to everything,” he explains. “Any kind of music you can imagine, any kind of rhythm you can imagine: World music, and all classical music too — I loved Bach, for example. I also liked Led Zeppelin, Yes, Genesis, Jethro Tull, and Deep Purple. You wouldn’t believe the kind of bands I used to listen to.” During a recent sitdown in a Sony Music conference room in New York, Yanni, 61 , and I discussed the melodic multicultural wash of his new album Sensuous Chill (Portrait/Sony Masterworks), the shift from analog to digital, his overall recording goals, and his passion for pushing the boundaries of surround sound.